The Baroque Libretto PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Baroque Libretto PDF full book. Access full book title The Baroque Libretto by Domenico Pietropaolo. Download full books in PDF and EPUB format.
Author: Domenico Pietropaolo
Publisher: University of Toronto Press
ISBN: 1442641630
Category : Music
Languages : en
Pages : 257
Get Book Here
Book Description
The Baroque Libretto catalogues the Baroque Italian operas and oratorios in the Thomas Fisher Library at the University of Toronto and offers an analysis of how the study of libretto can inform the understanding of opera.
Author: Domenico Pietropaolo
Publisher: University of Toronto Press
ISBN: 1442641630
Category : Music
Languages : en
Pages : 257
Get Book Here
Book Description
The Baroque Libretto catalogues the Baroque Italian operas and oratorios in the Thomas Fisher Library at the University of Toronto and offers an analysis of how the study of libretto can inform the understanding of opera.
Author: Michael Collins
Publisher: University of Texas Press
ISBN: 1477300643
Category : Music
Languages : en
Pages : 409
Get Book Here
Book Description
From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera: ". . . it was a serious, thoughtful, consistent and imaginative realization of a beautiful, long-neglected work, one that fully deserved all the loving attention it received. As such, the production and its attendant symposium made a positive contribution to the cause of Baroque opera . . . . " Baroque opera experienced a revival in the late twentieth century. Its popularity, however, has given rise to a number of perplexing and exciting questions regarding literary sources, librettos, theater design, set design, stage movement, and costumes—even the editing of the operas. In 1980, the Dallas Opera produced the American premier of Vivaldi's Orlando furioso, which met with much acclaim. Concurrently an international symposium on the subject of Baroque opera was held at Southern Methodist University. Authorities from around the world met to discuss the operatic works of Vivaldi, Handel, and other Baroque composers as well as the characteristics of the genre. Michael Collins and Elise Kirk, deputy chair and chair of the symposium, edited the papers to produce this groundbreaking study, which will be of great interest to music scholars and opera lovers throughout the world. Contributors to Opera and Vivaldi include Shirley Wynne, John Walter Hill, Andrew Porter, Eleanor Selfridge-Field, Howard Mayer Brown, William Holmes, Ellen Rosand, and the editors.
Author: Reinhard Strohm
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
Get Book Here
Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 9780807825112
Category : Music
Languages : en
Pages : 900
Get Book Here
Book Description
With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored th
Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 9780802008008
Category : Literary Criticism
Languages : en
Pages : 648
Get Book Here
Book Description
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
Author: Brynn Wein Shiovitz
Publisher: McFarland
ISBN: 1476634858
Category : Performing Arts
Languages : en
Pages : 276
Get Book Here
Book Description
This collection of new essays explores the many ways in which writing relates to corporeality and how the two work together to create, resist or mark the body of the "Other." Contributors draw on varied backgrounds to examine different movement practices. They focus on movement as a meaning-making process, including the choreographic act of writing. The challenges faced by marginalized bodies are discussed, along with the ability of a body to question, contest and re-write historical narratives.
Author:
Publisher: BRILL
ISBN: 9004516476
Category : Literary Criticism
Languages : en
Pages : 261
Get Book Here
Book Description
‘Retro’ is not only a pervading phenomenon in today’s Western culture but has informed cultural history for some centuries and thus gives momentousness to the subject of the present volume, namely literary texts and musical compositions which, for various reasons and with multiple functions, ‘make it old’.
Author: Ulrich Weisstein
Publisher:
ISBN:
Category : Music and language
Languages : en
Pages : 510
Get Book Here
Book Description
Author: Mark Franko
Publisher: Oxford University Press, USA
ISBN: 0199794014
Category : History
Languages : en
Pages : 272
Get Book Here
Book Description
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. He reveals the ideological tensions underlying experiments with autonomous dance in the early modern.
Author: Beth Glixon
Publisher: Oxford University Press
ISBN: 0195342976
Category : Language Arts & Disciplines
Languages : en
Pages : 425
Get Book Here
Book Description
Inventing the Business of Opera explores public opera in its infancy, bringing to life the men and women who successfully established the new genre on the stages of Venice during the seventeenth century. All of the components necessary to opera production are highlighted, from the financial backing, to the libretto and the score, to the singers, dancers, the scenery, and the costumes.
