Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 9780300081688
Category : Art
Languages : en
Pages : 335
Book Description
A catalog accompanying an exhibtion organized by the Dallas Museum of Art describes how artists at the turn of the century used photography in their paintings and sculpture
The Artist and the Camera
Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 9780300081688
Category : Art
Languages : en
Pages : 335
Book Description
A catalog accompanying an exhibtion organized by the Dallas Museum of Art describes how artists at the turn of the century used photography in their paintings and sculpture
Publisher: Yale University Press
ISBN: 9780300081688
Category : Art
Languages : en
Pages : 335
Book Description
A catalog accompanying an exhibtion organized by the Dallas Museum of Art describes how artists at the turn of the century used photography in their paintings and sculpture
Picasso and the Camera
Author: John Richardson
Publisher: Rizzoli Publications
ISBN: 0847845915
Category : Art
Languages : en
Pages : 0
Book Description
With many never-before-published photographs taken by the artist, as well as paintings, drawings, sculptures, prints, and films, this volume offers an unparalleled examination of Pablo Picasso’s relationship to photography.
Publisher: Rizzoli Publications
ISBN: 0847845915
Category : Art
Languages : en
Pages : 0
Book Description
With many never-before-published photographs taken by the artist, as well as paintings, drawings, sculptures, prints, and films, this volume offers an unparalleled examination of Pablo Picasso’s relationship to photography.
Post-Photography
Author: Robert Shore
Publisher: Laurence King Publishing
ISBN: 9781780672281
Category : Photography
Languages : en
Pages : 0
Book Description
The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into six sections – Something Borrowed, Something New, Layers of Reality, Eye-Spy, Material Visions, Post-Photojournalism and All the World Is Staged – which cover the key strategies adopted by 53 of the most exciting and innovative artist-photographers of the 21st century, drawn from all over the world.
Publisher: Laurence King Publishing
ISBN: 9781780672281
Category : Photography
Languages : en
Pages : 0
Book Description
The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into six sections – Something Borrowed, Something New, Layers of Reality, Eye-Spy, Material Visions, Post-Photojournalism and All the World Is Staged – which cover the key strategies adopted by 53 of the most exciting and innovative artist-photographers of the 21st century, drawn from all over the world.
This Book Is a Camera
Author: Kelli Anderson
Publisher:
ISBN: 9780997175905
Category :
Languages : en
Pages :
Book Description
This is a working camera that pops up from the pages of a book..The book concisely explains--and actively demonstrates--how a structure as humble as a folded piece of paper can tap into the intrinsic properties of light to produce a photograph.The book includes:- a piece of paper folded into a working 4x5" camera- a lightproof bag- 5 sheets of photo-paper "film"- development instructions (from complete DIY to "outsource it")- a foil-stamped cover- a satisfying demonstration of the connection between design & science / structures & functions
Publisher:
ISBN: 9780997175905
Category :
Languages : en
Pages :
Book Description
This is a working camera that pops up from the pages of a book..The book concisely explains--and actively demonstrates--how a structure as humble as a folded piece of paper can tap into the intrinsic properties of light to produce a photograph.The book includes:- a piece of paper folded into a working 4x5" camera- a lightproof bag- 5 sheets of photo-paper "film"- development instructions (from complete DIY to "outsource it")- a foil-stamped cover- a satisfying demonstration of the connection between design & science / structures & functions
Vermeer's Camera
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Georgia O'Keeffe and the Camera
Author: Susan Danly
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
From her appearance as a provocative young artist in Alfred Stieglitz's photographs to her depiction as a grande dame of the art world in silkscreens by Andy Warhol, Georgia O'Keeffe captivated the media with her image of a woman as bold as her art. This beautifully illustrated book tells the stories behind the portraits of one of the 20th century's foremost American painters. O'Keeffe's professional and personal relationships with the leading photographers of her time come to light, as does her ability to shape public perceptions of her career. Stieglitz first created photographs of his protegee posing in front of her abstract artworks as a manifestation of a sexually liberated woman. O'Keeffe later redefined her image, sometimes working with photographers at her homes in New Mexico, where she emerged as a rugged individualist among the animal bones and gnarled trees that she often painted. This publication brings together for the first time, photographs by Stieglitz, Newman, Loengard, Webb, and others--many of which probe fascinating tensions between abstractionism and realism in O'Keeffe's art. In addition, a selection of O'Keeffe's works chronicles the span of her long career.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
From her appearance as a provocative young artist in Alfred Stieglitz's photographs to her depiction as a grande dame of the art world in silkscreens by Andy Warhol, Georgia O'Keeffe captivated the media with her image of a woman as bold as her art. This beautifully illustrated book tells the stories behind the portraits of one of the 20th century's foremost American painters. O'Keeffe's professional and personal relationships with the leading photographers of her time come to light, as does her ability to shape public perceptions of her career. Stieglitz first created photographs of his protegee posing in front of her abstract artworks as a manifestation of a sexually liberated woman. O'Keeffe later redefined her image, sometimes working with photographers at her homes in New Mexico, where she emerged as a rugged individualist among the animal bones and gnarled trees that she often painted. This publication brings together for the first time, photographs by Stieglitz, Newman, Loengard, Webb, and others--many of which probe fascinating tensions between abstractionism and realism in O'Keeffe's art. In addition, a selection of O'Keeffe's works chronicles the span of her long career.
Norman Rockwell: Behind the Camera
Author: Ron Schick
Publisher: Little Brown
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
An unprecedented study of Norman Rockwell's creative process, pairing masterworks of American illustration with the photographs that inspired their execution
Publisher: Little Brown
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
An unprecedented study of Norman Rockwell's creative process, pairing masterworks of American illustration with the photographs that inspired their execution
Plastic Cameras
Author: Michelle Bates
Publisher: CRC Press
ISBN: 1136089667
Category : Photography
Languages : en
Pages : 286
Book Description
Take a tour of the burgeoning world of plastic cameras and low-tech photography in this fun and funky guide to creating the most artistic pictures of your life! Whether you're an experienced enthusiast or toy camera neophyte, you'll find this guide full of tantalizing tips, fun facts, and absolutely striking photographs taken with the lowest tech tools around. You'll learn how to prep your plastic camera, their advantages and quirks, and what film to feed it. You'll also explore what makes a good subject, vignetting, multiple exposures, panoramas, close-ups, night photography, color, flash, problems and solutions, and so much more. Michelle Bates also takes you from a negative to either prints or pixels so that you can show off your photos and jump on the toy-camera revolution! Contributors include: Michael Ackerman, Thomas Michael Alleman, Erin Antognoli, Jonathan Bailey , James Balog, Michelle Bates, Phil Bebbington, Gyorgy Beck, Susan Bowen, Laura Corley Burlton, David Burnett, Susan Burnstine, Nancy Burson, Perry Dilbeck, Jill Enfield, fotovitamina, Annette Elizabeth Fournet, Brigitte Grignet, Eric Havelock-Bailie, Christopher James, Michael Kenna, Wesley Kennedy, Teru Kuwayama, Louviere & Vanessa, Mary Ann Lynch, Anne Arden McDonald, Ted Orland, Sylvia Plachy, Dan Price, Becky Ramotowski, Nancy Rexroth, Francisco Mata Rosas, Richard Ross, Franco Salmoiraghi, Rosanna Salonia, Jennifer Shaw, Nancy Siesel, Mark Sink, Kurt Smith, Sandy Sorlien, Pauline St. Denis, Harvey Stein, Gordon Stettinius, Ryan Synovec, Rebecca Tolk, Marydorsey Wanless, Shannon Welles, Matthew Yates, Dan Zamudio
Publisher: CRC Press
ISBN: 1136089667
Category : Photography
Languages : en
Pages : 286
Book Description
Take a tour of the burgeoning world of plastic cameras and low-tech photography in this fun and funky guide to creating the most artistic pictures of your life! Whether you're an experienced enthusiast or toy camera neophyte, you'll find this guide full of tantalizing tips, fun facts, and absolutely striking photographs taken with the lowest tech tools around. You'll learn how to prep your plastic camera, their advantages and quirks, and what film to feed it. You'll also explore what makes a good subject, vignetting, multiple exposures, panoramas, close-ups, night photography, color, flash, problems and solutions, and so much more. Michelle Bates also takes you from a negative to either prints or pixels so that you can show off your photos and jump on the toy-camera revolution! Contributors include: Michael Ackerman, Thomas Michael Alleman, Erin Antognoli, Jonathan Bailey , James Balog, Michelle Bates, Phil Bebbington, Gyorgy Beck, Susan Bowen, Laura Corley Burlton, David Burnett, Susan Burnstine, Nancy Burson, Perry Dilbeck, Jill Enfield, fotovitamina, Annette Elizabeth Fournet, Brigitte Grignet, Eric Havelock-Bailie, Christopher James, Michael Kenna, Wesley Kennedy, Teru Kuwayama, Louviere & Vanessa, Mary Ann Lynch, Anne Arden McDonald, Ted Orland, Sylvia Plachy, Dan Price, Becky Ramotowski, Nancy Rexroth, Francisco Mata Rosas, Richard Ross, Franco Salmoiraghi, Rosanna Salonia, Jennifer Shaw, Nancy Siesel, Mark Sink, Kurt Smith, Sandy Sorlien, Pauline St. Denis, Harvey Stein, Gordon Stettinius, Ryan Synovec, Rebecca Tolk, Marydorsey Wanless, Shannon Welles, Matthew Yates, Dan Zamudio
The Camera and the Pencil
Author: Marcus Aurelius Root
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 488
Book Description
Laurie Simmons
Author:
Publisher: DelMonico Books
ISBN: 9783791357621
Category : PHOTOGRAPHY
Languages : en
Pages : 0
Book Description
Accompanying a major survey of the American artist Laurie Simmons, this generously illustrated book features every important step of her ever-evolving career--from small black-and-white photographs of miniature furniture to large-scale, full color images featuring life-sized Japanese dolls. Gender roles and identity, reality and its distortion, and the psychologically loaded myth of "normal life" are recurrent themes in Laurie Simmons's work. Taken chronologically, her career has followed a trajectory from miniature to full size, black-and-white to color, mechanical to human. Over more than four decades, the artist's authentic gaze has remained unflinching, whether she is composing tableaux of plastic figurines and props, or painting the eyelids of glamorous models and transforming them into doll-like humans with an unsettling stare. Her well-known series, such as "Walking and Lying Objects" and "The Instant Decorator," are featured here along with lesser-known series that explore underwater photography, self-portraiture, and a feature film starring Meryl Streep and a plastic dummy. The book includes an essay on Simmons's early iconic photographs, while other writings take closer looks at specific and more recent series. Renowned art historian and curator Michael Auping's interview with Simmons rounds out this book. Copublished by the Modern Art Museum of Fort Worth and DelMonico Books
Publisher: DelMonico Books
ISBN: 9783791357621
Category : PHOTOGRAPHY
Languages : en
Pages : 0
Book Description
Accompanying a major survey of the American artist Laurie Simmons, this generously illustrated book features every important step of her ever-evolving career--from small black-and-white photographs of miniature furniture to large-scale, full color images featuring life-sized Japanese dolls. Gender roles and identity, reality and its distortion, and the psychologically loaded myth of "normal life" are recurrent themes in Laurie Simmons's work. Taken chronologically, her career has followed a trajectory from miniature to full size, black-and-white to color, mechanical to human. Over more than four decades, the artist's authentic gaze has remained unflinching, whether she is composing tableaux of plastic figurines and props, or painting the eyelids of glamorous models and transforming them into doll-like humans with an unsettling stare. Her well-known series, such as "Walking and Lying Objects" and "The Instant Decorator," are featured here along with lesser-known series that explore underwater photography, self-portraiture, and a feature film starring Meryl Streep and a plastic dummy. The book includes an essay on Simmons's early iconic photographs, while other writings take closer looks at specific and more recent series. Renowned art historian and curator Michael Auping's interview with Simmons rounds out this book. Copublished by the Modern Art Museum of Fort Worth and DelMonico Books