Author: Zeev Gries
Publisher: Littman Library of Jewish Civi
ISBN: 9781906764050
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
This book offers the reader a voyage in the new world that opened up to the enlightened Jewish reader of the eighteenth and nineteenth centuries, a time when the first glimmerings of emancipation and secular education were giving large numbers of Jews their first exposure to science, literature, and art, and opening their minds to new ideas. And as on any voyage led by a knowledgeable guide, there are fascinating side-trips along the way: insights into the world of scholarship, then and now, and into the nature of knowledge. All this was happening at a time when Jews' civil status and place in society was undergoing great change in Europe. In this seminal work, Zeev Gries shows that although the history of the book in the Jewish world has long been regarded as the province of librarians and bibliophiles, it is in fact the history of the Jewish intellect. He starts by tracing the awakening of a dormant Jewish intelligentsia-men, women, and children who were thirsty for knowledge. Books were the magic kiss that opened new doors to the modern world; within a century, Jews were making invaluable contributions to the advancement of science and of culture more generally. By surveying the literary output of those years, the author is able to discover what books were being published, where they were published and distributed, and who was reading them. He surveys the fields of halakhic literature, ethical literature, kabbalistic and mystical literature, literature for children and women, and more general literature. He talks about the role of libraries and of book reviews. Above all, he considers the role of books as agents of culture: were they guardians of hallowed sanctity or harbingers of secularization? Gries shows how the types of books favoured by the Jewish reading public offer an insight into the changing nature of their 'portable homeland'. He then goes on to discuss the Haskalah movement and the tensions between increasing secularization and the more traditional world-view, as well as how the resurrection of Hebrew as a secular literary language contributed to the awakening of Jewish nationalism. Nevertheless, he argues that the study of literary history of the period reveals that secular and Zionist leanings were not the only trends present; Jewish literature continued to be permeated with the spirit of religion.
The Book in the Jewish World
Author: Zeev Gries
Publisher: Littman Library of Jewish Civi
ISBN: 9781906764050
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
This book offers the reader a voyage in the new world that opened up to the enlightened Jewish reader of the eighteenth and nineteenth centuries, a time when the first glimmerings of emancipation and secular education were giving large numbers of Jews their first exposure to science, literature, and art, and opening their minds to new ideas. And as on any voyage led by a knowledgeable guide, there are fascinating side-trips along the way: insights into the world of scholarship, then and now, and into the nature of knowledge. All this was happening at a time when Jews' civil status and place in society was undergoing great change in Europe. In this seminal work, Zeev Gries shows that although the history of the book in the Jewish world has long been regarded as the province of librarians and bibliophiles, it is in fact the history of the Jewish intellect. He starts by tracing the awakening of a dormant Jewish intelligentsia-men, women, and children who were thirsty for knowledge. Books were the magic kiss that opened new doors to the modern world; within a century, Jews were making invaluable contributions to the advancement of science and of culture more generally. By surveying the literary output of those years, the author is able to discover what books were being published, where they were published and distributed, and who was reading them. He surveys the fields of halakhic literature, ethical literature, kabbalistic and mystical literature, literature for children and women, and more general literature. He talks about the role of libraries and of book reviews. Above all, he considers the role of books as agents of culture: were they guardians of hallowed sanctity or harbingers of secularization? Gries shows how the types of books favoured by the Jewish reading public offer an insight into the changing nature of their 'portable homeland'. He then goes on to discuss the Haskalah movement and the tensions between increasing secularization and the more traditional world-view, as well as how the resurrection of Hebrew as a secular literary language contributed to the awakening of Jewish nationalism. Nevertheless, he argues that the study of literary history of the period reveals that secular and Zionist leanings were not the only trends present; Jewish literature continued to be permeated with the spirit of religion.
Publisher: Littman Library of Jewish Civi
ISBN: 9781906764050
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
This book offers the reader a voyage in the new world that opened up to the enlightened Jewish reader of the eighteenth and nineteenth centuries, a time when the first glimmerings of emancipation and secular education were giving large numbers of Jews their first exposure to science, literature, and art, and opening their minds to new ideas. And as on any voyage led by a knowledgeable guide, there are fascinating side-trips along the way: insights into the world of scholarship, then and now, and into the nature of knowledge. All this was happening at a time when Jews' civil status and place in society was undergoing great change in Europe. In this seminal work, Zeev Gries shows that although the history of the book in the Jewish world has long been regarded as the province of librarians and bibliophiles, it is in fact the history of the Jewish intellect. He starts by tracing the awakening of a dormant Jewish intelligentsia-men, women, and children who were thirsty for knowledge. Books were the magic kiss that opened new doors to the modern world; within a century, Jews were making invaluable contributions to the advancement of science and of culture more generally. By surveying the literary output of those years, the author is able to discover what books were being published, where they were published and distributed, and who was reading them. He surveys the fields of halakhic literature, ethical literature, kabbalistic and mystical literature, literature for children and women, and more general literature. He talks about the role of libraries and of book reviews. Above all, he considers the role of books as agents of culture: were they guardians of hallowed sanctity or harbingers of secularization? Gries shows how the types of books favoured by the Jewish reading public offer an insight into the changing nature of their 'portable homeland'. He then goes on to discuss the Haskalah movement and the tensions between increasing secularization and the more traditional world-view, as well as how the resurrection of Hebrew as a secular literary language contributed to the awakening of Jewish nationalism. Nevertheless, he argues that the study of literary history of the period reveals that secular and Zionist leanings were not the only trends present; Jewish literature continued to be permeated with the spirit of religion.
The Book
Author: Michael F. Suarez
Publisher: Oxford University Press, USA
ISBN: 019967941X
Category : History
Languages : en
Pages : 769
Book Description
"This volume seeks to delineate the history of the production, dissemination, and reception of texts from the earliest pictograms of the mid-4th millennium to recent developments in electronic books."--Page xi.
Publisher: Oxford University Press, USA
ISBN: 019967941X
Category : History
Languages : en
Pages : 769
Book Description
"This volume seeks to delineate the history of the production, dissemination, and reception of texts from the earliest pictograms of the mid-4th millennium to recent developments in electronic books."--Page xi.
The Lost Library
Author: Dan Rabinowitz
Publisher: Brandeis University Press
ISBN: 1512603090
Category : History
Languages : en
Pages : 298
Book Description
"The story of the first Jewish public library in Europe"--
Publisher: Brandeis University Press
ISBN: 1512603090
Category : History
Languages : en
Pages : 298
Book Description
"The story of the first Jewish public library in Europe"--
Yiddish Transformed
Author: Nathan Cohen
Publisher: Berghahn Books
ISBN: 1800739672
Category : History
Languages : en
Pages : 431
Book Description
As significant economic, social, political, and cultural transformations swept the Jewish population of Tsarist Russia and Congress Poland between 1860 and 1914, the Yiddish language (Zhargon) began to gain recognition as a central part of the Jewish cultural stage. Yiddish Transformed examines the secular reading habits of East-European Jews as the Jewish community began shifting to a modern society. Author Nathan Cohen explores Jewish reading practices alongside the rise of Yiddish by delving into publishing policies of Yiddish books and newspapers, popular literary genres of the time, the development of Jewish public libraries, as well as personal reflections of reading experiences.
Publisher: Berghahn Books
ISBN: 1800739672
Category : History
Languages : en
Pages : 431
Book Description
As significant economic, social, political, and cultural transformations swept the Jewish population of Tsarist Russia and Congress Poland between 1860 and 1914, the Yiddish language (Zhargon) began to gain recognition as a central part of the Jewish cultural stage. Yiddish Transformed examines the secular reading habits of East-European Jews as the Jewish community began shifting to a modern society. Author Nathan Cohen explores Jewish reading practices alongside the rise of Yiddish by delving into publishing policies of Yiddish books and newspapers, popular literary genres of the time, the development of Jewish public libraries, as well as personal reflections of reading experiences.
The Hebrew Folktale in Premodern Morality Literature
Author: Vered Tohar
Publisher: Wayne State University Press
ISBN: 0814347053
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
Recontextualizing early modern Musar folktales to reveal a new reading of premodern Jewish texts. This pioneering exploration shows that in the early modern world, printed works on morality and ethics served as an important conveyor of classic Jewish folktales and as an important channel of leisure reading in premodern Jewish culture. Utilizing a corpus of over 400 Musartales, author Vered Tohar carefully opens a path to understand the thematic and poetic features of those tales. This innovative reframing of early modern Musar texts reveals a new history of Jewish folklore and emphasizes the continuity of Hebrew literature from medieval to modern era. Tohar classifies these stories, which she calls "the Musar folktales," into four genres adapted from classic poetic studies: tragedy, comedy, parable or social exemplum, and theological allegory. As parables of vice and virtue, the works featured here were originally printed and circulated in early modern Jewish communities, and each contained themes of love and hate, good and evil, loyalty and betrayal, or life and death. Beyond their traditional function of ethical and moral edification, Tohar advances the Musar texts as an archive of Hebrew tales and their ideological traditions. This innovative reframing of early modern Musar texts reveals a new history of Jewish folklore and a new way to read those texts.
Publisher: Wayne State University Press
ISBN: 0814347053
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
Recontextualizing early modern Musar folktales to reveal a new reading of premodern Jewish texts. This pioneering exploration shows that in the early modern world, printed works on morality and ethics served as an important conveyor of classic Jewish folktales and as an important channel of leisure reading in premodern Jewish culture. Utilizing a corpus of over 400 Musartales, author Vered Tohar carefully opens a path to understand the thematic and poetic features of those tales. This innovative reframing of early modern Musar texts reveals a new history of Jewish folklore and emphasizes the continuity of Hebrew literature from medieval to modern era. Tohar classifies these stories, which she calls "the Musar folktales," into four genres adapted from classic poetic studies: tragedy, comedy, parable or social exemplum, and theological allegory. As parables of vice and virtue, the works featured here were originally printed and circulated in early modern Jewish communities, and each contained themes of love and hate, good and evil, loyalty and betrayal, or life and death. Beyond their traditional function of ethical and moral edification, Tohar advances the Musar texts as an archive of Hebrew tales and their ideological traditions. This innovative reframing of early modern Musar texts reveals a new history of Jewish folklore and a new way to read those texts.
Bovo d’Antona by Elye Bokher. A Yiddish Romance
Author: Claudia Rosenzweig
Publisher: BRILL
ISBN: 9004306854
Category : History
Languages : en
Pages : 599
Book Description
Bovo d'Antona by Elye Bokher (Elyiahu ben Asher haLevi Ashkenazi, 1469-1549) is a chivalry poem written in Yiddish in Padoa, in the year 1507, and printed under the author's supervision in Isny (Germany) in the year 1541. The present book intends to present a critical edition of this poem, together with a commentary. An introduction will focus on various related questions, such as the place of the Bovo d'Antona in European literature and in Italian literature, Bovo d'Antona and the chivalric genre in Old Yiddish literature, the analysis of the manuscript versions in comparison with the printed edition, the relationship with the Italian source and the readership. An appendix will deal with later transformations of the Bovo-Bukh. "Bovo Bukh is an excellent example of the relationship between romances and folktales,and Rosenzweigʼs introduction and edition of this important early Yiddish text will be appreciated by scholars of early Modern literature and folk narrative." - Dr. David Elton Gay, Indiana University, in: Fabula 59:1-2 (2018)
Publisher: BRILL
ISBN: 9004306854
Category : History
Languages : en
Pages : 599
Book Description
Bovo d'Antona by Elye Bokher (Elyiahu ben Asher haLevi Ashkenazi, 1469-1549) is a chivalry poem written in Yiddish in Padoa, in the year 1507, and printed under the author's supervision in Isny (Germany) in the year 1541. The present book intends to present a critical edition of this poem, together with a commentary. An introduction will focus on various related questions, such as the place of the Bovo d'Antona in European literature and in Italian literature, Bovo d'Antona and the chivalric genre in Old Yiddish literature, the analysis of the manuscript versions in comparison with the printed edition, the relationship with the Italian source and the readership. An appendix will deal with later transformations of the Bovo-Bukh. "Bovo Bukh is an excellent example of the relationship between romances and folktales,and Rosenzweigʼs introduction and edition of this important early Yiddish text will be appreciated by scholars of early Modern literature and folk narrative." - Dr. David Elton Gay, Indiana University, in: Fabula 59:1-2 (2018)
David 'Chim' Seymour
Author: Carole Naggar
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110706377
Category : History
Languages : en
Pages : 439
Book Description
"He used his camera like a doctor would use a stethoscope in order to diagnose the state of the heart. His own was vulnerable.", Cartier-Bresson wrote about David Seymour, who liked to be called Chim. Chim is best known as one of the cofounders of photojournalism’s famous cooperative Magnum Photos. Weaving Chim’s life and work, this book discovers this empathetic photographer who has been called "The First Human Rights Photographer". In 1947, Chim was one of the four cofounders of the Magnum Photos cooperative with Robert Capa, Henri Cartier-Bresson and George Rodger. He also wrote Magnum’s 1955 bylaws, which are still in effect today. But he is the only one of those famous photographers who does not have a full biography to his name. This book examines his life and work from Poland to France to the Spanish Civil War, his work for British intelligence during World War II, his reportage on Europe’s children after the war, his reportages on Italian actors, illiteracy and religious festivals in Southern Italy, his coverage of Israel’s beginnings before his 1956 death during the Suez war. His complex itinerary is emblematic of the displacements and passages of the XXth century.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110706377
Category : History
Languages : en
Pages : 439
Book Description
"He used his camera like a doctor would use a stethoscope in order to diagnose the state of the heart. His own was vulnerable.", Cartier-Bresson wrote about David Seymour, who liked to be called Chim. Chim is best known as one of the cofounders of photojournalism’s famous cooperative Magnum Photos. Weaving Chim’s life and work, this book discovers this empathetic photographer who has been called "The First Human Rights Photographer". In 1947, Chim was one of the four cofounders of the Magnum Photos cooperative with Robert Capa, Henri Cartier-Bresson and George Rodger. He also wrote Magnum’s 1955 bylaws, which are still in effect today. But he is the only one of those famous photographers who does not have a full biography to his name. This book examines his life and work from Poland to France to the Spanish Civil War, his work for British intelligence during World War II, his reportage on Europe’s children after the war, his reportages on Italian actors, illiteracy and religious festivals in Southern Italy, his coverage of Israel’s beginnings before his 1956 death during the Suez war. His complex itinerary is emblematic of the displacements and passages of the XXth century.
The Aura of the Word in the Early Age of Print (1450–1600)
Author: Jessica Buskirk
Publisher: Routledge
ISBN: 1351546104
Category : Antiques & Collectibles
Languages : en
Pages : 246
Book Description
Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.
Publisher: Routledge
ISBN: 1351546104
Category : Antiques & Collectibles
Languages : en
Pages : 246
Book Description
Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.
Orthodox by Design
Author: Jeremy Stolow
Publisher: Univ of California Press
ISBN: 0520945549
Category : Religion
Languages : en
Pages : 284
Book Description
Orthodox by Design, a groundbreaking exploration of religion and media, examines ArtScroll, the world’s largest Orthodox Jewish publishing house, purveyor of handsomely designed editions of sacred texts and a major cultural force in contemporary Jewish public life. In the first in-depth study of the ArtScroll revolution, Jeremy Stolow traces the ubiquity of ArtScroll books in local retail markets, synagogues, libraries, and the lives of ordinary users. Synthesizing field research conducted in three local Jewish scenes where ArtScroll books have had an impact—Toronto, London, and New York—along with close readings of key ArtScroll texts, promotional materials, and the Jewish blogosphere, he shows how the use of these books reflects a broader cultural shift in the authority and public influence of Orthodox Judaism. Playing with the concept of design, Stolow’s study also outlines a fresh theoretical approach to print culture and illuminates how evolving technologies, material forms, and styles of mediated communication contribute to new patterns of religious identification, practice, and power. Finalist for the National Jewish Book Award in the scholarship category, Jewish Book Council
Publisher: Univ of California Press
ISBN: 0520945549
Category : Religion
Languages : en
Pages : 284
Book Description
Orthodox by Design, a groundbreaking exploration of religion and media, examines ArtScroll, the world’s largest Orthodox Jewish publishing house, purveyor of handsomely designed editions of sacred texts and a major cultural force in contemporary Jewish public life. In the first in-depth study of the ArtScroll revolution, Jeremy Stolow traces the ubiquity of ArtScroll books in local retail markets, synagogues, libraries, and the lives of ordinary users. Synthesizing field research conducted in three local Jewish scenes where ArtScroll books have had an impact—Toronto, London, and New York—along with close readings of key ArtScroll texts, promotional materials, and the Jewish blogosphere, he shows how the use of these books reflects a broader cultural shift in the authority and public influence of Orthodox Judaism. Playing with the concept of design, Stolow’s study also outlines a fresh theoretical approach to print culture and illuminates how evolving technologies, material forms, and styles of mediated communication contribute to new patterns of religious identification, practice, and power. Finalist for the National Jewish Book Award in the scholarship category, Jewish Book Council
The En Yaaqov
Author: Marjorie Lehman
Publisher: Wayne State University Press
ISBN: 0814335969
Category : Religion
Languages : en
Pages : 534
Book Description
Examines the origins of the En Yaaqov in the tumultuous medieval period and the motivations of its creator, exiled Spanish rabbi Jacob ibn Habib. After his expulsion from Spain in 1492, Jacob ibn Habib created the En Yaaqov, a collection of Talmudic aggadah (non-legal material), by removing the majority of the Talmud’s legal portions but preserving the chapter order of the remaining material and adding his own introduction and running commentary. In The En Yaaqov: Jacob ibn Habib’s Search for Faith in the Talmudic Corpus author Marjorie Lehman argues that the En Yaaqov’s anthologizer, Jacob ibn Habib, purposely sought to create a Talmud "look-alike" in order to prove that Judaism’s foundational legal tract could also be seen as a theological document. By considering the factors that influenced ibn Habib, Lehman argues that his En Yaaqov was a reaction to the way that the Talmud was perceived and studied during the late medieval period among Spanish Jewry. In four chapters, Lehman explores the first printed edition of the En Yaaqov, delving into the intellectual culture and theological intricacies surrounding its creation and elaborating on the contributions of the En Yaaqov to the development of faith. Chapter 1 considers the political turmoil and challenges of resettlement that ibn Habib encountered after expulsion and that prompted him to produce the En Yaaqov. Chapter 2 focuses on the intellectual framework within which ibn Habib’s attitude toward Talmudic aggadah developed and explains why few running commentaries on the aggadot of the Talmud existed prior to his work. Chapter 3 discusses ibn Habib’s editorial decisions in choosing to construct the En Yaaqov as a Talmud "look-alike." In Chapter 4, Lehman analyzes key passages in ibn Habib’s commentary to the En Yaaqov to examine how he integrated text and context to provide a resource that Jews could utilize for spiritual growth and continuity of faith. In her conclusion, Lehman addresses the evolving printing history of the collection, which was quite different from that of the Talmud. Lehman argues that ibn Habib’s experiences as a Spanish Jew who was forced to flee Spain prompted him to make decisions not only about how the Talmud should be studied in the name of spiritual restoration but also about how Jews could survive future expulsions by cultivating a sustainable faithful relationship with God. This insightfully researched book will be informative to scholars of Talmud and Rabbinic Literature, late-medieval intellectual history and culture, Sephardic history, and the history of the Jewish book as well as to readers interested in the still-popular En Yaaqov.
Publisher: Wayne State University Press
ISBN: 0814335969
Category : Religion
Languages : en
Pages : 534
Book Description
Examines the origins of the En Yaaqov in the tumultuous medieval period and the motivations of its creator, exiled Spanish rabbi Jacob ibn Habib. After his expulsion from Spain in 1492, Jacob ibn Habib created the En Yaaqov, a collection of Talmudic aggadah (non-legal material), by removing the majority of the Talmud’s legal portions but preserving the chapter order of the remaining material and adding his own introduction and running commentary. In The En Yaaqov: Jacob ibn Habib’s Search for Faith in the Talmudic Corpus author Marjorie Lehman argues that the En Yaaqov’s anthologizer, Jacob ibn Habib, purposely sought to create a Talmud "look-alike" in order to prove that Judaism’s foundational legal tract could also be seen as a theological document. By considering the factors that influenced ibn Habib, Lehman argues that his En Yaaqov was a reaction to the way that the Talmud was perceived and studied during the late medieval period among Spanish Jewry. In four chapters, Lehman explores the first printed edition of the En Yaaqov, delving into the intellectual culture and theological intricacies surrounding its creation and elaborating on the contributions of the En Yaaqov to the development of faith. Chapter 1 considers the political turmoil and challenges of resettlement that ibn Habib encountered after expulsion and that prompted him to produce the En Yaaqov. Chapter 2 focuses on the intellectual framework within which ibn Habib’s attitude toward Talmudic aggadah developed and explains why few running commentaries on the aggadot of the Talmud existed prior to his work. Chapter 3 discusses ibn Habib’s editorial decisions in choosing to construct the En Yaaqov as a Talmud "look-alike." In Chapter 4, Lehman analyzes key passages in ibn Habib’s commentary to the En Yaaqov to examine how he integrated text and context to provide a resource that Jews could utilize for spiritual growth and continuity of faith. In her conclusion, Lehman addresses the evolving printing history of the collection, which was quite different from that of the Talmud. Lehman argues that ibn Habib’s experiences as a Spanish Jew who was forced to flee Spain prompted him to make decisions not only about how the Talmud should be studied in the name of spiritual restoration but also about how Jews could survive future expulsions by cultivating a sustainable faithful relationship with God. This insightfully researched book will be informative to scholars of Talmud and Rabbinic Literature, late-medieval intellectual history and culture, Sephardic history, and the history of the Jewish book as well as to readers interested in the still-popular En Yaaqov.