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Author: Thomas Bird Mosher
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 460
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Book Description
Author: Thomas Bird Mosher
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 460
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 456
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Book Description
Author: Thomas Bird Mosher
Publisher:
ISBN:
Category : Fine books
Languages : en
Pages : 48
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Book Description
Author: Henry Louis Mencken
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 652
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Book Description
Author: Rémy Gilbert Saisselin
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
Examines how art was changed from aesthetic experience to consumer commodity during the nineteenth century, and discusses the changing social role of art
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
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Book Description
Author: Janell Watson
Publisher: Cambridge University Press
ISBN: 113942663X
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
This book addresses the issues of collecting, consuming, classifying and describing the curiosities, antiques and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarmé and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order. Her study makes an important contribution to the literary history of material culture.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 738
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Book Description
Author: Didier Maleuvre
Publisher: Stanford University Press
ISBN: 9780804736046
Category : History
Languages : en
Pages : 348
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Book Description
The author shows how museum culture offers a unique vantage point on the 19th and 20th centuries' preoccupation with history and subjectivity, and demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.
Author: Brad Evans
Publisher: JHU Press
ISBN: 1421431564
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Restoring proto-modernist little magazines—known as ephemeral bibelots—to the scholarly canon. Emanating from the cabarets of modernist Paris, a short-lived vogue spread around the world for avant-garde journals known in English as "ephemeral bibelots." For a time, it seemed that all the young bohemians passing through Paris started their own bibelots modeled on Le Chat Noir, the esoteric magazine of the famed Montmartre cabaret. These journals were recognizable for their decadence, campy queerness, astounding art nouveau illustrations, fin-de-siècle color schemes, innovative typefaces, and practiced bohemianism. In Ephemeral Bibelots, Brad Evans relays the untold story of this late-nineteenth-century craze for bibelots, dusting off a trove of periodicals largely untouched by digitization. In excavating this forgotten archive, Evans calls into question the prehistory of modernist little magazines as well as the history of American art and literature at the turn of the twentieth century. Considering how artistic movements take shape, move, and disappear, the book is organized around three major themes—"vogue," "ephemera," and "obscurity"—with authors and artists to match. A full-color insert reveals a glorious array of bibelot covers. This revisionary history of print culture incorporates discussions of pragmatist philosophy and relational aesthetics; women writers like Juliet Wilbor Tompkins and Carolyn Wells; the graphic artists Will Bradley, Louis Rhead, and John Sloan; the dancer Loie Fuller; and twentieth-century figures like H. L. Mencken, Amy Lowell, and Anita Loos. Bringing nineteenth-century American literature and culture into conversation with modern art movements from around the world, Ephemeral Bibelots provides new ways of thinking about the centrality of various media cultures to the attribution of aesthetic innovation and its staying power.
