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Author: Irene Gilsenan Nordin
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
The essays in this collection deal with contemporary Irish poetry and the question of the desiring body as a cultural and historical product, a biological entity and a psycho-sexual construction, and not least as an existential being. Drawing upon the literary theories of, among others, the French post-structuralists, the psychoanalytic theories of Lacan and Kristeva, the philosophies of Merleau-Ponty and Levinas, and feminist philosophers, such as Donna Haraway and Susan Bordo. The contributors explore how contemporary Irish poets, both male and female, give expression to what might be termed a reassessment of material experience. With their various approaches they address the various ways in which the body can be seen as an agent of empowerment and change in the work of Eavan Boland, Ciaran Carson, Mary Dorcey, Seamus Heaney, Rita Ann Higgins, Thomas Kinsella, Michael Longley, Derek Mahon, Medbh McGuckian, Paula Meehan, John Montague, Paul Muldoon, Eilean Ni Chuilleanain and Nuala Ni Dhomhnaill.
Author: Irene Gilsenan Nordin
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 272
Get Book Here
Book Description
The essays in this collection deal with contemporary Irish poetry and the question of the desiring body as a cultural and historical product, a biological entity and a psycho-sexual construction, and not least as an existential being. Drawing upon the literary theories of, among others, the French post-structuralists, the psychoanalytic theories of Lacan and Kristeva, the philosophies of Merleau-Ponty and Levinas, and feminist philosophers, such as Donna Haraway and Susan Bordo. The contributors explore how contemporary Irish poets, both male and female, give expression to what might be termed a reassessment of material experience. With their various approaches they address the various ways in which the body can be seen as an agent of empowerment and change in the work of Eavan Boland, Ciaran Carson, Mary Dorcey, Seamus Heaney, Rita Ann Higgins, Thomas Kinsella, Michael Longley, Derek Mahon, Medbh McGuckian, Paula Meehan, John Montague, Paul Muldoon, Eilean Ni Chuilleanain and Nuala Ni Dhomhnaill.
Author: Matthew Campbell
Publisher: Cambridge University Press
ISBN: 9780521012454
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book provides a unique introduction to major figures such as Seamus Heaney, but also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Paul Muldoon and Nuala Ni Dhomhnaill. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion, the only book of its kind on the market, provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.
Author: Wolfgang Gortschacher
Publisher: John Wiley & Sons
ISBN: 1118843258
Category : Literary Criticism
Languages : en
Pages : 656
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Book Description
A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.
Author: Lucy Collins
Publisher: Oxford University Press
ISBN: 1781381879
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
In twentieth-century Ireland the relationship between the personal past and narrative history has exerted a shaping force on the lives of individual writers and on the formation of literary communities. This study explores this important intersection of the personal and the political, and its aesthetic consequences, in individual poems and volumes by contemporary Irish women. Collins argues for the central importance of memory in the work of contemporary Irish women poets such as Eiléan Ní Chuilleanáin, Eavan Boland and Medbh McGuckian, and for its significant role in their creative development and critical reception.
Author: Daniela Theinová
Publisher: Springer Nature
ISBN: 3030559548
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Limits and Languages in Contemporary Irish Women’s Poetry examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinová explores the works of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinová engages directly with texts in both Irish and English. By highlighting these writers’ uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets—including Vona Groarke, Caitríona O’Reilly, Sinéad Morrissey, Ailbhe Darcy and Aifric Mac Aodha—this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation’s canon.
Author: Borbála Faragó
Publisher: Bucknell University Press
ISBN: 1611485649
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
This book offers a wide-ranging analysis of the entire corpus of Medbh McGuckian’s published work. Its objective is to provide both a readable synthesis of existing criticism, in a fashion which will be generally useful to academics and students, and also to offer an original contribution to the field of contemporary Irish literary studies on the basis of new research. The book investigatesa variety of previously neglected themes, in particular McGuckian’s exploration of ideas of creativity and performativity in her poetry. Over the past two decades McGuckian has been recognized by both her fellow poets and by literary critics as one of the most original, daring and important poetic voices in contemporary Ireland. Since 1982 she has published fifteen volumes of poetry, extraordinary not merely for its sustained quality and linguistic and technical virtuosity, but also for its constant evolution and reinvention. This book provides an original perspective on her work both thematically and methodologically. From a thematic perspective, the process of artistic creation is a key preoccupation of McGuckian’s poetry which recurs in every volume of her oeuvre but has previously escaped critical attention. By adapting and refining theories of singularity and creativity, the book allows for a coherent analysis of this central aspect of McGuckian’s work. Methodologically it differs from previous studies in the scope of its approach. Uniquely, it pursues its investigation across the entire breadth of the poet’s published output and emphasizes the thematic unity of individual volumes in the light of the poet’s constant change and development. Throughout the book, the reading of McGuckian’s work concentrates on poems in their entirety, an approach which has not figured to any notable degree in the existing secondary literature on the poet, not least because of the perceived difficulty of her writing. A critical investigation, however, which respects both the integrity of the individual poems and the internal coherence of her various volumes allows for a far deeper understanding both of the poet’s thematic preoccupations and of the evolution of her distinctive poetic voice.
Author: Rebecca Barr
Publisher: Cambridge Scholars Publishing
ISBN: 1443883077
Category : History
Languages : en
Pages : 230
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Book Description
Engendering Ireland is a collection of ten essays showcasing the importance of gender in a variety of disciplines. These essays interrogate gender as a concept which encompasses both masculinity and femininity, and which permeates history and literature, culture and society in the modern period. The collection includes historical research which situates Irish women workers within an international economic context; textual analysis which sheds light on the effects of modernity on the home and rising female expectations in the post-war era; the rediscovery of significant Irish women modernists such as Mary Devenport O’Neill; and changing representations of masculinity, race, ethnicity and interculturalism in modern Irish theatre. Each of these ten essays provides a thought-provoking picture of the complex and hitherto unrecognised roles gender has played in Ireland over the last century. While each of these chapters offers a fresh perspective on familiar themes in Irish gender studies, they also illustrate the importance and relevance of gender studies to contemporary debates in Irish society.
Author: Ailbhe Darcy
Publisher: Cambridge University Press
ISBN: 1108802702
Category : Literary Criticism
Languages : en
Pages : 853
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Book Description
A History of Irish Women's Poetry is a ground-breaking and comprehensive account of Irish women's poetry from earliest times to the present day. It reads Irish women's poetry through many prisms – mythology, gender, history, the nation – and most importantly, close readings of the poetry itself. It covers major figures, such as Máire Mhac an tSaoi, Eavan Boland, Eiléan Ní Chuilleanáin, as well as neglected figures from the past. Writing in both English and Irish is considered, and close attention paid to the many different contexts in which Irish women's poetry has been produced and received, from the anonymous work of the early medieval period, through the bardic age, the coterie poets of Anglo-Ireland, the nationalist balladeers of Young Ireland, the Irish Literary Revival, and the advent of modernity. As capacious as it is diverse, this book is an essential contribution to scholarship in the field.
Author: Irene Gilsenan Nordin
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 170
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Book Description
This is the first full-length study of Eilean Ni Chuilleamlin. The author uses the theories of Emmanuel Levinas and Jacques Derrida to demonstrate how poetry can give voice to the existential experience of being.
Author: Jody Allen Randolph
Publisher: Rowman & Littlefield
ISBN: 1611485371
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
In this powerful and authoritative study Jody Allen Randolph providesthe fullest account yet of the work of a major figure in twentieth-century Irish literature as well as in contemporary women’s writing. Eavan Boland’s achievement in changing the map of Irish poetry is tracked and analyzed from her first poems to the present. The book traces the evolution of that achievement, guiding the reader through Boland’s early attachment to Yeats, her growing unease with the absence of women’s writing, her encounter with pioneering American poets like Sylvia Plath, Elizabeth Bishop, and Adrienne Rich, and her eventual, challenging amendments in poetry and prose to Ireland’s poetic tradition. Using research from private papers the book also traces a time of upheaval and change in Ireland, exploring Boland's connection to Mary Robinson, in a chapter that details the nexus of a woman president and a woman poet in a country that was resistant to both. Finally, this book invites the reader to share a compelling perspective on the growth of a poet described by one critic as Ireland’s “first great woman poet.”
