Author: Various
Publisher: Litres
ISBN: 5041464049
Category : Education
Languages : en
Pages : 318
Book Description
The Atlantic Monthly, Volume 04, No. 23, September, 1859
Author: Various
Publisher: Litres
ISBN: 5041464049
Category : Education
Languages : en
Pages : 318
Book Description
Publisher: Litres
ISBN: 5041464049
Category : Education
Languages : en
Pages : 318
Book Description
The Atlantic Monthly, Volume 04, No. 25, November, 1859
Author: Various
Publisher: Litres
ISBN: 5041578389
Category : Education
Languages : en
Pages : 333
Book Description
Publisher: Litres
ISBN: 5041578389
Category : Education
Languages : en
Pages : 333
Book Description
The Atlantic Monthly
Author:
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 752
Book Description
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 752
Book Description
Black Abolitionists in Ireland
Author: Christine Kinealy
Publisher: Taylor & Francis
ISBN: 1003859925
Category : History
Languages : en
Pages : 181
Book Description
Building on the narratives explored in volume one, this publication recovers the story of a further seven Black visitors to Ireland in the decades prior to the American Civil War. This volume examines each of these seven activists and artists, and how their unique and diverse talents contributed to the movement to abolish enslavement and to the demand for Black equality. In an era that witnessed the rise of minstrelsy, they provided a powerful counter argument to the lie of Black inferiority. Moreover, their interactions with Irish abolitionists helped to build a strong transatlantic movement that had a global reach and impact. The lives explored are: Ira Aldridge (the African Roscius), William Henry Lane (Master Juba), William P. Powell, Elizabeth Greenfield (the Black Swan), Reuben Nixon, James Watkins and William H. Day. Individually and collectively they demonstrated the agency and power of Black involvement in the search for social justice. This book will be of value to students and scholars alike interested in modern European history and social and cultural history.
Publisher: Taylor & Francis
ISBN: 1003859925
Category : History
Languages : en
Pages : 181
Book Description
Building on the narratives explored in volume one, this publication recovers the story of a further seven Black visitors to Ireland in the decades prior to the American Civil War. This volume examines each of these seven activists and artists, and how their unique and diverse talents contributed to the movement to abolish enslavement and to the demand for Black equality. In an era that witnessed the rise of minstrelsy, they provided a powerful counter argument to the lie of Black inferiority. Moreover, their interactions with Irish abolitionists helped to build a strong transatlantic movement that had a global reach and impact. The lives explored are: Ira Aldridge (the African Roscius), William Henry Lane (Master Juba), William P. Powell, Elizabeth Greenfield (the Black Swan), Reuben Nixon, James Watkins and William H. Day. Individually and collectively they demonstrated the agency and power of Black involvement in the search for social justice. This book will be of value to students and scholars alike interested in modern European history and social and cultural history.
The Atlantic Index Supplement. A List of Articles, with Names of Authors Appended, Published in "The Atlantic Monthly," [1857]-1901. Including Also a List of the Authors Represented, with Their Contributions Arranged in Chronological Order
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
Book Description
19th-century America: Paintings and Sculpture
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870990063
Category : Art, American
Languages : en
Pages : 206
Book Description
Chiefly illustrated catalog of an exhibition held in celebration of the hundredth anniversary of the Metropolitan Museum of Art, held at the Metropolitan Museum of Art from April 16 through September 7, 1970.
Publisher: Metropolitan Museum of Art
ISBN: 0870990063
Category : Art, American
Languages : en
Pages : 206
Book Description
Chiefly illustrated catalog of an exhibition held in celebration of the hundredth anniversary of the Metropolitan Museum of Art, held at the Metropolitan Museum of Art from April 16 through September 7, 1970.
The Mechanics' Magazine and Journal of Engineering, Agricultural Machinery, Manufactures and Shipbuilding
Author:
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 486
Book Description
Official Gazette of the United States Patent Office
Author: United States. Patent Office
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 1670
Book Description
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 1670
Book Description
The Spectator
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 680
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 680
Book Description
Painting Dissent
Author: Sophie Lynford
Publisher: Princeton University Press
ISBN: 0691231915
Category : Art
Languages : en
Pages : 264
Book Description
A revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politics The American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists. Active during the Civil War, this dynamic collective united in a spirit of protest, seeking sweeping reforms of national art and culture. Painting Dissent recovers the American Pre-Raphaelites from the margins of history and situates them at the center of transatlantic debates about art, slavery, education, and politics. Artists such as Thomas Charles Farrer and John Henry Hill championed a new style of landscape painting characterized by vibrant palettes, antipicturesque compositions, and meticulous brushwork. Their radicalism, however, was not solely one of style. Sophie Lynford traces how the American Pre-Raphaelites proclaimed themselves catalysts of a wide-ranging reform movement that staged politically motivated interventions in multiple cultural arenas, from architecture and criticism to collecting, exhibition design, and higher education. She examines how they publicly rejected their prominent contemporaries, the artists known as the Hudson River School, and how they offered incisive critiques of antebellum society by importing British models of landscape theory and practice. Beautifully illustrated and drawing on a wealth of archival material, Painting Dissent transforms our understanding of how American artists depicted the nation during the most turbulent decades of the nineteenth century.
Publisher: Princeton University Press
ISBN: 0691231915
Category : Art
Languages : en
Pages : 264
Book Description
A revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politics The American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists. Active during the Civil War, this dynamic collective united in a spirit of protest, seeking sweeping reforms of national art and culture. Painting Dissent recovers the American Pre-Raphaelites from the margins of history and situates them at the center of transatlantic debates about art, slavery, education, and politics. Artists such as Thomas Charles Farrer and John Henry Hill championed a new style of landscape painting characterized by vibrant palettes, antipicturesque compositions, and meticulous brushwork. Their radicalism, however, was not solely one of style. Sophie Lynford traces how the American Pre-Raphaelites proclaimed themselves catalysts of a wide-ranging reform movement that staged politically motivated interventions in multiple cultural arenas, from architecture and criticism to collecting, exhibition design, and higher education. She examines how they publicly rejected their prominent contemporaries, the artists known as the Hudson River School, and how they offered incisive critiques of antebellum society by importing British models of landscape theory and practice. Beautifully illustrated and drawing on a wealth of archival material, Painting Dissent transforms our understanding of how American artists depicted the nation during the most turbulent decades of the nineteenth century.