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Author: DanielR. Guernsey
Publisher: Routledge
ISBN: 1351546333
Category : Art
Languages : en
Pages : 234
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Book Description
The Artist and the State, 1777-1855: The Politics of Universal History in British & French Painting is the first book-length study to examine political uses of 'universal history', or the philosophy of history, in European art from 1777 to 1855. Daniel R. Guernsey discusses a range of mural paintings and sculptural works produced in England and France between the American Revolution and the Universal Exposition of 1855, comparing the ways artists such as James Barry, Eug? Delacroix, Paul Chenavard, David d'Angers, and Gustave Courbet expressed linear or cyclical histories of progress and decline. By considering the work of these important European artists together, he reveals not only the rich artistic interaction that took place between England and France - as well as Germany - at this time, but also how the notion of 'universal history' was to become a major preoccupation in the work of these individual artists, each one participating in shaping a highly significant mode of eighteenth- and nineteenth-century political art.
Author: DanielR. Guernsey
Publisher: Routledge
ISBN: 1351546333
Category : Art
Languages : en
Pages : 234
Get Book Here
Book Description
The Artist and the State, 1777-1855: The Politics of Universal History in British & French Painting is the first book-length study to examine political uses of 'universal history', or the philosophy of history, in European art from 1777 to 1855. Daniel R. Guernsey discusses a range of mural paintings and sculptural works produced in England and France between the American Revolution and the Universal Exposition of 1855, comparing the ways artists such as James Barry, Eug? Delacroix, Paul Chenavard, David d'Angers, and Gustave Courbet expressed linear or cyclical histories of progress and decline. By considering the work of these important European artists together, he reveals not only the rich artistic interaction that took place between England and France - as well as Germany - at this time, but also how the notion of 'universal history' was to become a major preoccupation in the work of these individual artists, each one participating in shaping a highly significant mode of eighteenth- and nineteenth-century political art.
Author: United States. Office of Education
Publisher:
ISBN:
Category : Public libraries
Languages : en
Pages : 60
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Book Description
Author: Wiley Blevins
Publisher:
ISBN: 1634401719
Category : Juvenile Fiction
Languages : en
Pages : 28
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Book Description
Rapunzel with the long dark hair ends up locked in a tower because of a deal with a witch. When she and the prince fall in love, will they be able to outwit the witch?
Author: Ronald Stoyan
Publisher: Cambridge University Press
ISBN: 1316195724
Category : Science
Languages : en
Pages : 225
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Book Description
Throughout the ages, comets, enigmatic and beautiful wandering objects that appear for weeks or months, have alternately fascinated and terrified humankind. The result of five years of careful research, Atlas of Great Comets is a generously illustrated reference on thirty of the greatest comets that have been witnessed and documented since the Middle Ages. Special attention is given to the cultural and scientific impact of each appearance, supported by a wealth of images, from woodcuts, engravings, historical paintings and artifacts, to a showcase of the best astronomical photos and images. Following the introduction, giving the broad historical context and a modern scientific interpretation, the Great Comets feature in chronological order. For each, there is a contemporary description of its appearance along with its scientific, cultural and historical significance. Whether you are an armchair astronomer or a seasoned comet-chaser, this spectacular reference deserves a place on your shelf.
Author: DanielR. Guernsey
Publisher: Routledge
ISBN: 1351546341
Category : Art
Languages : en
Pages : 270
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Book Description
The Artist and the State, 1777-1855: The Politics of Universal History in British & French Painting is the first book-length study to examine political uses of 'universal history', or the philosophy of history, in European art from 1777 to 1855. Daniel R. Guernsey discusses a range of mural paintings and sculptural works produced in England and France between the American Revolution and the Universal Exposition of 1855, comparing the ways artists such as James Barry, Eug? Delacroix, Paul Chenavard, David d'Angers, and Gustave Courbet expressed linear or cyclical histories of progress and decline. By considering the work of these important European artists together, he reveals not only the rich artistic interaction that took place between England and France - as well as Germany - at this time, but also how the notion of 'universal history' was to become a major preoccupation in the work of these individual artists, each one participating in shaping a highly significant mode of eighteenth- and nineteenth-century political art.
