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Author: John Douglas Canfield
Publisher: University of Delaware Press
ISBN: 9780874138344
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
In this study, J. Douglas Canfield contends that baroque disruption persists even as English literature becomes more neoclassical. It twists forms and meanings. From paradoxical, mysterious moments in Paradise Lost, amazing metaphorics in Cavendish and Philips, momentous materializations in Waller and Dorset, and revealing displacements in Buckingham and Rochester to outrageous attack in Dryden and Pope, astonishing ventriloquizing in Killigrew and Finch and Montagu, and eccentricity and grotesquerie in Gulliver's Travels - the baroque comes back to disturb neoclassical regularity.--BOOK JACKET.
Author: John Douglas Canfield
Publisher: University of Delaware Press
ISBN: 9780874138344
Category : Literary Criticism
Languages : en
Pages : 268
Get Book Here
Book Description
In this study, J. Douglas Canfield contends that baroque disruption persists even as English literature becomes more neoclassical. It twists forms and meanings. From paradoxical, mysterious moments in Paradise Lost, amazing metaphorics in Cavendish and Philips, momentous materializations in Waller and Dorset, and revealing displacements in Buckingham and Rochester to outrageous attack in Dryden and Pope, astonishing ventriloquizing in Killigrew and Finch and Montagu, and eccentricity and grotesquerie in Gulliver's Travels - the baroque comes back to disturb neoclassical regularity.--BOOK JACKET.
Author: Douglas J. Canfield
Publisher:
ISBN: 9781611492354
Category : Literary Criticism
Languages : en
Pages :
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Book Description
From Milton and the Court Wits to Dryden and the Scriblerians, authors deploy baroque moments of disruption, grotesquerie, excrescence, extravagance, exuberance, encryption_even as they turn to more supposedly classical, restrained, and rational forms. Canfield tries to ferret out the meanings of these disruptions.
Author: Allison Lee Palmer
Publisher: Rowman & Littlefield
ISBN: 1538133598
Category : Art
Languages : en
Pages : 411
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Book Description
Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new “enlightened” thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries cover late Baroque and Rococo tendencies found in the early 18th century, and span the century to include artists who moved from neoclassicism to early romanticism. This book is an excellent resource for students, researchers, and anyone wanting to know more about neoclassical art and architecture.
Author: Deborah Payne Fisk
Publisher: University of Georgia Press
ISBN: 0820337897
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.
Author: Gregg Lambert
Publisher: Continuum
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the "return of the Baroque" expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond Williams' charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism.
Author: Ann T. Delehanty
Publisher: Rowman & Littlefield
ISBN: 1611484898
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Literary Knowing in Neoclassical France analyzes the work of several literary critics in France and England, at the end of the seventeenth and beginning of the eighteenth centuries, who were inspired by the idea that literature - especially the literary sublime - might offer us the deepest kind of knowledge. Dominique Bouhours, Nicolas Boileau, Ren Rapin, John Dennis, and the abb Dubos believed that literature could deliver truths that transcend our world and were analogous or even equal to the truths of divine revelation. Ann Delehanty argues that this shift towards the transcendental realm pushed the definition of the literary work away from describing its objective properties and towards its effects on the mind of the reader. After placing these ideas about literature in the context of the religious and philosophical thinking of Blaise Pascal, Delehanty traces the evolution of a debate about literature in the writings of the critics in question. They embraced theories of sentiment and the passions as the epistemological means of identifying and knowing the transcendental aspects of a literary work that eventually came to be known as aesthetics. By tracing the historical evolution of the relationship between transcendentalism and aesthetics in French and English neoclassical thought, Literary Knowing in Neoclassical France provides new and engaging insights into an important moment in our literary history.
Author: Lois Parkinson Zamora
Publisher: Duke University Press
ISBN: 0822392526
Category : Literary Criticism
Languages : en
Pages : 690
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Book Description
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque. Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
Author: Rémy G. Saisselin
Publisher: Univ of California Press
ISBN: 0520414349
Category : History
Languages : en
Pages : 166
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Book Description
How do seemingly disparate arenas of Enlightenment philosophy, economic theories, boudoir etiquette, literary styles, and artistic modes coincide in the late eighteenth century? In this poetic essay on the evolution of the idea of luxury and art, Rémy G. Saisselin uses precise, witty examples to describe the development of our modern taste, the successor of the more spiritual and grand baroque goût. His analysis both illuminates and distinguishes between eighteenth-century and modern varieties of conspicuous consumption. This persuasive discourse depicts the rise of luxe as an escape from ennui and shows how, for the first time in European history, a large class of wealthy, leisured people emerged to make art, luxury, and the avoidance of boredom its preoccupation. Saisselin provides an original and lucid picture of the first phases in the emergence of a specifically bourgeois taste. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
Author: James Sambrook
Publisher: Routledge
ISBN: 1317893239
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
This is an impressive and lucid survey of eighteenth-century intellectual life, providing a real sense of the complexity of the age and of the cultural and intellectual climate in which imaginative literature flourished. It reflects on some of the dominant themes of the period, arguing against such labels as 'Augustan Age', 'Age of Enlightenment' and 'Age of Reason', which have been attached to the eighteenth-century by critics and historians.
Author: Muftihaturrahmah Burhamzah
Publisher: Ananta Vidya
ISBN: 6238453265
Category : Foreign Language Study
Languages : en
Pages : 98
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Book Description
Dive into the depths of English literature and emerge with a treasure trove of knowledge spanning centuries. "Introduction to Literature: Navigating the Periods of English Literature" is your compass through the ever-evolving narrative of English prose, poetry, and drama. Discover the seismic shifts of literary expression from the raw beauty of Anglo-Saxon epics to the intricate digital narratives of our modern world. Within these pages lies a journey that intertwines the past with the present, inviting readers to explore the richness of English literature across the ages. You will not only trace the footsteps of literary giants but also engage with the cultural and historical forces that shaped their worlds. Suitable for students, educators, and literary enthusiasts alike, this book offers a clear pathway through the complexities of literary periods. It presents a challenge: to see the world through the eyes of the literary past and understand its dialogue with the future. Step into this literary tapestry that invites curiosity, encourages reflection, and inspires a deeper appreciation for the words that have captured the human experience. "Introduction to Literature: Navigating the Periods of English Literature" awaits your discovery.
