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Author: Pratapaditya Pal
Publisher: Brill Archive
ISBN: 9789004057500
Category : Art
Languages : en
Pages : 422
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Book Description
Author: Pratapaditya Pal
Publisher: Brill Archive
ISBN: 9789004057500
Category : Art
Languages : en
Pages : 422
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Book Description
Author: Bertrand Goy
Publisher: 5Continents
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
"This book offers a brief survey of the history of Nepal recalling why, leaving aside the Kathmandu valley, the sum of knowledge on its material culture lacks the objective distance allowed by other non-European civilizations: the country, long closed to Western visitors, opened but recently, and documents prior to the 1960s are scarce." "Bertrand Goy's research into the archives leads us on the tracks of is statuary, while the ethnologist Gisele Krauskopff shares with us a line of thought supported by her field experience and her knowledge of Nepalese culture. The testimony of a photographer traveller who visited Nepal in the pioneering days completes this volume with Hugues Dubois' photographs of the masks and statuettes collected over the past twenty years by Max Itzikovitz." --Book Jacket.
Author: Adalbert J. Gail
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120829442
Category : Art, Ancient
Languages : en
Pages : 264
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Book Description
About the Book : The articles collected in this volume, which were originally presented in the panels on art and epigraphy at the 12th World Sanskrit Conference in Helsinki, Finland, illustrate the depth, diversity and sophistication of recent studies in
Author: Asia Society
Publisher:
ISBN:
Category : Art, Nepali
Languages : en
Pages : 172
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Book Description
Catalogue of an exhibition of sculpture and painting of the Buddhist kingdom; selected by S. Kramrisch and shown in the Asia House Gallery in the summer of 1964 as an activity of the Asia Society.
Author: Max Carocci
Publisher: Bloomsbury Publishing
ISBN: 1350248452
Category : Art
Languages : en
Pages : 265
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Book Description
Art, Observation, and an Anthropology of Illustration examines the role of sketches, drawings and other artworks in our understanding of human cultures of the past. Bringing together art historians and anthropologists, it presents a selection of detailed case studies of various bodies of work produced by non-Western and Western artists from different world regions and from different time periods (from Native North America, Cameroon, and Nepal, to Italy, Solomon Islands, and Mexico) to explore the contemporary relevance and challenges implicit in artistic renditions of past peoples and places. In an age when identities are partially constructed on the basis of existing visual records, the book asks important questions about the nature of observation and the inclusion of culturally-relevant information in artistic representations. How reliable are watercolours, paintings, or sketches for the understanding of past ways of life? How do old images of bygone peoples relate to art historical and anthropological canons? How have these images and technologies of representation been used to describe, illustrate, or explain unknown realities? The book is an essential tool for art historians, anthropologists, and anyone who wants to understand how the observation of different realities has impacted upon the production of art and visual cultures. Incorporating current methodological and theoretical tools, the 10 chapters collected here expand the area of connection between the disciplines of art history and anthropology, bringing into sharp focus the multiple intersections of objectivity, evidence, and artistic licence.
Author: Jacob N. Kinnard
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120817937
Category : Buddhism in art
Languages : en
Pages : 264
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Book Description
On its broadest level, this book contributes to an ongoing expansion of both the history of religions and Buddhist studies by focusing on what is a far too frequently ignored aspect of religious experience: visual images. This is a study that is intended to speak to, and be relevant for, not only those interested specifically in Buddhism, but also scholars and students in the field of religion at large who are interested in the dialectical ways abstract, abstruse and even rarified textual discourses interact with devotional practices 'on the ground'. The specific focus of this book is on the Buddhist visual practices surrounding the visual representation of a single, central concept, prajna, or wisdom, in medieval north India. Prajna, however, was not only an intellectual state and spiritual goal to which to aspire. Rather, wisdom also becomes a quality to be visually represented and ritually responded to, and even an active presence to be venerated in much the same manner as the Buddha himself. This book explores the ways in which the production and use of artistic images involving prajna constituted a central, if not the central, component of Buddhist religious practice in Medieval India.
Author: Michael Parkes
Publisher: IDW Publishing
ISBN: 9781600105586
Category :
Languages : en
Pages : 0
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Book Description
The Art of Michael Parkes II will feature the artist’s new works, including drawings, paintings, and sculptures, and showcases many of Parkes’ well-known pieces. Parkes’ art is internationally acclaimed as the best of the "imaginary realism" or "magical realism" art genre. Art historian John Russell Taylor’s introduction explains Parkes’ mastery and place in art history. The indexed collection in this new book shows the beginning of Parkes’ career until the present, illuminating Parkes’ artistic development in painting, sculpture, drawing, and stone lithography. Over 65 new or unpublished images are included with many photographs of Parkes at work in Switzerland, Italy, Spain, and India. Two completely new sections have been added. The new sculpture section shows more sculpture than any previous Parkes book. Close-up photographs of the bronzes enable us to see their beauty with incredible detail. The new drawing section includes older drawings never seen before and recent drawings through 2008.
Author: Jane Turner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 952
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Book Description
Author: Bidur Bhattarai
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110543087
Category : Philosophy
Languages : en
Pages : 388
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Book Description
The number of manuscripts produced in the Indian sub-continent is astounding and is the result of a massive enterprise that was carried out over a vast geographical area and over a vast stretch of time. Focusing mainly on areas of Northern India and Nepal between 800 to 1300 CE and on manuscripts containing Sanskrit texts, the present study investigates a fundamental and so far rarely studied aspect of manuscript production: visual organisation. Scribes adopted a variety of visual strategies to distinguish one text from another and to differentiate the various sections within a single text (chapters, sub-chapters, etc.). Their repertoire includes the use of space(s) on the folio, the adoption of different writing styles, the inclusion of symbols of various kind, the application of colours (‘rubrication’), or a combination of all these. This study includes a description of these various strategies and an analysis of their different implementations across the selected geographical areas. It sheds light on how manuscripts were produced, as well as on some aspects of their employment in ritual contexts, in different areas of India and Nepal.
Author: Gudrun Bühnemann
Publisher: BRILL
ISBN: 9004492372
Category : History
Languages : en
Pages : 339
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Book Description
In recent years maṇḍalas have attracted much interest among a wider public. The main focus of such interest has been directed toward Tibetan maṇḍalas, specimens of which have been included in numerous publications. But maṇḍalas are found across a wide spectrum of South Asian religious traditions, including those of the Hindus and Jains. Hindu maṇḍalas and yantras have hardly been researched. This book attempts to fill this gap by clarifying important aspects of maṇḍalas and yantras in specific Hindu traditions through investigations by renowned specialists in the field. Its chapters explore maṇḍalas and yantras in the Smārta, Pāñcarātra, Śaiva and Śākta traditions. An essay on the vāstupuruṣamaṇḍala and its relationship to architecture is also included. With 13 colour plates.
