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Author: Will Alexander
Publisher: Lulu.com
ISBN: 0578180944
Category : Poetry
Languages : en
Pages : 94
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Book Description
Poetry. THE AUDIOGRAPHIC AS DATA is none other than telepathic conundrum. It is language that renders the visible as invisible and the invisible as visible thus, transmuting both states into incalculable presence.
Author: Will Alexander
Publisher: Lulu.com
ISBN: 0578180944
Category : Poetry
Languages : en
Pages : 94
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Book Description
Poetry. THE AUDIOGRAPHIC AS DATA is none other than telepathic conundrum. It is language that renders the visible as invisible and the invisible as visible thus, transmuting both states into incalculable presence.
Author: Tong Zhang
Publisher: Springer Science & Business Media
ISBN: 9780792372875
Category : Computers
Languages : en
Pages : 162
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Book Description
Content-Based Audio Classification and Retrieval for Audiovisual Data Parsing is an up-to-date overview of audio and video content analysis. Included is extensive treatment of audiovisual data segmentation, indexing and retrieval based on multimodal media content analysis, and content-based management of audio data. In addition to the commonly studied audio types such as speech and music, the authors have included hybrid types of sounds that contain more than one kind of audio component such as speech or environmental sound with music in the background. Emphasis is also placed on semantic-level identification and classification of environmental sounds. The authors introduce a new generic audio retrieval system on top of the audio archiving schemes. Both theoretical analysis and implementation issues are presented. The developing MPEG-7 standards are explored. Content-Based Audio Classification and Retrieval for Audiovisual Data Parsing will be especially useful to researchers and graduate level students designing and developing fully functional audiovisual systems for audio/video content parsing of multimedia streams.
Author: David Worrall
Publisher: Springer
ISBN: 3030014975
Category : Computers
Languages : en
Pages : 286
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Book Description
The contemporary design practice known as data sonification allows us to experience information in data by listening. In doing so, we understand the source of the data in ways that support, and in some cases surpass, our ability to do so visually. In order to assist us in negotiating our environments, our senses have evolved differently. Our hearing affords us unparalleled temporal and locational precision. Biological survival has determined that the ears lead the eyes. For all moving creatures, in situations where sight is obscured, spatial auditory clarity plays a vital survival role in determining both from where the predator is approaching or to where the prey has escaped. So, when designing methods that enable listeners to extract information from data, both with and without visual support, different approaches are necessary. A scholarly yet approachable work by one of the recognized leaders in the field of auditory design, this book will - Lead you through some salient historical examples of how non-speech sounds have been used to inform and control people since ancient times. - Comprehensively summarize the contemporary practice of Data Sonification. - Provide a detailed overview of what information is and how our auditory perceptions can be used to enhance our knowledge of the source of data. - Show the importance of the dynamic relationships between hearing, cognitive load, comprehension, embodied knowledge and perceptual truth. - Discuss the role of aesthetics in the dynamic interplay between listenability and clarity. - Provide a mature software framework that supports the practice of data sonification design, together with a detailed discussion of some of the design principles used in various examples. David Worrall is an internationally recognized composer, sound artist and interdisciplinary researcher in the field of auditory design. He is Professor of Audio Arts and Acoustics at Columbia College Chicago and a former elected president of the International Community for Auditory Display (ICAD), the leading organization in the field since its inception over 25 years ago. Code and audio examples for this book are available at https://github.com/david-worrall/springer/ Here is an excellent review of the book by Dr Gregory Kramer: “Worrall proceeds bravely through the trees and vines of philosophy, information theory, aesthetics, and other contributors to sonification design theory. It’s a feat. He nails all of this down with the specific implementation system he’s designed over many years, and applies his theories to specific problems. In a field of research still in its first half century and setting its bearings in a world where human perception has become a sideshow to machine learning, deep learning, and artificial intelligence, the roots David provides will serve well.” Dr Gregory Kramer is the founding figure in the emerging field of sonification, founded the International Conference on Auditory Display (ICAD) and editor of the first book in the field, "Auditory Display: Sonification, Audification and Auditory Interfaces" (Addison Wesley, 1994).
Author: Edison Research
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 0
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Book Description
Edison Research introduces a comprehensive collection of data curated to illuminate the current state of Audio. Sound Data is an exploration that will reshape your understanding of audio in ways you may not have anticipated. In these pages, you will find fifty carefully selected charts that delve into how we experience audio today. As you navigate through these insights, be prepared to be surprised, intrigued, and enlightened.
Author: Bozena Kostek
Publisher: Springer Science & Business Media
ISBN: 9783540257295
Category : Computers
Languages : en
Pages : 440
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Book Description
This monograph provides novel insights into cognitive mechanisms underlying the processing of sound and music in different environments. A solid understanding of these mechanisms is vital for numerous technological applications such as for example information retrieval from distributed musical databases or building expert systems. In order to investigate the cognitive mechanisms of music perception fundamentals of hearing psychophysiology and principles of music perception are presented. In addition, some computational intelligence methods are reviewed, such as rough sets, fuzzy logic, artificial neural networks, decision trees and genetic algorithms. The applications of hybrid decision systems to problem solving in music and acoustics are exemplified and discussed on the basis of obtained experimental results.
Author: Francis Rumsey
Publisher: Taylor & Francis
ISBN: 1136115811
Category : Technology & Engineering
Languages : en
Pages : 290
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Book Description
In this thorough introduction to the technology behind audio workstations, Dr Francis Rumsey explains not only how digital audio works but also how to make best use of its capabilities. A combined revision of his two successful titles, MIDI Systems and Control and The Audio Workstation Handbook, this new book covers recent developments such as surround sound formats, direct stream digital, new audio project formats, new interfaces and alternatives to MIDI. Desktop Audio Technology begins by setting out principles of digital audio and how these are applied in recording, replay and editing within workstations. MIDI and synthetic audio control is then covered, looking at the means by which artificial sounds can be controlled and manipulated. This is followed by explanations of hardware, including storage devices, buses, computer interfaces and audio processing options. Dr Rumsey then focuses on transferring audio between systems, including coverage of audio interfaces, networking and file formats. The next section examines audio software, providing working examples of different commercial packages that exemplify some of the concepts previously described. The final chapter considers operational issues such as recent spatial reproduction formats, consumer format mastering and quality control issues, as well as troubleshooting and systems issues. If you are a student, lecturer or practitioner in the field of audio and are looking for an authoritative technical guide to the underlying principles of digital audio and MIDI, this book is for you. Dr Francis Rumsey is a Reader in Sound Recording at the University of Surrey (UK) and a Visiting Professor at the School of Music in Piteå (Sweden). He is a Fellow of the Audio Engineering Society and a regular contributor to the AES Journal. Dr Rumsey is also author of Spatial Audio and co-author of Sound and Recording (with Tim McCormick) and The Digital Interface Handbook (with John Watkinson), all published by Focal Press.
Author: Ken C. Pohlmann
Publisher: McGraw-Hill Professional Publishing
ISBN: 9780071348195
Category : Music
Languages : en
Pages : 756
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Book Description
Ken Pohlmann's Classic--Completely Updated From the basics to the cutting edge, Ken Pohlmann's Principles of Digital Audio is packed with vital information. Through three editions, this popular text has illuminated the frontiers of digital audio science. Now this completely updated and substantially revised Fourth Edition brings you the tools you need to capitalize on the explosive expansion of digital audio technologies. Widely used as a college text, and as a professional reference by computer and audio designers and enthusiasts, this comprehensive and highly readable sourcebook helps you: ⬢ Stay up-to-speed in a fast-moving field ⬢ Enter or advance a career in digital audio design, new media development, music recording, sound engineering, broadcasting, and related areas ⬢ Master the newest options in DVD, Internet and PC audio, compact disc, workstations, perceptual coding, digital radio, digital television, and more ⬢ Get insider information on new developments available nowhere else ⬢ Apply creative new insights on theory and applications ⬢ Understand complex material through crystal-clear presentations from an award-winning professor and leading digital audio engineer The premier information source in the field, Principles of Digital Audio is the #1 choice of digital audio professionals. NEW IN THIS EDITION ⬢ DVD ⬢ Internet and PC Audio Technologies ⬢ Downloadable and Streaming Music ⬢ Data Compression Standards ⬢ Multichannel Audio Coding ⬢ Digital Broadcasting ⬢ Interconnection and Networking ⬢ DSP Updates ⬢ Additional Chapters and Illustrations
Author:
Publisher: Educational Technology
ISBN: 9780877780571
Category : Computers
Languages : en
Pages : 180
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Book Description
This title covers the main features of the new Excel 2000. Each is discussed and described in a series of one hour lessons, with examples, questions and exercises to provide a working understanding of this tool.'
Author: Steven Ness
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
The visualization of the high-dimensional feature landscapes that are encountered when analyzing audio data is a challenging problem and is the focus of much research in the field of Music Information Retrieval. Typical feature sets extracted from sound have anywhere from dozens to hundreds of dimensions and have complex interrelationships between data elements. In this work, we apply various modern techniques for the visualization of audio data to a number of diverse problem domains, including the bioacoustics of Orcinus Orca (killer whale) song, partially annotated chant traditions including Torah recitation and the the analysis of music collections and live DJ sets. We also develop a number of graphical user interfaces to allow users to interact with these visualizations. These interfaces include Flash-enabled web applications, desktop applications, and novel interfaces including the use of the Radiodrum, a three-dimension position sensing musical interface.
Author: Arch C. Luther
Publisher: Artech House Publishers
ISBN:
Category : Computers
Languages : en
Pages : 432
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Book Description
Arch Luther is one of the most respected authorities in this field, and in this comprehensive book he provides engineers with a firm grounding in digital technology for audio and video and shows how to apply it to various fields, including the digitally interactive Internet.
