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Author: Henry Jenkins III
Publisher: Duke University Press
ISBN: 0822383500
Category : Social Science
Languages : en
Pages : 761
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Book Description
Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies. The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study. Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader. Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi
Author: Henry Jenkins III
Publisher: Duke University Press
ISBN: 0822383500
Category : Social Science
Languages : en
Pages : 761
Get Book Here
Book Description
Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies. The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study. Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader. Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi
Author: David H. Flaherty
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773511200
Category : History
Languages : en
Pages : 388
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Book Description
Canadians have demonstrated a remarkable sense of unity about protection of their "cultural industries" during the continuing national debate over free trade. This study of the effect of American popular culture on Canada is therefore particularly relevant.
Author: Gillian Roberts
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589991
Category : Social Science
Languages : en
Pages : 525
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Book Description
The essays collected in offer close analysis of an array of cultural representations of the Canada–US border, in both site-specificity and in the ways in which they reveal and conceal cultural similarities and differences. Contributors focus on a range of regional sites along the border and examine a rich variety of expressive forms, including poetry, fiction, drama, visual art, television, and cinema produced on both sides of the 49th parallel. The field of border studies has hitherto neglected the Canada–US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been rooted in the US–Mexico divide; shifting the locus of that discussion north to the 49th parallel, the contributors ask what added complications a site-specific analysis of culture at the Canada–US border can bring to the conversation. In so doing, this collection responds to the demands of Hemispheric American Studies to broaden considerations of the significance of American culture to the Americas as a whole—bringing Canadian Studies into dialogue with the dominantly US-centric critical theory in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and transnationalism.
Author: Wallace Clement
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773515031
Category : Business & Economics
Languages : en
Pages : 420
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Book Description
As corporations are restructured, governments cut back, and the international economy transformed, there is an increasing need to understand the economic and political forces involved, evaluate their implications, and develop strategies to modify them to meet society's interests. In light of the current situation, the study of political economy is more relevant than ever. Understanding Canada examines a variety of topics from viewpoints ranging from the established to the interdisciplinary. Issues such as gender, Native peoples, race, ethnicity and migration, globalization, foreign policy, the welfare state, regulation, communications, popular culture, and space and the environment are examined, as are the more traditional subjects of economic growth, resources and The new Canadian political economy has emerged from its infancy and is now regarded as a respected and innovative field of scholarship. Understanding Canada furthers this tradition by focusing on current issues in an accessible and informative way. Contents Introduction: Whither the New Canadian Political Economy? - Wallace Clement - Economic Growth and Economic Crisis: Canadian Capitalism Through the Ages - Mel Watkins (Toronto) - Resources and Manufacturing in Canada's Political Economy - Wallace Clement and Glen Williams (Carleton) - Labour in the New Canadian Political Economy - Paul Philips (Manitoba) - Gender at Work: Canadian Feminist Political Economy after 1988 - Meg Luxton (York) and Heather Jon Maroney (Carleton) - Understanding What Happened Here: The Political Economy of Indigenous Peoples - Frances Abele (Carleton) - The Political Economy of Race, Ethnicity, and Migration - Daiva Stasiulis (Carleton) - Going Global: The Politics of Canada's Foreign Policy - Mark Neufeld (Trent) and Sandy Whitworth (York) - Re-mapping Canada: The State in the Era of Globalism - Greg Albo (York) and Jane Jenson (Montréal) - The New Political Economy of Regions - Janine Brodie (York) - The Challenges of the Quebec Question: Paradigm and Counter-Paradigm - Daniel Salée (Concordia) and William Coleman (McMaster) - From the Post-War to the Post-Liberal Keynesian Welfare State - Isabella Bakker (York) and Katherine Scott (?) - Displacing the Welfare State - Liora Salter (York) and Rick Salter (?) - Public Discourse and the Structures of Communication - Ted Magder (York) - The (Real) Integrated Circus: Political Economy, Popular Culture, and Major League Sport - David Whitson (Alberta) and Richard Gruneau (affil?) - Contested Terrains: Social Space and the Canadian Environment - Iain Wallace (Carleton) and Rob Shields (Carleton).
Author: Margot Francis
Publisher: UBC Press
ISBN: 0774820284
Category : Social Science
Languages : en
Pages : 254
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Book Description
In this richly illustrated book, Margot Francis explores how whiteness and Indigeneity are articulated through four icons of Canadian identity -- the beaver, the railway, the wilderness of Banff National Park, and "Indianness" -- and the contradictory and contested meanings they evoke. These seemingly benign, even kitschy, images, she argues, are haunted by ideas about race, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood. Juxtaposing these nostalgic images with the work of contemporary Canadian artists, she investigates how everyday objects can be re-imagined to challenge ideas about history, memory, and national identity.
Author: Katherine Ann Roberts
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773554408
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
The North American entertainment industry is rapidly consolidating, and new modes of technological delivery challenge Canadian content regulations. An understanding of how Canadian culture negotiates its rapport with American genres has never been more timely. West/Border/Road offers an interdisciplinary analysis of contemporary Canadian manifestations of three American genres: the western, the border, and the road. It situates close readings of literary, film, and television narratives from both English Canada and Quebec within a larger context of Canadian generic borrowing and innovation. Katherine Ann Roberts calls upon canonical works in Canadian studies, theories of genre, and a wide range of scholarship from border studies, cultural studies, and film studies to examine how genre is appropriated and sometimes reworked and how these cultural narratives engage with discourses of contemporary Canadian nationhood. The author elucidates Guy Vanderhaeghe’s rewriting of the codes of the historical western to include the trauma of Aboriginal peoples, Aritha van Herk’s playful spoof on American western iconography, the politics and perils of the representation of the Canada-US border in CBC-produced crime television, and how the road genre inspires and constrains the Québécois and Canadian road movie. A reminder of the power and limitations of American genres, West/Border/Road provides a nuanced perspective on Canadian engagement with cultural forms that may be imported but never foreign.
Author: Kyle Conway
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588639
Category : Social Science
Languages : en
Pages : 286
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Book Description
The idea that the American Great Plains and the Canadian Prairies are just "fly-over" country is a mistake. In the post-9/11 era, politicians and policy-makers are paying more attention to the region, especially where border enforcement is concerned. Beyond the Border provides interdisciplinary perspectives on the region's increasing importance. Drawing inspiration from Habermas's observation that certain modern phenomena - from ecological degradation and organized crime to increased capital mobility - challenge a state's ability to retain sovereignty over a fixed geographical region, contributors to this book question the ontological status of the Canada-US border. They look at how entertainment media represents the border for their viewers, how Canada and the US enforce the line that separates the two countries, and how the border appears from the viewpoint of Native communities where it was imposed through their traditional lands. Under this scrutiny, the border ceases to appear as self-evident, its status more fragile than otherwise imagined. At a time when the importance of border security is increasingly stressed and the Great Plains and Prairies are becoming more economically and politically prominent, Beyond the Border offers necessary context for understanding decisions by politicians and policy-makers along the forty-ninth parallel. Contributors include Phil Bellfy (Michigan State University), Christopher Cwynar (University of Wisconsin), Brandon Dimmel (Western University), Zalfa Feghali (University of Nottingham), Joshua Miner (University of Iowa), Paul Moore (Toronto Metropolitan University), Michelle Morris (University of Waterloo), Paul Sando (Minnesota State University Moorhead), and Serra Tinic (University of Alberta).
Author: Reginald C. Stuart
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773581332
Category : History
Languages : en
Pages : 317
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Book Description
The border between Canada and the United States separates political sovereignties, but not the shared themes of cultural, social, and economic history that have unfolded since the 18th century. Transnationalism brings together original works that focus on the shared histories of the United States and Canada that have over two centuries created a distinct North American identity and sensibility. Contributors explore the phenomenon of a North American history and discuss interactions between Canada and the United States from the eighteenth century to the present. Specific themes include the First Nations experience, national and North American identities and culture, social and economic cooperation, and issues of security and defence. Transnationalism challenges us to put the border in context order to better understand the past, present, and future interrelationships between Canada and the United States.
Author: John Bell
Publisher: Dundurn
ISBN: 1459720741
Category : Comics & Graphic Novels
Languages : en
Pages : 229
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Book Description
What do Superman, Prince Valiant, Cerebus the Aardvark, and Spawn have in common? Their creators — Joe Shuster, Harold Foster, Dave Sim, and Todd McFarlane are Canadians. And while many of the cutting-edge talents of contemporary comix and graphic novels are also from Canada — artists such as Chester Brown, Seth, Dave Cooper, and Julie Doucet — far too few Canadians realize their country had a remarkable involvement with the "funnies" long before. Invaders from the North profiles past and present comic geniuses, sheds light on unjustly neglected chapters in Canada’s pop history, and demonstrates how this nation has vaulted to the forefront of international comic art, successfully challenging the long-established boundaries between high and low culture. Generously illustrated with black-and-white and colour comic covers and panels, Invaders from the North serves up a cheeky, brash cavalcade of flamboyant and outrageous personalities and characters that graphically attest to Canada’s verve and invention in the world of visual storytelling.
Author: Patrick James
Publisher: University of Toronto Press
ISBN: 1442692111
Category : History
Languages : en
Pages : 521
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Book Description
The field of Canadian Studies is a growing discipline, particularly in the United States. This introductory text offers a thorough and accessible approach to Canadian Studies through comparative analyses of Canada and the United States, their histories, geographies, political systems, economies, and cultures. Among the topics addressed are ways in which Canadian national development has been influenced by the U.S., the role of geography in shaping the country's evolution, and the persistent question of Canada's French-speaking minority, which has been an important and divisive issue since the 1500s. Canadian Studies in the New Millennium is an excellent introduction to Canadian Studies, with chapters written by leading scholars and educators in the field. At a time in which there is a growing mutual dependence between the U.S. and Canada for security, trade, and investment, this text is an ideal tool for understanding the close relationship between the two countries, their shared experiences, and their differing views. Canadian Studies in the New Millennium will be of significant value to students, educators, and practitioners.
