Author: Sir Thomas Elyot
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 552
Book Description
The Boke Named The Governor
Author: Sir Thomas Elyot
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 552
Book Description
The boke [book] named 'The governor'
Author: Thomas Sir Elyot
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Textual Bodies
Author: Michael Kaufmann
Publisher: Bucknell University Press
ISBN: 9780838752609
Category : Language Arts & Disciplines
Languages : en
Pages : 156
Book Description
"Many have commented on the unusual appearance of modernist novels, but few have bothered to examine what part is played by the unusual typography, paginal arrangement, and binding in the works themselves. Examining Faulkner's As I Lay Dying, Stein's Tender Buttons, Joyce's Finnegans Wake, and William Gass's Willie Masters' Lonesome Wife, Michael Kaufmann shows how these writers exposed the printed surface of their works and eventually made the print a part of the fiction itself." "Earlier English novels always presented themselves as printed artifacts - letters, diaries, logs - but by the nineteenth century, writers played down the physical form of the novel, positing the book as a space for tale-telling and not of reading. Print was simply the transparent medium that delivered the tale. In the twentieth century, modernist writers were aware that print had been subtly shaping language and consciousness, so they felt the necessity for exposing the printed page. To make readers aware of the print itself, modernists broke up the conventional arrangements of the page and the book." "Kaufmann shows the gradual opening of the "iconic space" of the novel from Faulkner and Stein to Joyce and Gass. Stein breaks with the conventional arrangement in Tender Buttons to split the husk of "meaning" that words had acquired through use. Her apparent nonsense turned out to be the only way she could find to make sense. Faulkner and Joyce employ a more conventional paginal arrangement, but bring their narratives into the space of the page. As I Lay Dying speaks itself, physically enacting the narrative. The enactment calls attention to the printed surface and shows the composed rows of interchangeable type comprising the narrative. In Finnegans Wake Joyce overuses the conventions of print until they become visible as conventions. Readers see fully the various textual spaces of the book - alphabetic, lexical, paginal, and compositional. More spectacularly, the paginal space becomes narratival space; the printed characters on the page are the fictional characters." "The final novel studied, Gass's Willie Masters' Lonesome Wife, meditates on its fictions, especially the fictions of its physical form, its body. Gass uses the textual space of the novel with a thoroughness similar to Joyce's. The book, the wife, sounds a simultaneous delight and despair at the form that gives her the visible body of language but which also encloses her bodiless voice in a skin of print." "Recognizing the printed body of the modernist text as one of its defining features, argues Kaufmann, helps define high modernism, and identifies the modernist strain of some writers considered postmodernist."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Bucknell University Press
ISBN: 9780838752609
Category : Language Arts & Disciplines
Languages : en
Pages : 156
Book Description
"Many have commented on the unusual appearance of modernist novels, but few have bothered to examine what part is played by the unusual typography, paginal arrangement, and binding in the works themselves. Examining Faulkner's As I Lay Dying, Stein's Tender Buttons, Joyce's Finnegans Wake, and William Gass's Willie Masters' Lonesome Wife, Michael Kaufmann shows how these writers exposed the printed surface of their works and eventually made the print a part of the fiction itself." "Earlier English novels always presented themselves as printed artifacts - letters, diaries, logs - but by the nineteenth century, writers played down the physical form of the novel, positing the book as a space for tale-telling and not of reading. Print was simply the transparent medium that delivered the tale. In the twentieth century, modernist writers were aware that print had been subtly shaping language and consciousness, so they felt the necessity for exposing the printed page. To make readers aware of the print itself, modernists broke up the conventional arrangements of the page and the book." "Kaufmann shows the gradual opening of the "iconic space" of the novel from Faulkner and Stein to Joyce and Gass. Stein breaks with the conventional arrangement in Tender Buttons to split the husk of "meaning" that words had acquired through use. Her apparent nonsense turned out to be the only way she could find to make sense. Faulkner and Joyce employ a more conventional paginal arrangement, but bring their narratives into the space of the page. As I Lay Dying speaks itself, physically enacting the narrative. The enactment calls attention to the printed surface and shows the composed rows of interchangeable type comprising the narrative. In Finnegans Wake Joyce overuses the conventions of print until they become visible as conventions. Readers see fully the various textual spaces of the book - alphabetic, lexical, paginal, and compositional. More spectacularly, the paginal space becomes narratival space; the printed characters on the page are the fictional characters." "The final novel studied, Gass's Willie Masters' Lonesome Wife, meditates on its fictions, especially the fictions of its physical form, its body. Gass uses the textual space of the novel with a thoroughness similar to Joyce's. The book, the wife, sounds a simultaneous delight and despair at the form that gives her the visible body of language but which also encloses her bodiless voice in a skin of print." "Recognizing the printed body of the modernist text as one of its defining features, argues Kaufmann, helps define high modernism, and identifies the modernist strain of some writers considered postmodernist."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author:
Publisher: Arihant Publications India limited
ISBN: 9326192512
Category :
Languages : en
Pages : 889
Book Description
Publisher: Arihant Publications India limited
ISBN: 9326192512
Category :
Languages : en
Pages : 889
Book Description
The Cambridge Paperback Guide to Literature in English
Author: Ian Ousby
Publisher: Cambridge University Press
ISBN: 9780521436274
Category : Literary Criticism
Languages : en
Pages : 452
Book Description
Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.
Publisher: Cambridge University Press
ISBN: 9780521436274
Category : Literary Criticism
Languages : en
Pages : 452
Book Description
Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.
Legal Rhetoric Books in England, 1600-1700
Author: Lisa Anne Perry
Publisher: Lisa Perry
ISBN:
Category : Law
Languages : en
Pages : 198
Book Description
Publisher: Lisa Perry
ISBN:
Category : Law
Languages : en
Pages : 198
Book Description
The Foundations of Modern Political Thought: Volume 1, The Renaissance
Author: Quentin Skinner
Publisher: Cambridge University Press
ISBN: 9780521293372
Category : History
Languages : en
Pages : 334
Book Description
The two volumes of The Foundations of Modern Political Thought are intended as both an introduction to the period for students, and a presentation and justification of a particular approach to the interpretation of historical texts. -- Book Cover.
Publisher: Cambridge University Press
ISBN: 9780521293372
Category : History
Languages : en
Pages : 334
Book Description
The two volumes of The Foundations of Modern Political Thought are intended as both an introduction to the period for students, and a presentation and justification of a particular approach to the interpretation of historical texts. -- Book Cover.
Humanism and Good Books in Sixteenth-Century England
Author: Katherine C. Little
Publisher: Oxford University Press
ISBN: 0192883216
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This book explores sixteenth-century humanism as an origin for the idea of literature as good, even great, books. It argues that humanists located the value of books not only in the goodness of their writing-their eloquence—but also in their capacity to shape readers in good and bad behavior, thoughts, and feelings, in other words, in their morality. To approach humanism in this way, by attending to its moral interests, is to provide a new perspective on periodization, the transition from the Middle Ages to the Renaissance / early modern. That is, humanists did not so much rupture with medieval ideas about literature or with medieval models as they adapted and altered them, offering a new confidence about an old idea: the moral instructiveness of pagan, classical texts for Christian readers. This revaluation of literature was a double-edged sword. On the one hand, humanist confidence inspired authors to invent their own good books—good in style and morals—in morality plays such as Everyman and the Christian Terence tradition and in educational treatises such as Sir Thomas Elyot's Boke of the Governour. On the other hand, humanism placed a new burden on authors, requiring their work to teach and delight. In the wake of humanism, authors struggled to articulate the value of their work for readers, returning to a pre-humanist path that they associated with Geoffrey Chaucer. This medieval-inflected doubt pervades the late sixteenth-century writings of the most prolific and influential Elizabethans-Robert Greene, George Gascoigne, and Edmund Spenser.
Publisher: Oxford University Press
ISBN: 0192883216
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This book explores sixteenth-century humanism as an origin for the idea of literature as good, even great, books. It argues that humanists located the value of books not only in the goodness of their writing-their eloquence—but also in their capacity to shape readers in good and bad behavior, thoughts, and feelings, in other words, in their morality. To approach humanism in this way, by attending to its moral interests, is to provide a new perspective on periodization, the transition from the Middle Ages to the Renaissance / early modern. That is, humanists did not so much rupture with medieval ideas about literature or with medieval models as they adapted and altered them, offering a new confidence about an old idea: the moral instructiveness of pagan, classical texts for Christian readers. This revaluation of literature was a double-edged sword. On the one hand, humanist confidence inspired authors to invent their own good books—good in style and morals—in morality plays such as Everyman and the Christian Terence tradition and in educational treatises such as Sir Thomas Elyot's Boke of the Governour. On the other hand, humanism placed a new burden on authors, requiring their work to teach and delight. In the wake of humanism, authors struggled to articulate the value of their work for readers, returning to a pre-humanist path that they associated with Geoffrey Chaucer. This medieval-inflected doubt pervades the late sixteenth-century writings of the most prolific and influential Elizabethans-Robert Greene, George Gascoigne, and Edmund Spenser.
Wynkyn de Worde & His Contemporaries from the Death of Caxton to 1535
Author: Henry Robert Plomer
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
Music in Elizabethan Court Politics
Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.