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Author: Michael Marmor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
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Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Author: Michael Marmor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230
Get Book Here
Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Author: Gerald Klickstein
Publisher: Oxford University Press, USA
ISBN: 0199711291
Category : Music
Languages : en
Pages : 357
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Book Description
In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.
Author: Angela Griffith
Publisher:
ISBN: 9781788550451
Category : Glass painting and staining
Languages : en
Pages : 0
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Book Description
"The work and career of the celebrated artist Harry Clarke is inextricably linked to the complex nature of early-twentieth-century Irish culture and of modernism. This beautifully designed and fully illustrated book assesses how Clarke and his studios responded to public and private commissions in glass and in illustration. Clarke's contribution is analysed in the context of the quest for a cohesive identity by the new Irish Free State and situated within international art and design movements. The book examines the complex relationship between visual art and literature that lies at the heart of Clarke's contribution to post-independence society in Ireland. Its scholarly essays highlight the impact of patronage, public reception, advertising, propaganda, war and memory on Clarke's work, placing it within a larger political, artistic and cultural context. Essential reading for art lovers and scholars alike, Harry Clarke and Artistic Visions of the New Irish State will appeal to anyone interested in the arts of Ireland, and the history and development of early- to mid-twentieth-century visual and material culture"--Inside front flap.
Author: Michelle Foa
Publisher: Yale University Press
ISBN: 0300212828
Category : Art
Languages : en
Pages : 246
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Book Description
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.
Author: Rachel Rubin Wolf
Publisher: North Light Books
ISBN: 9781440305351
Category : Art
Languages : en
Pages : 144
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Book Description
The Splash series has earned a reputation as a premier showcase of contemporary watercolor. Year after year, artists and art enthusiasts look forward to its big, beautiful images, innovative approaches and insightful commentary. Continuing the tradition, this 12th edition celebrates artistic vision—delivering a stunning diversity of ideas, inspiration, and breathtaking art—in short, everything fans of this series have come to expect, including the wonderfully unexpected. Explore how artists seize upon moments of beauty and wonder, inject emotional content and personal interpretation, and translate it all into brilliant standout paintings. Impossibly red tomatoes picked fresh from the garden...A chance pose by an impatient child model...The simple view through a weathered door... These are just a few of the "sparks" behind the more than 120 striking paintings on these pages. Captions offer insight from the artists themselves who share the approaches they use to bring their visions into focus. The late Henry Fukuhara painted the scene on page 90 when he was 96 years old, completely blind and bedridden, a profound testament to the power of an artist's vision. His advice: "Don't be a reporter; be an entertainer." Page after page, Splash 12 offers up this kind of hard-earned wisdom, personal epiphanies and artist-to-artist advice for making others stop, look, and enjoy the view. Dive in, and see where 100 of today's brightest watercolor visionaries have taken this celebrated medium.
Author: Margaret S. Livingstone
Publisher: Harry N. Abrams
ISBN: 9781419706929
Category : Art
Languages : en
Pages : 240
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Book Description
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
Author: Amy Holzapfel
Publisher: Routledge
ISBN: 1136768432
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. Realist artists across media paradoxically embraced this paradigm shift by focusing on the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions—including Scribe’s The Glass of Water, Zola’s Thérèse Raquin, Ibsen’s A Doll House, Strindberg’s The Father, and Hauptmann’s Before Sunrise—alongside analyses of artwork by major painters and photographers—such as Chardin, Nadar, Millais, Rejlander, and Liebermann. In a radical challenge to existing criticism, Holzapfel argues that realism in theatre was never the attempt to reproduce an exact copy of the seen world but rather the struggle to make visible the act of seeing.
Author: Jacob W. Getzels
Publisher: John Wiley & Sons
ISBN:
Category : Art
Languages : en
Pages : 314
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Book Description
Author: Robert H. Brinkmeyer, Jr.
Publisher: LSU Press
ISBN: 9780807118535
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Flannery O'Connor believed that fiction must try to achieve something on the order of what St. Gregory wrote about Scripture: every time it presents a fact, it must also disclose a mystery. O'Connor's artistic vision was located squarely in her Catholic faith, yet she realized that to view life only through the eyes of the Church was to ignore a large part of existence. In her fiction, therefore, she explored a wider world, employing voices that challenged conceptions of both self and faith, ultimately enlarging and deepening both. In The Art and Vision of Flannery O'Connor, Robert Brinkmeyer presents an innovative study of O'Connor's fiction by exploring the dialogic forces at work in her writing.Drawing on the insights of literary theorist Mikhail Bakhtin, Brinkmeyer offers an explanation for the great depth and power of O'Connor's work, paying particular attention to the ways her art and audience bear upon her regnant Catholic vision. This pressure and resistance, Brinkmeyer writes, free O'Connor's vision from the limits of its perspective, opening it to growth and understanding. After a thorough discussion of the ways in which O'Connor's Catholic and southern heritage helped to form her artistic vision, Brinkmeyer shows how dialogic encounters are at work in O'Connor's interaction with her largely fundamentalist narrators, the stories they tell, and her readers. He focuses on several of her stories as well as her two novels, Wise Blood and The Violent Bear It Away. As the first analysis of the dialogical dynamics of O'Connor's art and vision, this study offers an original approach to understanding O'Connor. But the significance of the book extends far beyond O'Connor scholarship, for Brinkmeyer presents a critical method that has value for exploring other writers, particularly other modern Catholic writers.
Author: Gry Hedin
Publisher: Routledge
ISBN: 1315311879
Category : Art
Languages : en
Pages : 292
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Book Description
In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven chapters, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the blurred boundaries between nature and the human. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Björk.
