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Author: Nane Quartay
Publisher: Simon and Schuster
ISBN: 1593090374
Category : Fiction
Languages : en
Pages : 244
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Book Description
From one of the most distinctive voices in contemporary urban fiction comes a gripping, erotic, edge-of-your-seat thriller about four strangers whose lives are about to collide, with explosive and murderous consequences. Alias suffers from a curse that has haunted his family for generations and he vows to do whatever it takes to end it, even if the breaking of the curse results in his own death. D. Wayne's traumatic childhood at the hands of his abusive mother has turned him into a demented killer following the voice of his God, Ruh, who guides him in a deadly search—a journey that leads him to the brink of madness. Doin and Joozy both feel separated from the rest of the society, but as their imperfections draw them together, they discover a love that they thought was impossible. Set in the raw and tumultuous landscape of the projects, Nane Quartay's sharp-edged second novel chronicles the lives, loves, and losses of these four young strangers whose lives become inextricably intertwined. Eroticism, mysticism, and suspense are seamlessly woven together in a tough and thought-provoking narrative that reaches a shocking climax and brings an entire city to the brink of chaos.
Author: Nane Quartay
Publisher: Simon and Schuster
ISBN: 1593090374
Category : Fiction
Languages : en
Pages : 244
Get Book Here
Book Description
From one of the most distinctive voices in contemporary urban fiction comes a gripping, erotic, edge-of-your-seat thriller about four strangers whose lives are about to collide, with explosive and murderous consequences. Alias suffers from a curse that has haunted his family for generations and he vows to do whatever it takes to end it, even if the breaking of the curse results in his own death. D. Wayne's traumatic childhood at the hands of his abusive mother has turned him into a demented killer following the voice of his God, Ruh, who guides him in a deadly search—a journey that leads him to the brink of madness. Doin and Joozy both feel separated from the rest of the society, but as their imperfections draw them together, they discover a love that they thought was impossible. Set in the raw and tumultuous landscape of the projects, Nane Quartay's sharp-edged second novel chronicles the lives, loves, and losses of these four young strangers whose lives become inextricably intertwined. Eroticism, mysticism, and suspense are seamlessly woven together in a tough and thought-provoking narrative that reaches a shocking climax and brings an entire city to the brink of chaos.
Author: David Salomon
Publisher: Springer Science & Business Media
ISBN: 1461242568
Category : Computers
Languages : en
Pages : 491
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Book Description
"Why is 'lEX so hard to use?" is the most frequent comment/complaint made by (frustrated) 'lEX users. The answer: Because it is programmable (has many features commonly found in programming languages), because it pays attention to detail, and because its creator has developed it for his own use (perhaps also his administrative assistant's) and not for general use. The material presented here is a direct result of this complaint and is an attempt to make it easier for inexperienced users to get the kind of high-quality typesetting that is possible with 'lEX. The material is based on classes taught since 1985, and on the author's personal experience with 'lEX, which includes writing three books and numerous articles, handouts, and letters. Both introductory and advanced material is included here. There are many examples as well as a detailed discussion of topics, such as \ valign and \emergencystretch, that are only briefly touched upon in The TpJXbook. Chapter 20 describes the macros used to typeset this book; it also lists the METAFONT programs for the special characters used.
Author: John Dougherty
Publisher: Penguin
ISBN: 1101996641
Category : Juvenile Fiction
Languages : en
Pages : 146
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Book Description
A hilarious send-up of fantasy quest novels, perfect for fans of Adam Gidwitz and Jon Scieszka. Welcome to the kingdom of Great Kerfuffle! Great Kerfuffle is really great. And there's usually a kerfuffle (the clue's in the name really). This particular kerfuffle started the day Stinkbomb's twenty dollar bill went missing. Stinkbomb and his little sister Ketchup-Face know exactly who took it: the badgers. After all, they're called badgers because they do bad things; otherwise they'd just be gers. They bring news of the badgers' treachery to King Toothbrush Weasel (don't get us started on the story behind his name…), who sends them on a quest to rid the land of badgers. What follows is a full on kerfuffle-fest, containing: one deep dark forest, a grocery cart in distress, a song about jam--and, of course, a band of very tricky badgers. Be prepared to laugh your socks off, and maybe your ears, too.
Author: Ian Whybrow
Publisher: Carolrhoda Books
ISBN: 9781575058610
Category : Juvenile Fiction
Languages : en
Pages : 44
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Book Description
Little Wolf and his brother, Smellybreff, get a lesson in Badness from Mom and Dad Wolf.
Author: Richard Greene
Publisher: Open Court Publishing
ISBN: 0812694732
Category : Philosophy
Languages : en
Pages : 186
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Book Description
Spoilers get folks upset—really upset. One thing that follows from this is that if you pick up a book that’s all about spoilers, it may seriously disturb you. So anyone reading this book—or even dipping into it—does so at their peril. Spoilers have a long history, going back to the time when some Greek theater-goer shouted “That’s Oedipus’s mom!” But spoilers didn’t use to be so intensely despised as they are today. The new, fierce hatred of spoilers is associated with the Golden Age of television and the ubiquity of DVR/Netflix/Hulu, and the like. Today, most people have their own personal “horror story” about the time when they were subject to the most unfair, unjust, outrageous, and unforgivable spoiler. A first definition of spoiler might be revealing any information about a work of fiction (in any form, such as a book, TV show, or movie) to someone who hasn’t encountered it. But this isn’t quite good enough. It wouldn’t be a spoiler to say “The next Star Trek movie will include a Vulcan.” Nor would it be a spoiler to say, “The story of Shawshank Redemption comes from a short story by Stephen King.” There has to be something at least a bit unexpected or unpredictable about the information, and it has to be important to the content of the work. And you could perpetrate a spoiler by divulging information about something other than a work of fiction, for example details of a sports game, to someone who has tivoed the game but not yet watched it. Timing and other matters of context may make the difference between a spoiler and a non-spoiler. It could be a spoiler to say “There’s a Vulcan in the next Star Trek movie” if spoken to someone raised in North Korea and knowing absolutely nothing about Star Trek. It can also be a spoiler to say something about a movie or TV show when it’s new, and not a spoiler when it has been around for some years. This raises the distinction between “personal spoilers” and “impersonal spoilers.” Personal spoilers are spoilers for some particular individual, because of their circumstances. You should never give personal spoilers (such as when someone says that they have never seen a particular movie, even though the plot is common knowledge. You can’t tell them the plot). Sometimes facts other than facts about a story can be spoilers, because they allow people to deduce something about the story. To reveal that a certain actor is not taking part in shooting the next episode may allow someone to jump to conclusions about the story. Spoilers need not be specific; they can be very vague. If you told someone there was a big surprise ending to The Sixth Sense or Fight Club, that might spoil these movies for people who haven’t seen them. You can spoil by mentioning things that are common knowledge, if someone has missed out on that knowledge (“Luke and Darth Vader are related”), but you usually can’t be blamed for this. People have some obligation to keep up. This means that in general you can’t be blamed for spoilers about stories that are old. “Both Romeo and Juliet are dead at the end” could be a spoiler for someone, but you can’t be blamed for it. This is a rule that’s often observed: many publications have regulations forbidding the release of some types of spoilers for a precisely fixed time after a movie release. However, some spoilers never expire, either because the plot twist is so vital or the work is so significant. So, if you’re talking to young kids, you probably should never say “Darth Vader is Luke’s father,” “Norman Bates is Mother,” “Dorothy’s trip to Oz was all a dream,” “All the passengers on the Orient Express collaborated in the murder,” “in The Murder of Roger Akroyd, the narrator did it,” “Soylent Green is people,” “To Serve Man is a cookbook,” and finally, what many consider to be the greatest and worst spoiler of them all, “The Planet of the Apes is really Earth.” Some famous “spoilers” are not true spoilers. It’s not going to spoil Citizen Kane for anyone to say “Rosebud is his sled.” This piece of information is not truly significant. It’s more of a McGuffin than a plot twist. A paradox about spoiling is that people often enjoy a work of fiction such as a Sherlock Holmes story over and over again. They remember the outline of the story, and who did the murder, but this doesn’t stop them re-reading. This demonstrates that the spoilage generated by spoilers is less than we might imagine. It’s bad to spoil, but how bad? People do seem to exaggerate the dreadfulness of spoiling, compared with other examples of inconsiderateness or rudeness. Are there occasions when it’s morally required to spoil? Yes, you might want to dissuade someone from watching or reading something you believed might harm them somehow. Also, you might issue a spoiler in order to save the world from a terrorist attack (Yes, this is a philosophy book, so it has to include at least one totally absurd example). A more doubtful case is deliberate spoiling as a protest, as occurred with Basic Instinct. The book ends with three spoiler lists: the Most Outrageous Spoiler “Horror Stories”; the Greatest Spoilers of All Time; and the Greatest Spoilers in Philosophy.
Author: David Bausum
Publisher: Springer Science & Business Media
ISBN: 1461509416
Category : Computers
Languages : en
Pages : 397
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Book Description
"This is a good reference for people who have a bit of plain TeX under their belts, as the examples mix primitives and plain rather freelyIt is worth having in your reference library, particularly if you use plainTeX, or have to delve into TeX's innards for any reason." (Stephen Moye, American Mathematical Society).
Author: Shelly Kagan
Publisher: Yale University Press
ISBN: 0300183429
Category : Philosophy
Languages : en
Pages : 378
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Book Description
There is one thing we can be sure of: we are all going to die. But once we accept that fact, the questions begin. In this thought-provoking book, philosophy professor Shelly Kagan examines the myriad questions that arise when we confront the meaning of mortality. Do we have reason to believe in the existence of immortal souls? Should we accept an account according to which people are just material objects, nothing more? Can we make sense of the idea of surviving the death of one's body? If I won't exist after I die, can death truly be bad for me? Would immortality be desirable? Is fear of death appropriate? Is suicide ever justified? How should I live in the face of death? Written in an informal and conversational style, this stimulating and provocative book challenges many widely held views about death, as it invites the reader to take a fresh look at one of the central features of the human condition—the fact that we will die.
Author: Martin Turner
Publisher: Taylor & Francis
ISBN: 1000816818
Category : Sports & Recreation
Languages : en
Pages : 404
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Book Description
Sport and exercise psychology has grown exponentially as an academic discipline and profession in the past decade. The dominant approach to sport and exercise psychology practice is the cognitive-behavioural approach that stems from cognitive behavioural therapies (CBTs). CBTs are the most widely used counselling approaches in the world. Through this approach developed rational emotive behaviour therapy (REBT), a cognitive-based theory and therapy that incorporates many of the techniques that defines CBTs to this day (e.g., cognitive restructuring, rehearsal, imagery, self-talk). The Rational Practitioner: The Sport and Performance Psychologist’s Guide to Practicing Rational Emotive Behaviour Therapy develops innovative concepts that are particular to the performance milieu, whilst sticking rigorously to core theory. This book is fundamental to applied practice and offers practitioners, scholars, and researchers of sport psychology and REBT, theoretical and detailed practical information from an experienced and qualified sport and exercise psychologist. This book provides a comprehensive portrayal of REBT applied within sport and performance and is key reading for current and trainee sport and exercise psychologists, but also to psychologists from other disciplines who wish to work with athletes and other performers.
Author: Panagiotis G. Pavlos
Publisher: Routledge
ISBN: 0429803095
Category : History
Languages : en
Pages : 367
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Book Description
Platonism and Christian Thought in Late Antiquity examines the various ways in which Christian intellectuals engaged with Platonism both as a pagan competitor and as a source of philosophical material useful to the Christian faith. The chapters are united in their goal to explore transformations that took place in the reception and interaction process between Platonism and Christianity in this period. The contributions in this volume explore the reception of Platonic material in Christian thought, showing that the transmission of cultural content is always mediated, and ought to be studied as a transformative process by way of selection and interpretation. Some chapters also deal with various aspects of the wider discussion on how Platonic, and Hellenic, philosophy and early Christian thought related to each other, examining the differences and common ground between these traditions. Platonism and Christian Thought in Late Antiquity offers an insightful and broad ranging study on the subject, which will be of interest to students of both philosophy and theology in the Late Antique period, as well as anyone working on the reception and history of Platonic thought, and the development of Christian thought.
Author: Espen Gamlund
Publisher: Oxford University Press
ISBN: 0190921420
Category : Philosophy
Languages : en
Pages : 305
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Book Description
Death is something we mourn or fear as the worst thing that could happen--whether the deaths of close ones, the deaths of strangers in reported accidents or tragedies, or our own. And yet, being dead is something that no one can experience and live to describe. This simple truth raises a host of difficult philosophical questions about the negativity surrounding our sense of death, and how and for whom exactly it is harmful. The question of whether death is bad has occupied philosophers for centuries, and the debate emerging in philosophical literature is referred to as the "badness of death." Are deaths primarily negative for the survivors, or does death also affect the deceased? What are the differences between death in fetal life, just after birth, or in adolescence? In order to properly evaluate deaths in global health, we must find answers to these questions. In this volume, leading philosophers, medical doctors, and economists discuss different views on how to evaluate death and its relevance for health policy. This includes theories about the harm of death and its connections to population-level bioethics. For example, one of the standard views in global health is that newborn deaths are among the worst types of death, yet stillbirths are neglected. This raises difficult questions about why birth is so significant, and several of the book's authors challenge this standard view. This is the first volume to connect philosophical discussions on the harm of death with discussions on population health, adjusting the ways in which death is evaluated. Changing these evaluations has consequences for how we prioritize different health programs that affect individuals at different ages, as well as how we understand inequality in health.
