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Author: Steven Bingen
Publisher: Santa Monica Press
ISBN: 1595808930
Category : Performing Arts
Languages : en
Pages : 1157
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Book Description
M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.
Author: Steven Bingen
Publisher: Santa Monica Press
ISBN: 1595808930
Category : Performing Arts
Languages : en
Pages : 1157
Get Book Here
Book Description
M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.
Author: Elizabeth Miles Montgomery
Publisher:
ISBN: 9780788192616
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
From 1924, when the studios of Metro-Goldwyn-Mayer (MGM) produced their first hit, He Who Gets SlappedÓ, MGM films have included many of the all time greats: silent favorites such as The Big ParadeÓ; horror movies such as Dr. Jekyll & Mr. HydeÓ; war movies such as 30 Seconds Over TokyoÓ; musicals such as An American in ParisÓ, GigiÓ, & Singing in the RainÓ; as well as blockbusters such as The Wizard of OzÓ, A Night at the OperaÓ, & Ben HurÓ, & of course, Gone With the WindÓ. There have also been such diverse films as Dr. ZhivagoÓ, The Sunshine BoysÓ, & Thelma & LouiseÓ. Lavishly illustrated with more than 240 stills & posters in color & black & white.
Author: Elizabeth M. Montgomery
Publisher:
ISBN: 9781555219536
Category :
Languages : en
Pages :
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Book Description
From 1924, when the studios of Metro-Goldwyn-Mayer produced their first hit, He Who Gets Slapped, MGM films have included many of the all time greats: silent favorites such as The Big Parade; horror movies such as Dr. Jekyll and Mr. Hyde; war movies such as 30 Seconds Over Tokyo; musicals such as An American in Paris, Gigi, and Singing in the Rain; as well as blockbusters such as The Wizard of Oz, A Night at the Opera, and Ben Hur, and of course, Gone With the Wind. There have also been such diverse films as Dr. Zhivago, The Sunshine Boys, and Thelma and Louise. Lavishly illustrated with more than 240 stills and posters in color and B&W.
Author: Elizabeth Miles Mongomery
Publisher: First Glance Books
ISBN: 9781858410449
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Author: Steven Bingen
Publisher: Lyons Press
ISBN: 9781493060542
Category :
Languages : en
Pages : 256
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Book Description
Metro-Goldwyn-Mayer's emblem, which has opened thousands of movies since 1924, is the most recognized corporate symbol in the world. Not just in the entertainment industry, it should be noted, but of any industry, anywhere, in the history of human civilization. But MGM has been a competitively insignificant force in the motion picture industry for nearly as long as it once, decades ago, dominated that industry. In fact, the MGM lion now presides not over movies alone, but over thirty world-class resorts, and is, or has been, also a recognized leader in the fields of real estate, theme parks, casinos, golf courses, consumer products, and even airlines, all around the world. But the MGM mystique remains. This book is a look at what made MGM the Mount Rushmore of studios, how it presented itself to the world, and how it influenced everything from set design to merchandising to music and dance, and continues to do so today.
Author: Hugh Fordin
Publisher: Da Capo Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 584
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Book Description
M-G-M's Greatest Musicals (originally published as The World of Entertainment! Hollywood's Greatest Musicals) is not a biography of Arthur Freed (1894–1973), producer of the most outstanding series of musicals in motion picture history, but a turbulent, behind-the-scenes, film-by-film account of the making of his movies (which, to the exclusion of all else, were his life). From 1940 to 1970, under the auspices of M-G-M's celebrated Freed Unit, Hollywood's master actors, writers, directors, choreographers, composers, and set designers created The Wizard of Oz, Girl Crazy, Meet Me in St. Louis, Annie Get Your Gun, An American in Paris, Show Boat, Singin' in the Rain, Gigi, and nearly forty others. The author brings to vivid life the unexpected crises and everyday magic of the Freed Unit. Richly detailed, profusely illustrated with hundreds of rare photos, this book describes the lives and careers Freed touched and often shaped—Judy Garland, Vincente Minnelli, Gene Kelly, Ginger Rogers, and others like Saroyan, Berlin, Kern, Gershwin—and in the process reveals how a romantic, sentimental man became the uncontested master of the movie musical.
Author: James Robert Parish
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
The Golden Years 1928-1959.
Author: Howard Gutner
Publisher: Rowman & Littlefield
ISBN: 1493038583
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
MGM Style is an overview of the career and achievements of Hollywood’s most famous art director. Cedric Gibbons was the supervisor in charge of the art department at Metro-Goldwyn-Mayer film studios from its inception in 1924 until Gibbons chose to retire in 1956. Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career. At its height in the late 1930s and early 1940s, Gibbons was regularly acknowledged by his peers as having shaped the craft of art direction in American film; his work was recognized as representing the finest in motion picture sets and settings. Gibbons and his associates constructed the villages, towns, streets, squares and edifices that later appeared in hundreds of films, and whose mixed architecture stood in for army camps and the wild west, Dutch New York and Dickensian London, ancient China and modern Japan. Inspired by the work of Le Corbusier and the Bauhaus masters, as well as the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris and Frank Lloyd Wright’s experiments with open planning, Gibbons championed the notion that movie decor should move beyond the commercial framework of the popular cinema
Author: Peter Hay
Publisher: Tiptree Book Services
ISBN: 9781852274610
Category :
Languages : en
Pages : 336
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Book Description
In 1924 Metro Pictures merged with Goldwyn Pictures and Louis B. Mayer Productions, to become MGM and so make film history. This book takes an inside look at the studio: the people who ran it, the writers, the directors and the stars.
Author: Steven Cohan
Publisher: Duke University Press
ISBN: 0822387077
Category : Performing Arts
Languages : en
Pages : 379
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Book Description
With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp. Yet they were originally made to appeal to broad, mainstream audiences. In this lively, nuanced, and provocative reassessment of the mgm musical, Steven Cohan argues that this seeming incongruity—between the camp value and popular appreciation of these musicals—is not as contradictory as it seems. He demonstrates that the films’ extravagance and queerness were deliberate elements and keys to their popular success. In addition to examining the spectatorship of the mgm musical, Cohan investigates the genre’s production and marketing, paying particular attention to the studio’s employment of a largely gay workforce of artists and craftspeople. He reflects on the role of the female stars—including Judy Garland, Debbie Reynolds, Esther Williams, and Lena Horne—and he explores the complex relationship between Gene Kelley’s dancing and his masculine persona. Cohan looks at how, in the decades since the 1950s, the marketing and reception of the mgm musical have negotiated the more publicly recognized camp value attached to the films. He considers the status of Singin’ in the Rain as perhaps the first film to be widely embraced as camp; the repackaging of the musicals as nostalgia and camp in the That’s Entertainment! series as well as on home video and cable; and the debates about Garland’s legendary gay appeal among her fans on the Internet. By establishing camp as central to the genre, Incongruous Entertainment provides a new way of looking at the musical.
