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Author: Constance Rourke
Publisher: New York Review of Books
ISBN: 9781590170793
Category : History
Languages : en
Pages : 284
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Book Description
Stepping out of the darkness, the American emerges upon the stage of history as a new character, as puzzling to himself as to others. American Humor, Constance Rourke's pioneering "study of the national character," singles out the archetypal figures of the Yankee peddler, the backwoodsman, and the blackface minstrel to illuminate the fundamental role of popular culture in fashioning a distinctive American sensibility. A memorable performance in its own right, American Humor crackles with the jibes and jokes of generations while presenting a striking picture of a vagabond nation in perpetual self-pursuit. Davy Crockett and Henry James, Jim Crow and Emily Dickinson rub shoulders in a work that inspired such later critics as Pauline Kael and Lester Bangs and which still has much to say about the America of Bob Dylan and Thomas Pynchon, Bill Clinton and George W. Bush.
Author: Constance Rourke
Publisher: New York Review of Books
ISBN: 9781590170793
Category : History
Languages : en
Pages : 284
Get Book Here
Book Description
Stepping out of the darkness, the American emerges upon the stage of history as a new character, as puzzling to himself as to others. American Humor, Constance Rourke's pioneering "study of the national character," singles out the archetypal figures of the Yankee peddler, the backwoodsman, and the blackface minstrel to illuminate the fundamental role of popular culture in fashioning a distinctive American sensibility. A memorable performance in its own right, American Humor crackles with the jibes and jokes of generations while presenting a striking picture of a vagabond nation in perpetual self-pursuit. Davy Crockett and Henry James, Jim Crow and Emily Dickinson rub shoulders in a work that inspired such later critics as Pauline Kael and Lester Bangs and which still has much to say about the America of Bob Dylan and Thomas Pynchon, Bill Clinton and George W. Bush.
Author: Herman Melville
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 5194
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Book Description
Herman Melville is one of the greatest American novelists, short story writer and a poet. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. This edition includes: Introduction Herman Melville by Virginia Woolf Novels Typee Omoo Mardi Redburn White-Jacket Moby-Dick Pierre Israel Potter The Confidence-Man Short Stories The Piazza Tales: The Piazza Bartleby, the Scrivener Benito Cereno The Lightning-Rod Man The Encantadas, or Enchanted Isles The Bell-Tower The Apple-Tree Table and Other Sketches: The Apple-Tree Table Jimmy Rose I and My Chimney The Paradise of Bachelors and The Tartarus of Maids Cock-a-Doodle-Doo! The Fiddler Poor Man's Pudding and Rich Man's Crumbs The Happy Failure The 'Gees Poetry Collections: Clarel – A Poem and Pilgrimage in the Holy Land Battle-Pieces and Aspects of the War Timoleon and Other Ventures in Minor Verse John Marr and Other Sailors: Bridgeroom Dick Tom Deadlight Jack Roy The Haglets The Aeolian Harp To the Master of the "Meteor" Far off Shore The Man-of-War Hawk The Figure-Head The Good Craft "Snow Bird" Old Counsel The Tuft of Kelp The Maldive Shark To Ned Crossing the Tropics The Berg The Enviable Isles Pebbles Poems from Mardi: We Fish Invocation Dirge Marlena Pipe Song Song of Yoomy Gold The Land of Love Essays Fragments from a Writing Desk Etchings of a Whaling Cruise Authentic Anecdotes of "Old Zack" Mr. Parkman's Tour Cooper's New Novel A Thought on Book-Binding Hawthorne and His Mosses
Author: Branka Arsic
Publisher: Bloomsbury Publishing USA
ISBN: 150132103X
Category : Literary Criticism
Languages : en
Pages : 425
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Book Description
Melville's Philosophies departs from a long tradition of critical assessments of Melville that dismissed his philosophical capacities as ingenious but muddled. Its contributors do not apply philosophy to Melville in order to detect just how much of it he knew or understood. To the contrary, they try to hear the philosophical arguments themselves-often very strange and quite radical-that Melville never stopped articulating and reformulating. What emerges is a Melville who is materialistically oriented in a radical way, a Melville who thinks about life forms not just in the context of contemporary sciences but also ontologically. Melville's Philosophies recovers a Melville who is a thinker of great caliber, which means obliquely but dramatically reversing the way the critical tradition has characterized his ideas. Finally, as a result of the readings collected here, Melville emerges as a very relevant thinker for contemporary philosophical concerns, such as the materialist turn, climate change, and post-humanism.
Author: Michael Jonik
Publisher: Cambridge University Press
ISBN: 1108420923
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
An ambitious, revisionary study of not only Herman Melville's political philosophy, but also of our own deeply inhuman condition.
Author: William V. Spanos
Publisher: SUNY Press
ISBN: 9780791475645
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Argues that Herman Melville’s later work anticipates the resurgence of an American exceptionalist ethos underpinning the U.S.-led global “war on terror.”
Author: Warren Hoffman
Publisher: Rutgers University Press
ISBN: 0813571308
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get Your Gun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.
Author: Steffen Wöll
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110690136
Category : History
Languages : en
Pages : 316
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Book Description
Western expansion in North America has mainly been described as either a linear sequence energized by nineteenth-century nation-building processes at a moving frontier, or as the practice of settler colonialism and its exploitation of resources and displacement of nonwhite peoples. This book suggests that shifting the focus from this binary pattern towards spatial imaginations and spatialization processes—a new theoretical framework developed at SFB 1199—provides novel insights into the placemaking dynamics of the American West. It brings to light a discursive diversity that often contradicts unidirectional interpretive patterns. It becomes clear that while some discourses solidified into spatial metanarratives like the character-shaping clash of civilizations at the frontier or manifest destiny, alternative spatial imaginations exist juxtaposed to or obfuscated by canonical interpretations. Making use of a variety of sources (including works of literature, poetry, newspapers, paintings, and speeches) to access spatialization processes on several sociocultural scales, the book presents a careful exploration of the parameters that inform(ed) the creation, affirmation, and subversion of spatial imagination of the American West throughout the nineteenth century from the perspective of American Studies.
Author: Edward Sylvester Ellis
Publisher:
ISBN:
Category : Legislators
Languages : en
Pages : 300
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Book Description
Author: Herman Melville
Publisher: e-artnow
ISBN: 8026874293
Category : Fiction
Languages : en
Pages : 5529
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Book Description
This carefully crafted ebook: "The Complete Works of Herman Melville" is formatted for your eReader with a functional and detailed table of contents: Novels: Typee Omoo Mardi Redburn White-Jacket Moby-Dick Pierre Israel Potter The Confidence-Man Billy Budd, Sailor Short Stories: The Piazza Bartleby, the Scrivener Benito Cereno The Lightning-Rod Man The Encantadas, or Enchanted Isles The Bell-Tower The Apple-Tree Table Jimmy Rose I and My Chimney The Paradise of Bachelors and The Tartarus of Maids Cock-a-Doodle-Doo! The Fiddler Poor Man's Pudding and Rich Man's Crumbs The Happy Failure The 'Gees The Two Temples Daniel Orme Poetry Collections: Clarel – A Poem and Pilgrimage in the Holy Land Battle-Pieces and Aspects of the War Timoleon and Other Ventures in Minor Verse Weeds and Wildings, With a Rose or Two John Marr and Other Sailors: Bridgeroom Dick Tom Deadlight Jack Roy The Haglets The Aeolian Harp To the Master of the "Meteor" Far off Shore The Man-of-War Hawk The Figure-Head The Good Craft "Snow Bird" Old Counsel The Tuft of Kelp The Maldive Shark To Ned Crossing the Tropics The Berg The Enviable Isles Pebbles Poems from Mardi We Fish Invocation Dirge Marlena Pipe Song Song of Yoomy Gold The Land of Love Essays: Fragments from a Writing Desk Etchings of a Whaling Cruise Authentic Anecdotes of "Old Zack" Mr. Parkman's Tour Cooper's New Novel A Thought on Book-Binding Hawthorne and His Mosses Criticism: Herman Melville by Virginia Woolf Herman Melville's Moby Dick by D.H. Lawrence Herman Melville's Typee and Omoo by D.H. Lawrence Herman Melville (1819-1891) was an American novelist, short story writer, and poet of the American Renaissance period. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. His best known works include Typee, an account of his experiences in Polynesian life, its sequel Omoo, and the classic Moby-Dick.
Author: Duncan Hubber
Publisher: McFarland
ISBN: 147669155X
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Drawing together strands of film theory and psychology, this book offers a fresh assessment of the found footage horror subgenre. It reconceptualizes landmark films--including The Blair Witch Project (1999), Cloverfield (2008), Paranormal Activity (2009), and Man Bites Dog (1992)--as depictions of the lived experience and social legacy of psychological trauma. The author demonstrates how the frantic cinematography and ambiguous formulation of the monster evokes the shocked and disoriented cognition of the traumatized mind. Moreover, the frightening effect of trauma on society is shown to be a recurring theme across the subgenre. Close textual analysis is given to a wide range of films over several decades, including titles that have yet to receive any academic attention. Divided into four distinct sections, the book examines how found footage horror films represent the effects of historical and contemporary traumatic events on Western societies, the vicarious spread of traumatic experiences via mass media, the sublimation of domestic abuse into haunted houses, and the viewer's identification with the monster as an embodiment of perpetrator trauma.
