Author: Gillian White
Publisher: Open Road Media
ISBN: 1480402184
Category : Fiction
Languages : en
Pages : 435
Book Description
Desperate for a new life, a London woman engineers a cunning deception “in this tangled tale that twists and turns up to the very end” (Booklist). Angela Harper’s life has never been simple. She’s an orphan who spent her childhood in foster homes. Her handsome, charming husband Billy can’t hold down a job. And they’re both stuck in a grimy London flat with no prospects for their future beyond the periodic welfare check. That is, until Ange concocts a lie that will change their lives. Her con targets the wealthy, twice-divorced businessman Fabian Ormerod, whom, with the approval of her husband, she is determined to trick into a very advantageous marriage—with a quick divorce to follow. Gillian White’s cutting, sardonic style unfurls in The Beggar Bride, as she needles England’s stiff upper crust, the titans of business, and the idle poor below them.
The Beggar Bride
The Traditional Tunes of the Child Ballads, Volume 4
Author: Bertrand Harris Bronson
Publisher: Princeton University Press
ISBN: 1400867525
Category : Music
Languages : en
Pages : 593
Book Description
With this volume, incorporating Ballads 244-305, Bertrand Harris Bronson completes his epic task of providing the musical counterpart to Francis James Child's collection of English and Scottish ballads. As in the previous volumes, the texts are linked with their proper traditional tunes, systematically ordered and grouped to show melodic kinship and characteristic variations developed during the course of oral transmission. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400867525
Category : Music
Languages : en
Pages : 593
Book Description
With this volume, incorporating Ballads 244-305, Bertrand Harris Bronson completes his epic task of providing the musical counterpart to Francis James Child's collection of English and Scottish ballads. As in the previous volumes, the texts are linked with their proper traditional tunes, systematically ordered and grouped to show melodic kinship and characteristic variations developed during the course of oral transmission. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Beggar’s ‘Children’
Author: Madeline Smith Atkins
Publisher: Cambridge Scholars Publishing
ISBN: 1443802786
Category : Music
Languages : en
Pages : 149
Book Description
A harsh satire of Eighteenth Century London life, John Gay’s The Beggar’s Opera is a piece well known by students of literature and music. Gay's composition spawned a new genre of musical works called "ballad opera" whose popularity rapidly caused the decline of Italian opera in London. These well-received ballad operas dominated London's musical theatre from 1728 until the middle of the Eighteenth Century. No other author has looked beyond The Beggar's Opera to analyze the plots of any of these imitative works and their music. The book concentrates on these ‘children’, or descendants. The author describes a number of ballad operas which proliferated on the heels of the success of The Beggar's Opera. Ballad opera gradually matured into a pastoral, bucolic form (comic opera) and eventually into a highly sophisticated type of musical work (burletta). Several samples of each type of work chosen from the performances most frequently given in London are discussed in depth. These analyses include musical examples from the original scores and evaluations of the dramatic and musical aspects of each work. With the exception of The Beggar's Opera, none of these works or similar ones has previously been the subject of detailed analysis and evaluation. “How John Gay Changed the Course of England’s Musical Theatre” sheds fresh light on the less familiar ballad operas of the Eighteenth Century. Gay’s The Beggar’s Opera created such a demand for musical satire that original music began to be composed for English comic works. …Edmund Miller, Chairman of the English Department, C. W. Post Campus of Long Island University This is an engaging and unique look at a piece of operatic history out of the mainstream. It invites the reader to explore works that he may not know, along with the milieu in which these musical gems became popular. …Kathryn Smith, General Director, Tacoma Opera Dr. Atkins provides an insightful study of Eighteenth Century ballad opera ranging from John Gay’s The Beggar’s Opera with its political satire and burlesque of Italian opera to the comic operas and burlettas which rounded out the century. This highly readable exposition includes examples of the tuneful airs, and explains the plots of the most popular works of the period. It will delight both musical and literary scholars. …Patricia Azar, Associate Editor, Collected Works of G. K. Chesterton Madeline Atkins has given us a thorough and intelligent study of Eighteenth Century popular English musical theater, and the seminal role of The Beggar’s Opera in its development. With the inclusion of numerous musical examples, abundant historical details, and deft, clear analyses, this book is an excellent introduction to a delightful musical genre and period. Atkins successfully accomplishes both of her aims: she informs us about an overlooked yet important era of musical history and she convinces us to want to hear it again for ourselves, and she does it artfully and skillfully. …Barry Sherman, Associate Professor of Communications, St. John’s University
Publisher: Cambridge Scholars Publishing
ISBN: 1443802786
Category : Music
Languages : en
Pages : 149
Book Description
A harsh satire of Eighteenth Century London life, John Gay’s The Beggar’s Opera is a piece well known by students of literature and music. Gay's composition spawned a new genre of musical works called "ballad opera" whose popularity rapidly caused the decline of Italian opera in London. These well-received ballad operas dominated London's musical theatre from 1728 until the middle of the Eighteenth Century. No other author has looked beyond The Beggar's Opera to analyze the plots of any of these imitative works and their music. The book concentrates on these ‘children’, or descendants. The author describes a number of ballad operas which proliferated on the heels of the success of The Beggar's Opera. Ballad opera gradually matured into a pastoral, bucolic form (comic opera) and eventually into a highly sophisticated type of musical work (burletta). Several samples of each type of work chosen from the performances most frequently given in London are discussed in depth. These analyses include musical examples from the original scores and evaluations of the dramatic and musical aspects of each work. With the exception of The Beggar's Opera, none of these works or similar ones has previously been the subject of detailed analysis and evaluation. “How John Gay Changed the Course of England’s Musical Theatre” sheds fresh light on the less familiar ballad operas of the Eighteenth Century. Gay’s The Beggar’s Opera created such a demand for musical satire that original music began to be composed for English comic works. …Edmund Miller, Chairman of the English Department, C. W. Post Campus of Long Island University This is an engaging and unique look at a piece of operatic history out of the mainstream. It invites the reader to explore works that he may not know, along with the milieu in which these musical gems became popular. …Kathryn Smith, General Director, Tacoma Opera Dr. Atkins provides an insightful study of Eighteenth Century ballad opera ranging from John Gay’s The Beggar’s Opera with its political satire and burlesque of Italian opera to the comic operas and burlettas which rounded out the century. This highly readable exposition includes examples of the tuneful airs, and explains the plots of the most popular works of the period. It will delight both musical and literary scholars. …Patricia Azar, Associate Editor, Collected Works of G. K. Chesterton Madeline Atkins has given us a thorough and intelligent study of Eighteenth Century popular English musical theater, and the seminal role of The Beggar’s Opera in its development. With the inclusion of numerous musical examples, abundant historical details, and deft, clear analyses, this book is an excellent introduction to a delightful musical genre and period. Atkins successfully accomplishes both of her aims: she informs us about an overlooked yet important era of musical history and she convinces us to want to hear it again for ourselves, and she does it artfully and skillfully. …Barry Sherman, Associate Professor of Communications, St. John’s University
The English and Scottish Popular Ballads
Author: Francis James Child
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 310
Book Description
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 310
Book Description
Blackwood's Magazine
Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 846
Book Description
Publisher:
ISBN:
Category : England
Languages : en
Pages : 846
Book Description
English and Scottish Popular Ballads
Author: Francis James Child
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 780
Book Description
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 780
Book Description
The Beggar's Benison
Author: David Stevenson
Publisher: Birlinn
ISBN: 0857906305
Category : History
Languages : en
Pages : 396
Book Description
Two clubs, dedicated to proclaiming the joys of libertine sex, thrived in mid and late 18th-century Scotland. The Beggar's Benison (1732), starting from local roots in Fife, became large and sprawling, with branches in Edinburgh, Glasgow - and St Petersburg. As a toast "The Beggar's Benison" was drunk at aristocratic dinners in London as a coded reference to sex, and the Prince of Wales (later George IV) became a member. In Edinburgh, also, the Wig Club (1775) gave the elite of the Scottish Tory establishment a forum in which to dine, gamble and venerate a wig supposedly made of the pubic hairs of the mistresses of Charles II. Both clubs flourished in a great age of raucous clubs in which bawdy often played a prominent part, and both died as changes in sensibility made such behaviour seem gross and unacceptable. As the Victorian age approached, the clubs withered away under its disapproving glare. In this book, the author tells the story of these clubs, analyzes the obscene relics of their rituals which survive, and places the clubs in their social, cultural and political contexts. It is an extensively researched study, but at the same time recognizes the entertainment value of the many anecdotes concerning the clubs, the absurdities inherent in the antics of club rituals, and the appeal of the bawdy.
Publisher: Birlinn
ISBN: 0857906305
Category : History
Languages : en
Pages : 396
Book Description
Two clubs, dedicated to proclaiming the joys of libertine sex, thrived in mid and late 18th-century Scotland. The Beggar's Benison (1732), starting from local roots in Fife, became large and sprawling, with branches in Edinburgh, Glasgow - and St Petersburg. As a toast "The Beggar's Benison" was drunk at aristocratic dinners in London as a coded reference to sex, and the Prince of Wales (later George IV) became a member. In Edinburgh, also, the Wig Club (1775) gave the elite of the Scottish Tory establishment a forum in which to dine, gamble and venerate a wig supposedly made of the pubic hairs of the mistresses of Charles II. Both clubs flourished in a great age of raucous clubs in which bawdy often played a prominent part, and both died as changes in sensibility made such behaviour seem gross and unacceptable. As the Victorian age approached, the clubs withered away under its disapproving glare. In this book, the author tells the story of these clubs, analyzes the obscene relics of their rituals which survive, and places the clubs in their social, cultural and political contexts. It is an extensively researched study, but at the same time recognizes the entertainment value of the many anecdotes concerning the clubs, the absurdities inherent in the antics of club rituals, and the appeal of the bawdy.
Traditional Ballad Airs
Author: William Christie
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 328
Book Description
The Author, Playwright and Composer
Author:
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 366
Book Description
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 366
Book Description
The Reciter's Treasury of Verse
Author: Ernest Pertwee
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 862
Book Description