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Author: Robert C. Benchley
Publisher: University of Chicago Press
ISBN: 9780226042183
Category : Fiction
Languages : en
Pages : 356
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Book Description
Robert C. Benchley's sketches and articles, published in periodicals like Life, Vanity Fair, and The New Yorker, earned him a reputation as one of the sharpest humorists of his time; his influence—on contemporaries such as E. B. White, James Thurber, and S. J. Perelman, or followers like Woody Allen, Steve Martin, and Richard Pryor—has left an indelible mark on the American comic tradition. The Benchley Roundup collects those pieces, selected by Benchley's son Nathaniel, "which seem to stand up best over the years"-a compendium of the most endearing and enduring work from one of America's funniest and most penetrating wits. "It took me fifteen years to discover that I had no talent for writing, but I couldn't give it up because by then I was too famous." —Robert Benchley
Author: Robert C. Benchley
Publisher: University of Chicago Press
ISBN: 9780226042183
Category : Fiction
Languages : en
Pages : 356
Get Book Here
Book Description
Robert C. Benchley's sketches and articles, published in periodicals like Life, Vanity Fair, and The New Yorker, earned him a reputation as one of the sharpest humorists of his time; his influence—on contemporaries such as E. B. White, James Thurber, and S. J. Perelman, or followers like Woody Allen, Steve Martin, and Richard Pryor—has left an indelible mark on the American comic tradition. The Benchley Roundup collects those pieces, selected by Benchley's son Nathaniel, "which seem to stand up best over the years"-a compendium of the most endearing and enduring work from one of America's funniest and most penetrating wits. "It took me fifteen years to discover that I had no talent for writing, but I couldn't give it up because by then I was too famous." —Robert Benchley
Author: Veronica Geng
Publisher: Mariner Books
ISBN:
Category : Fiction
Languages : en
Pages : 340
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Book Description
A collection of stories satirizing our society. They range from Settling an Old Score, on a meeting between George Bernard Shaw and Lyndon B. Johnson, to Partners, on an ostentatious wedding.
Author: Greg Proops
Publisher: Simon and Schuster
ISBN: 1476747067
Category : Reference
Languages : en
Pages : 309
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Book Description
From the bold, beloved comic and podcast star Greg Proops comes a “terrifically random appreciation of cultural touchstones” (Publishers Weekly) that is electrifying, thought-provoking, and unrelenting, full of rapid-fire references, historical name-checking, Satchel Paige bon mots, and genuine wisdom. Greg Proops is an internationally renowned comedian, best known for starring on the hit improv-comedy show Whose Line Is It Anyway? and for his popular award-winning podcast, “The Smartest Man in the World,” which Rolling Stone called “some of the boldest comedy on the podcasting frontier right now.” But Proops is also a fountain of historical knowledge, a wealth of pop culture trivia, and a generally charming know-it-all. The Smartest Book in the World is a rollicking reference guide to the most essential areas of knowledge in Proops’s universe, from history’s juiciest tales and curious backstories to the movies you must see and the albums you must hear. Full of eclectic and humorous knowledge, it is a concentrated collection and comic cultural dictionary of the essential Proops topics including poetry, proper punctuation, and Satchel Paige, all delivered with his signature style, making the full Proops experience complete. So if you’re stuck wondering why Alexander was so Great (well, he did conquer the world), which cinema bombshell would be the best shortstop (Hedy Lamarr, of course), what great work of art would be the best to steal (not that you would), or the finest way to prepare vodka-flavored vodka (add vodka), don’t fret, pumpkin butter—The Smartest Book in the World has what you need right now.
Author: Bridget Moynahan
Publisher: Abrams
ISBN: 1683355083
Category : Photography
Languages : en
Pages : 288
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Book Description
Forty remarkable women share the stories and memories behind their favorite shoes—accompanied by gorgeous photography. Cinderella wasn’t the only one whose life was changed by a pair of shoes. Ask any woman about her favorite pair and you’re sure to get an answer that goes beyond their material design. In Our Shoes, Our Selves: 40 Women, 40 Stories, 40 Pairs of Shoes, actress Bridget Moynahan and journalist Amanda Benchley ask forty accomplished women to recount the memories behind their most meaningful footwear. This collection features stories from icons like Bobbi Brown, Danica Patrick, and Misty Copeland; intrepid reporters like Christiane Amanpour and Katie Couric; and creative forces like Rupi Kaur, Maya Lin, and Gretchen Rubin. Beautifully illustrated with a portrait of each woman and her chosen shoes, the stories explore what most women already know: that what we wear can have power and significance beyond merely clothing our bodies. Our Shoes, Our Selves reveals these remarkable journeys, and the steps these inspiring women have taken to get there.
Author: Peter Benchley
Publisher:
ISBN: 9781509860166
Category :
Languages : en
Pages : 336
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Book Description
A special edition of Jaws by Peter Benchley reissued with a bright retro design to celebrate Pan's 70th anniversary. It was just another day in the life of a small Atlantic resort until the terror from the deep came to prey on unwary holiday makers. The first sign of trouble - a warning of what was to come - took the form of a young woman's body, or what was left of it, washed up on the long, white stretch of beach . . . A summer of terror had begun. Peter Benchley's Jaws first appeared in 1974. It has sold over twenty million copies around the world, creating a legend that refuses to die - it's never safe to go back in the water . . .
Author: S. J. Perelman
Publisher: Library of America
ISBN: 1598536931
Category : Fiction
Languages : en
Pages : 629
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Book Description
Adam Gopnik presents the very best of S. J. Perelman, America's zaniest humorist. S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days, but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humor. In these short comic pieces--Perelman called them feuilletons--his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces "to transform the common cliché or figure of speech into an exploding cigar." Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including Perelman's parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult. Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; and a selection of letters written to correspondents such as Groucho Marx and Paul Theroux.
Author: Kate Morton
Publisher: Simon and Schuster
ISBN: 1439152810
Category : Fiction
Languages : en
Pages : 496
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Book Description
A cloth bag containing ten copies of the title.
Author: Robert Benchley
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 360
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Book Description
"It took me fifteen years to discover that I had no talent for writing, but I couldn't give it up because by then I was too famous."--Robert Benchley.
Author: Herman Melville
Publisher: ABDO
ISBN: 1616411635
Category : Juvenile Fiction
Languages : en
Pages : 114
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Book Description
In Herman Melville's classic tale of revenge, Ishmael tells his story of becoming a whaler on the Pequod. When Ishmael and his unexpected friend Queequeg join Captain Ahab's hunt for Moby Dick, the voyage of a lifetime turns into tragedy. The adventures of sailing the seas on the hunt for the great white whale is retold in the Calico Illustrated Classics adaptation of Melville's Moby Dick. Calico Chapter Books is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.
Author: Kinohi Nishikawa
Publisher: University of Chicago Press
ISBN: 022658707X
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning narratives featuring black protagonists in crime stories, conspiracy thrillers, prison novels, and Westerns. From Iceberg Slim’s Pimp to Donald Goines’s Never Die Alone, the thread that tied all of these books together—and made them distinct from the majority of American pulp—was an unfailing veneration of black masculinity. Zeroing in on Holloway House, Street Players explores how this world of black pulp fiction was produced, received, and recreated over time and across different communities of readers. Kinohi Nishikawa contends that black pulp fiction was built on white readers’ fears of the feminization of society—and the appeal of black masculinity as a way to counter it. In essence, it was the original form of blaxploitation: a strategy of mass-marketing race to suit the reactionary fantasies of a white audience. But while chauvinism and misogyny remained troubling yet constitutive aspects of this literature, from 1973 onward, Holloway House moved away from publishing sleaze for a white audience to publishing solely for black readers. The standard account of this literary phenomenon is based almost entirely on where this literature ended up: in the hands of black, male, working-class readers. When it closed, Holloway House was synonymous with genre fiction written by black authors for black readers—a field of cultural production that Nishikawa terms the black literary underground. But as Street Players demonstrates, this cultural authenticity had to be created, promoted, and in some cases made up, and there is a story of exploitation at the heart of black pulp fiction’s origins that cannot be ignored.
