Author: Morris S. Levy
Publisher: Houghton Library
ISBN:
Category : Music
Languages : en
Pages : 524
Book Description
Catalogue of a collection of books and other materials pertaining to the history of the King's Theatre, London. Illustrated.
The King's Theatre Collection
Author: Morris S. Levy
Publisher: Houghton Library
ISBN:
Category : Music
Languages : en
Pages : 524
Book Description
Catalogue of a collection of books and other materials pertaining to the history of the King's Theatre, London. Illustrated.
Publisher: Houghton Library
ISBN:
Category : Music
Languages : en
Pages : 524
Book Description
Catalogue of a collection of books and other materials pertaining to the history of the King's Theatre, London. Illustrated.
The barber of seville : A comic opera in two acts. The music by Rossini, with a preface by a distinguished amateur. The translation in easy verse, line for line with the Italian. As represented at The King's Theatre, Haymarket
Author:
Publisher:
ISBN:
Category :
Languages : un
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : un
Pages : 0
Book Description
History of the Opera
Author: Henry S. Edwards
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cyclopedia of Music & Musicians
Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
Book Description
The Bible in Music
Author: Siobhán Dowling Long
Publisher: Rowman & Littlefield
ISBN: 0810884526
Category : Music
Languages : en
Pages : 373
Book Description
There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.
Publisher: Rowman & Littlefield
ISBN: 0810884526
Category : Music
Languages : en
Pages : 373
Book Description
There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.
Royalty in All Ages
Author: Thomas Firminger Thiselton-Dyer
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 486
Book Description
Opera at Covent Garden
Author: Harold D. Rosenthal
Publisher: London : Gollancz
ISBN:
Category : Covent Garden (London, England)
Languages : en
Pages : 216
Book Description
Publisher: London : Gollancz
ISBN:
Category : Covent Garden (London, England)
Languages : en
Pages : 216
Book Description
The Great German Composers
Author: George Titus Ferris
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 238
Book Description
Alto
Author: Dan H. Marek
Publisher: Rowman & Littlefield
ISBN: 1442235896
Category : Music
Languages : en
Pages : 259
Book Description
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
Publisher: Rowman & Littlefield
ISBN: 1442235896
Category : Music
Languages : en
Pages : 259
Book Description
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
Gatherings from Spain
Author: Richard Ford
Publisher:
ISBN:
Category : Spain
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Spain
Languages : en
Pages : 360
Book Description