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Author: Andrew B. Leiter
Publisher: LSU Press
ISBN: 9780807137536
Category : History
Languages : en
Pages : 296
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Book Description
Andrew B. Leiter presents the first book-length study of the sexually violent African American man, or "black beast," as a composite literary phenomenon. According to Leiter, the black beast theme served as a fundamental link between the Harlem and Southern Renaissances, with writers from both movements exploring its psychological, cultural, and social ramifications. Indeed, Leiter asserts that the two groups consciously engaged one another's work as they struggled to define roles for black masculinity in a society that viewed the black beast as the raison d'être for segregation. Leiter begins by tracing the nineteenth-century origins of the black beast image, and then provides close readings of eight writers who demonstrate the crucial impact anxieties about black masculinity and interracial sexuality had on the formation of American literary modernism. James Weldon Johnson's The Autobiography of an Ex-Colored Man, Walter White's The Fire in the Flint, George Schuyler's Black No More, William Faulkner's Light in August, Margaret Mitchell's Gone with the Wind, Allen Tate's The Fathers, Erskine Caldwell's Trouble in July, and Richard Wright's Native Son, as well as other works, provide strong evidence that perceptions of black male sexual violence shaped segregation, protest traditions, and the literature that arose from them. Leiter maintains that the environment of southern race relations -- which allowed such atrocities as the Atlanta riot of 1906, numerous lynchings, Virginia's Racial Integrity Act, and the Scottsboro trials -- influenced in part the development of both the Harlem and Southern Renaissances. While the black beast image had the most pernicious impact on African American individual and communal identities, he says the "threat" of black masculinity also shaped concepts of white national and communal identities, as well as white femininity and masculinity. In the Shadow of the Black Beast signals a fresh interpretation of a literary stereotype within its social and historical context.
Author: Andrew B. Leiter
Publisher: LSU Press
ISBN: 9780807137536
Category : History
Languages : en
Pages : 296
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Book Description
Andrew B. Leiter presents the first book-length study of the sexually violent African American man, or "black beast," as a composite literary phenomenon. According to Leiter, the black beast theme served as a fundamental link between the Harlem and Southern Renaissances, with writers from both movements exploring its psychological, cultural, and social ramifications. Indeed, Leiter asserts that the two groups consciously engaged one another's work as they struggled to define roles for black masculinity in a society that viewed the black beast as the raison d'être for segregation. Leiter begins by tracing the nineteenth-century origins of the black beast image, and then provides close readings of eight writers who demonstrate the crucial impact anxieties about black masculinity and interracial sexuality had on the formation of American literary modernism. James Weldon Johnson's The Autobiography of an Ex-Colored Man, Walter White's The Fire in the Flint, George Schuyler's Black No More, William Faulkner's Light in August, Margaret Mitchell's Gone with the Wind, Allen Tate's The Fathers, Erskine Caldwell's Trouble in July, and Richard Wright's Native Son, as well as other works, provide strong evidence that perceptions of black male sexual violence shaped segregation, protest traditions, and the literature that arose from them. Leiter maintains that the environment of southern race relations -- which allowed such atrocities as the Atlanta riot of 1906, numerous lynchings, Virginia's Racial Integrity Act, and the Scottsboro trials -- influenced in part the development of both the Harlem and Southern Renaissances. While the black beast image had the most pernicious impact on African American individual and communal identities, he says the "threat" of black masculinity also shaped concepts of white national and communal identities, as well as white femininity and masculinity. In the Shadow of the Black Beast signals a fresh interpretation of a literary stereotype within its social and historical context.
Author: J.R. Ward
Publisher: Penguin
ISBN: 0698192974
Category : Fiction
Languages : en
Pages : 530
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Book Description
Fan favorite couple Rhage and Mary return in this gripping novel in the #1 New York Times bestselling Black Dagger Brotherhood series. Nothing is as it used to be for the Black Dagger Brotherhood. The slayers of the Lessening Society are stronger than ever, preying on human weakness to acquire more money, more weapons, more power. But as the Brotherhood readies for an all-out attack on them, one of their own fights a battle within himself... For Rhage—the Brother with the biggest appetites, but also the biggest heart—life was supposed to be perfect. Or at the very least, perfectly enjoyable. But he can’t understand or control the panic and insecurity that plague him. Terrified, he must reassess his priorities after suffering a mortal injury. And the answer, when it comes to him, rocks his—and his beloved Mary’s—world...
Author: Nancy Springer
Publisher:
ISBN: 9780671618292
Category : Fiction
Languages : en
Pages : 192
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Book Description
Tirell, a prince of Melior, swears revenge when his father, King Aftalun, kills Mylitta, the girl Tirell was in love with
Author: Mary Jo Putney
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
The Beauty and the Beast: a haunted and hidden lord, a desperate young beauty, and a marriage of convenience between two people who yearn for more... James Markland, Lord Falconer, knows that he is ugly, very ugly, and he lives a life of seclusion, wearing a heavily cowled mantle to conceal his face from the world. When he learns that a neighboring girl, the exquisite young Ariel Hawthorne, is about to be sold into marriage with a revolting lecher, he offers her the only protection he can: his name. Of course it will be a marriage in name only, because what woman could want him? A talented artist, Ariel is cursed by her beauty and vulnerability. Though she never sees her husband's face, she is drawn to his kindness and generosity, but he is determined to push her away. Will he allow her to love him before it's too late? Perhaps the magic of Christmas can bring them together... *This seasonal stand-alone Regency novella is also published in the author's Christmas Revels collection. What readers say: "The Black Beast of Belleterre [is] the perfect Beauty and the Beast retelling with every detail wonderfully re-envisioned." "When I was a teen, I read this and fell in love with The Black Beast Of Belleterre. It is a Beauty and the Beast sort of tale. It pulls in everything we hope for in a love story!" "[The Black Beast of Belleterre] was an amazing story!" About the Author A New York Times, Wall Street Journal, and USAToday bestselling author, Mary Jo Putney's novels are known for psychological depth and intensity and include historical and contemporary romance, fantasy, and young adult fantasy. Winner of numerous writing awards, including two RITAs, three Romantic Times Career Achievement awards, and the Nora Roberts Lifetime Achievement Award from Romance Writers of America, she has had numerous books listed among Library Journal's and Booklist's top romances of the year.
Author: Paul Hoch
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 200
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Book Description
Author: Andrew B. Leiter
Publisher: LSU Press
ISBN: 0807146358
Category : Literary Criticism
Languages : en
Pages : 570
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Book Description
Andrew B. Leiter presents the first book-length study of the sexually violent African American man, or "black beast," as a composite literary phenomenon. According to Leiter, the black beast theme served as a fundamental link between the Harlem and Southern Renaissances, with writers from both movements exploring its psychological, cultural, and social ramifications. Indeed, Leiter asserts that the two groups consciously engaged one another's work as they struggled to define roles for black masculinity in a society that viewed the black beast as the raison d'être for segregation. Leiter begins by tracing the nineteenth-century origins of the black beast image, and then provides close readings of eight writers who demonstrate the crucial impact anxieties about black masculinity and interracial sexuality had on the formation of American literary modernism. James Weldon Johnson's The Autobiography of an Ex-Colored Man, Walter White's The Fire in the Flint, George Schuyler's Black No More, William Faulkner's Light in August, Margaret Mitchell's Gone with the Wind, Allen Tate's The Fathers, Erskine Caldwell's Trouble in July, and Richard Wright's Native Son, as well as other works, provide strong evidence that perceptions of black male sexual violence shaped segregation, protest traditions, and the literature that arose from them. Leiter maintains that the environment of southern race relations -- which allowed such atrocities as the Atlanta riot of 1906, numerous lynchings, Virginia's Racial Integrity Act, and the Scottsboro trials -- influenced in part the development of both the Harlem and Southern Renaissances. While the black beast image had the most pernicious impact on African American individual and communal identities, he says the "threat" of black masculinity also shaped concepts of white national and communal identities, as well as white femininity and masculinity. In the Shadow of the Black Beast signals a fresh interpretation of a literary stereotype within its social and historical context.
Author: D. Watkins
Publisher: Simon and Schuster
ISBN: 1510716408
Category : Social Science
Languages : en
Pages : 120
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Book Description
A New York Times Best Seller! To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order. Suddenly the entire country seemed to be awakened to a stark fact: African American men are in danger in America. This has only become clearer as groups like Black Lives Matter continue to draw attention to this reality daily not only online but also in the streets of our nation’s embattled cities. Now one of our country’s quintessential urban war zones is brought powerfully to life by a rising young literary talent, D. Watkins. The author fought his way up on the eastside (the “beastside”) of Baltimore, Maryland—or “Bodymore, Murderland,” as his friends call it. He writes openly and unapologetically about what it took to survive life on the streets while the casualties piled up around him, including his own brother. Watkins pushed drugs to pay his way through school, staying one step ahead of murderous business rivals and equally predatory lawmen. When black residents of Baltimore finally decided they had had enough—after the brutal killing of twenty-five-year-old Freddie Gray while in police custody—Watkins was on the streets as the city erupted. He writes about his bleeding city with the razor-sharp insights of someone who bleeds along with it. Here are true dispatches from the other side of America. In this new paperback edition, the author has also added new material responding to the rising tide of racial resentment and hate embodied by political figures like Donald Trump and Ted Cruz, and the impact this has had on issues of race in America. This book is essential reading for anyone trying to make sense of the chaos of our current political moment.
Author: C. I. Aki
Publisher:
ISBN: 9781953932037
Category : Poetry
Languages : en
Pages : 104
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Book Description
Inside, these poems will take you to a place, an edge, in the midst of the horrors of racial inequity, re George Floyd, and the ensuing attempts of disestablishing the strongholds of racial bias, discrimination, and injustice. C.I. Aki will take you there, show it to you, urge change for the world, then ask, "Is this the sole purpose of Black poetry?" And, reminding you that he is also the multitudes of the "I am," we are given the complete picture of the poet, his job, and his work. Smattered about are poems of love, poems of hope, poems of questioning with some honest, innovative answers too, and we are forced to sit, and think, and listen to the inexorable genius unveiling itself within these words. These poems are monuments, an unrelenting achievement for the modern Black poet's soul. The world is filled with beasts, but they cannot shroud entirely its beauty.
Author: Da'Shaun L. Harrison
Publisher: North Atlantic Books
ISBN: 1623175976
Category : Social Science
Languages : en
Pages : 148
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Book Description
**The 2022 Lammy Award Winner in Transgender Nonfiction** Exploring the intersections of Blackness, gender, fatness, health, and the violence of policing. To live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to sociopolitically sanctioned discrimination, abuse, condescension, and trauma. Da’Shaun Harrison--a fat, Black, disabled, and nonbinary trans writer--offers an incisive, fresh, and precise exploration of anti-fatness as anti-Blackness, foregrounding the state-sanctioned murders of fat Black men and trans and nonbinary masculine people in historical analysis. Policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary masculine people are pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they’re more likely to be houseless. Fat people die at higher rates from misdiagnosis or nontreatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, Blackness, disability, and gender, these abuses are exacerbated. Taking on desirability politics, the limitations of gender, the connection between anti-fatness and carcerality, and the incongruity of “health” and “healthiness” for the Black fat, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness. They offer strategies for dismantling denial, unlearning the cultural programming that tells us “fat is bad,” and destroying the world as we know it, so the Black fat can inhabit a place not built on their subjugation.
Author: Henry St Clair Whitehead
Publisher:
ISBN: 9780583126113
Category : Short stories, English
Languages : en
Pages : 189
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Book Description
