Author: Zélie Asava
Publisher: Reimagining Ireland
ISBN: 9783034308397
Category : Black people in motion pictures
Languages : en
Pages : 0
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Book Description
This book examines the position of black and mixed-race characters in Irish film culture. Exploring key film and TV productions from the 1990s to the present day, the author interrogates concepts of Irish identity, history and nation, making a significant theoretical contribution to scholarly work on representation and identity in Irish film.
Author: Zélie Asava
Publisher: Bloomsbury Publishing USA
ISBN: 1501312464
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zélie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to 'tragic mulatto' tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and 'post-race' visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts.
Author: Tony Tracy
Publisher: State University of New York Press
ISBN: 1438489102
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
White Cottage, White House examines how Classical Hollywood cinema developed and deployed Irish American masculinities to negotiate, consolidate, and reinforce hegemonic whiteness in midcentury America. Largely confined to discriminatory stereotypes during the silent era, Irish American male characters emerge as a favored identity with the introduction of sound, positioned in a variety of roles as mediators between the marginal and mainstream. The book argues that such characters function to express hegemonic whiteness as ethnicity, a socio-racial framing that kept immigrant origins and normative American values in productive tension. It traces key Irish American male types—the gangster, the priest, the cop, the sports hero, and the returning immigrant—who navigated these tensions in maintenance of an ethnic whiteness that was nonetheless "at home" in America, transforming from James Cagney's "public enemy" to John Wayne's "quiet man" in the process. Whether as figures of Depression-era social disruption, avatars of presidential patriarchy and national manhood, or allegories of postwar white flight and the nuclear family, Irish American masculinities occupied a distinctive and unrivaled visibility and role in popular American film.
Author: Flore Coulouma
Publisher: Reimagining Ireland
ISBN: 9783034319775
Category : Television broadcasting
Languages : en
Pages : 0
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Book Description
Within the growing field of TV series studies, little work has yet been done on Ireland. This volume fills the gap by offering new and compelling studies of contemporary Irish TV series. It argues that there is a distinctly Irish culture of TV fiction series and examines some of its finest examples, from Father Ted to Love/Hate and Sin Scéal Eile.
Author: Ruth Barton
Publisher:
ISBN: 9781526124449
Category : Motion pictures
Languages : en
Pages : 248
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Book Description
This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the countryside and the city.
Author: Ruth Barton
Publisher: Manchester University Press
ISBN: 1526124459
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies. Responding to changes in the Irish production environment, it includes chapters on new Irish genres such as creative documentary, animation and horror. It discusses shifting representations of the countryside and the city, always with a strong concern for gender representations, and looks at how Irish historical events, from the Civil War to the Troubles, and the treatment of the traumatic narrative of clerical sexual abuse have been portrayed in recent films. It covers works by established auteurs such as Neil Jordan and Jim Sheridan, as well as new arrivals, including the Academy Award-winning Lenny Abrahamson.
Author: Rob Doyle
Publisher: Bloomsbury Publishing USA
ISBN: 1632865378
Category : Fiction
Languages : en
Pages : 209
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Book Description
"A tremendous talent. Every page fizzes with vitality." --Kevin Barry, author of Beatlebone A young man in a dark depression roams the vast, formless landscape of a Dublin industrial park where he meets a vagrant in the grip of a dangerous ideology. A woman fleeing a breakup finds herself taking part in an unusual sleep experiment. A man obsessed with Nietzsche clings desperately to his girlfriend's red shoes. And whatever happened to Killian Turner, Ireland's vanished literary outlaw? Lost and isolated, the characters in these masterful stories play out their fragmented relationships in a series of European cities, always on the move; from rented room to darkened apartment, hitchhiker's roadside to Barcelona nightclub. Rob Doyle, a shape-shifting drifter, a reclusive writer, also stalks the book's pages. Layering narratives and splicing fiction with non-fiction, This is the Ritual tells of the ecstatic, the desperate and the uncertain. Immersive, at times dreamlike, and frank in its depiction of sex, the writer's life, failed ideals, and the transience of emotions, it introduces an unmistakable new literary voice.
Author: Charlotte McIvor
Publisher: Springer
ISBN: 1137469730
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
This book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance.
Author: Lisa Doris Alexander
Publisher: University Press of Kansas
ISBN: 0700628401
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as "black film" per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement—such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones—they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles—costarring and co-written by Richard Pryor—is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment—and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades.
Author: Paula James
Publisher: A&C Black
ISBN: 144118466X
Category : History
Languages : en
Pages : 249
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Book Description
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