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Author: John Edward Bruce
Publisher: UPNE
ISBN: 9781555535117
Category : Fiction
Languages : en
Pages : 188
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Book Description
A novel featuring the first black detective in American fiction, boldly attacking white prejudice and racial injustice in the U.S. and abroad.
Author: John Edward Bruce
Publisher: UPNE
ISBN: 9781555535117
Category : Fiction
Languages : en
Pages : 188
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Book Description
A novel featuring the first black detective in American fiction, boldly attacking white prejudice and racial injustice in the U.S. and abroad.
Author: Melanie Rehak
Publisher: Houghton Mifflin Harcourt
ISBN: 015603056X
Category : Biography & Autobiography
Languages : en
Pages : 387
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Book Description
The brainchild of children's book mogul Edward Stratemeyer, Nancy Drew was brought to life by two women. In a century- spanning story Rehak traces their roles--and Nancy's--in forging the modern American woman.
Author: Frankie Y. Bailey
Publisher: McFarland & Company Incorporated Pub
ISBN: 9780786433391
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
"This book examines works of African American mystery writers within the social and historical contexts of African American literature on crime and justice. Chapters cover the movement by Black authors from slave narratives and antebellum newspapers to fiction writing; the transition from early genre writers to protest writers of the 1940s and 1950s"--Provided by publisher.
Author: Matthew J. Christensen
Publisher: Boydell & Brewer
ISBN: 1847013872
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Providing a survey of Anglophone African detective fiction, from the late 1940s to the present day, this study traces its history both as a literary form and a mode of critical exploration of the fraught sovereignties of the African state and its citizens. Since the late 1940s, African writers including Cyprian Ekwensi, Arthur Maimane, Adaora Lily Ulasi, Hilary Ng'weno, Unity Dow, Parker Bilal, and Angela Makholwa have published over 200 murder mysteries, police procedurals, spy thrillers, and other fictional narratives of investigation and discovery in English-language newspapers, magazines, and novels. Distributed widely across the continent's diverse cultural and political geographies, these texts share aesthetic characteristics and thematic preoccupations that reflect transnational networks of production, circulation, and influence. Anglophone African Detective Fiction, 1940-2020 surveys this literary history and examines how African writers have repeatedly harnessed the detective story to interrogate postcolonial realities of selfhood and the state. It argues that African writers have turned the detective story into a highly productive, while at the same time suspense-filled and entertaining, mode of social and political critique, first of colonialism and the independence era and latterly of neoliberal governance. Offering an overview of paradigmatic texts, from Ghana to Kenya and Sudan to South Africa, the book traces the contours of the history of Anglophone African detective fiction that is at once a cultural history of a uniquely African assessment of the ongoing problematics of sovereignty and decolonization.
Author: John Cullen Gruesser
Publisher: McFarland
ISBN: 0786465360
Category : Performing Arts
Languages : en
Pages : 218
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Book Description
This book highlights detection's malleability by analyzing the works of particular groups of authors from specific time periods written in response to other texts. It traces the roles that gender, race and empire have played in American detective fiction from Edgar Allan Poe's works through the myriad variations upon them published before 1920 to hard-boiled fiction (the origins of which derive in part from turn-of-the-20th-century notions about gender, race and nationality), and it concludes with a discussion of contemporary mystery series with inner-city settings that address black male and female heroism.
Author: Valerie Babb
Publisher: Cambridge University Press
ISBN: 1107061725
Category : History
Languages : en
Pages : 499
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Book Description
This History is intended for a broad audience seeking knowledge of how novels interact with and influence their cultural landscape. Its interdisciplinary approach will appeal to those interested in novels and film, graphic novels, novels and popular culture, transatlantic blackness, and the interfacing of race, class, gender, and aesthetics.
Author: Maryemma Graham
Publisher: Cambridge University Press
ISBN: 1139826840
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
The Cambridge Companion to the African American Novel presents new essays covering the one hundred and fifty year history of the African American novel. Experts in the field from the US and Europe address some of the major issues in the genre: passing, the Protest novel, the Blues novel, and womanism among others. The essays are full of fresh insights for students into the symbolic, aesthetic, and political function of canonical and non-canonical fiction. Chapters examine works by Ralph Ellison, Leon Forrest, Toni Morrison, Ishmael Reed, Alice Walker, John Edgar Wideman, and many others. They reflect a range of critical methods intended to prompt new and experienced readers to consider the African American novel as a cultural and literary act of extraordinary significance. This volume, including a chronology and guide to further reading, is an important resource for students and teachers alike.
Author: Glynn, Martin
Publisher: Policy Press
ISBN: 1529213940
Category : Social Science
Languages : en
Pages : 208
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Book Description
It is time to disrupt current criminological discourses which still exclude the perspectives of black scholars. Through the lens of black art, Martin Glynn explores the relevance black artistic contributions have for understanding crime and justice. Through art forms including black crime fiction, black theatre and black music, this book brings much needed attention to marginalized perspectives within mainstream criminology. Refining academic and professional understandings of race, racialization and intersectional aspects of crime, this text provides a platform for the contributions to criminology which are currently rendered invisible.
Author: John Cullen Gruesser
Publisher: University Press of Kentucky
ISBN: 0813183154
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Black on Black provides the first comprehensive analysis of the modern African American literary response to Africa, from W.E.B. Du Bois's The Souls of Black Folk to Alice Walker's The Color Purple. Combining cutting-edge theory, extensive historical and archival research, and close readings of individual texts, Gruesser reveals the diversity of the African American response to Countee Cullen's question, "What is Africa to Me?" John Gruesser uses the concept of Ethiopianism—the biblically inspired belief that black Americans would someday lead Africans and people of the diaspora to a bright future—to provide a framework for his study. Originating in the eighteenth century and inspiring religious and political movements throughout the 1800s, Ethiopianism dominated African American depictions of Africa in the first two decades of the twentieth century, particularly in the writings of Du Bois, Sutton Griggs, and Pauline Hopkins. Beginning with the Harlem Renaissance and continuing through the Italian invasion and occupation of Ethiopia, however, its influence on the portrayal of the continent slowly diminished. Ethiopianism's decline can first be seen in the work of writers closely associated with the New Negro Movement, including Alain Locke and Langston Hughes, and continued in the dramatic work of Shirley Graham, the novels of George Schuyler, and the poetry and prose of Melvin Tolson. The final rejection of Ethiopianism came after the dawning of the Cold War and roughly coincided with the advent of postcolonial Africa in works by authors such as Richard Wright, Lorraine Hansberry, and Alice Walker.
Author: John Cullen Gruesser
Publisher: University of Georgia Press
ISBN: 0820330264
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Confluences looks at the prospects for and the potential rewards of breaking down theoretical and disciplinary barriers that have tended to separate African American and postcolonial studies. John Cullen Gruesser’s study emphasizes the confluences among three major theories that have emerged in literary and cultural studies in the past twenty-five years: postcolonialism, Henry Louis Gates Jr.’s Signifyin(g), and Paul Gilroy’s black Atlantic. For readers who may not be well acquainted with one or more of the three theories, Gruesser provides concise introductions in the opening chapter. In addition, he urges those people working in postcolonial or African American literary studies to attempt to break down the boundaries that in recent years have come to isolate the two fields. Gruesser then devotes a chapter to each theory, examining one literary text that illustrates the value of the theoretical model, a second text that extends the model in a significant way, and a third text that raises one or more questions about the theory. His examples are drawn from the writings of Salman Rushdie, Jean Rhys, V. S. Naipaul, Walter Mosley, Pauline Hopkins, Toni Morrison, Harry Dean, Harriet Jacobs, and Alice Walker. Cautious not to conflate postcolonial and African American studies, Gruesser encourages critics to embrace the black Atlantic’s emphases on movement through space (routes rather than roots) and intercultural connections and to expand and where appropriate to emend Gilroy’s efforts to bridge the two fields.
