Author: Christine M. Unwin
Publisher:
ISBN: 9780964271203
Category : Art
Languages : en
Pages : 146

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Book Description
Presents colour images of the work of prominent American artists including Janet Fish, Nita Engle, Jeanne Dobie

Author: Julie Appel
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402735677
Category : Juvenile Nonfiction
Languages : en
Pages : 48

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Book Description
Invites young readers to touch Impressionist and other nineteenth-century paintings, including Van Gogh's "Starry Night," Degas' "L'Etoile," and Morisot's "The Cradle." On board pages.

Author: Portland Art Museum (Or.)
Publisher:
ISBN: 9781883124328
Category : Art
Languages : en
Pages : 0

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Book Description
Published on the occasion of an exhibition held at the Portland Art Museum, Portland, Or., Oct. 1, 2011-Jan. 22, 2012.

Author: E.J. Russell
Publisher: Reality Optional Press
ISBN: 1947033832
Category : Fiction
Languages : en
Pages : 114

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Book Description
A destitute artist. His art investigator ex-lover. Two men haunted by more than the past. Painter Stefan Cobbe was homeless and debt-ridden after the death of his wealthy partner, but the worst loss of all was his artistic inspiration. After two years of nothing, he’s offered patronage by an eccentric gallery owner and starts to produce again, canvas after canvas. The only problem? He can’t remember painting any of them—not one single brushstroke. Luke Morganstern’s reputation as an art-fraud investigator is in tatters. He can’t afford to turn down any job, even a lousy one for an anonymous client who sends him after an unidentified forger in a remote cabin in Oregon. When the alleged forger turns out to be Stefan, the man he never stopped loving, Luke’s professional ethics are stretched beyond the breaking point. As the two men take tentative steps toward reconciliation, evidence begins to mount that they’re not alone in the woods. Someone—or something—is watching. Something with sinister plans for them both. To escape, Luke must overcome his suspicions and Stefan must trust Luke with his deepest fears. Otherwise they could forfeit their relationship, their sanity—and their lives. NOTE: This is a heavily revised and significantly expanded reprint of the author's Northern Light, however the text does not differ from the first edition of The Artist’s Touch.

Author: S. H. Pratt
Publisher: Stefanie Pratt
ISBN: 0990841766
Category : Fiction
Languages : en
Pages : 333

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Book Description
The Artist’s Touch: Book 1 of the Artist’s Touch Set

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 586

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Book Description

Author: Kim Grant
Publisher: Penn State Press
ISBN: 0271079479
Category : Art
Languages : en
Pages : 283

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Book Description
In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.

Author: S. H. Pratt
Publisher: Stefanie Pratt
ISBN: 0990841790
Category : Fiction
Languages : en
Pages : 431

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Book Description
The Art of Forgiving (The Picture of Love Series Book 2)

Author: Karen L. Kleinfelder
Publisher: University of Chicago Press
ISBN: 9780226439839
Category : Art
Languages : en
Pages : 294

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Book Description
Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.

Author: Alice Barnaby
Publisher: Taylor & Francis
ISBN: 1315407698
Category : History
Languages : en
Pages : 176

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Book Description
Light Touches: Cultural Practices of Illumination, 1800-1900 explores how urban lives in the nineteenth century were increasingly touched by innovations in the technologies and aesthetics of illumination. Dramatic changes in qualities of light – and darkness – became acutely palpable to the human sensorium; using, seeing, feeling, and being in light were now matters of intense personal and cultural concern. Light gave meaningful vitality to the period’s material culture, and light itself became something to be perceptually consumed. Over the course of six chapters Alice Barnaby traces how light was used in amateur artistic pastimes, interior design and clothing fashions, spectacular public amusements, volatile street demonstrations, and art gallery designs. From these previously unexplored examples a more complex history of light in the period emerges. Society’s fascination with illumination, its desire to work with it and make meaning from it gave rise to a distinctly new set of cultural practices. Through these practices unexpected discoveries about the modern world were revealed. Light proved to be instrumental in everyday acts of experimentation and imaginative enquiry. Barnaby offers an intervention into the dominant scholarly narrative of the nineteenth century which traditionally reads modernity as synonymous with the formation of a spectacular, disembodied visuality. Light Touches, in contrast, returns vision to the body and foregrounds the actively felt - as well as seen - sensation of light. In coming to understand these cultural practices of illumination, the book reconsiders many assumptions about nineteenth-century modernity.