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Author: Mshana, Fadhili Safieli
Publisher: Mkuki na Nyota Publishers
ISBN: 9987753566
Category : Art
Languages : en
Pages : 208
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Book Description
Against the background of the carving’s beginnings at Konde in Kisarawe District, Tanzania, which attest to the crucial ties between Zaramo social practices and the carved objects that form an integral part of Zaramo life, The Art of the Zaramo presents the transformations, and reinvention of Zaramo wood sculpture in line with forces of modernization and social change. The book confirms that art represents history, culture and society. To find answers to the author’s questions and to develop an understanding of how Zaramo figurative sculpture was transformed as it went through modernization, Fadhili Safieli Mshana compelled to consider the impact of the following: Zaramo multiple ethnic heritage, social norms and cultural patterns including Swahili interactions, the strategic proximity of the Zaramo to Dar es Salaam (Tanzania’s biggest city and former capital), influences of Islam and Christian missionaries, colonial history, and finally the socio-economic transformation of post-independence Tanzania. These involve examining the ways that art acts as a vehicle for the formation of individual/group identity; how the two entities negotiate each other in the process of social and cultural change. This excellent book then, is about the Zaramo and their figurative wood carving tradition, and it is written as an attempt to not only understand the origins, development, and centrality of this figural carving tradition to the Zaramo, but also, the ways the Zaramo have used select sculptural objects to interpret change and continuity in the midst of modernization and social change.
Author: Mshana, Fadhili Safieli
Publisher: Mkuki na Nyota Publishers
ISBN: 9987753566
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
Against the background of the carving’s beginnings at Konde in Kisarawe District, Tanzania, which attest to the crucial ties between Zaramo social practices and the carved objects that form an integral part of Zaramo life, The Art of the Zaramo presents the transformations, and reinvention of Zaramo wood sculpture in line with forces of modernization and social change. The book confirms that art represents history, culture and society. To find answers to the author’s questions and to develop an understanding of how Zaramo figurative sculpture was transformed as it went through modernization, Fadhili Safieli Mshana compelled to consider the impact of the following: Zaramo multiple ethnic heritage, social norms and cultural patterns including Swahili interactions, the strategic proximity of the Zaramo to Dar es Salaam (Tanzania’s biggest city and former capital), influences of Islam and Christian missionaries, colonial history, and finally the socio-economic transformation of post-independence Tanzania. These involve examining the ways that art acts as a vehicle for the formation of individual/group identity; how the two entities negotiate each other in the process of social and cultural change. This excellent book then, is about the Zaramo and their figurative wood carving tradition, and it is written as an attempt to not only understand the origins, development, and centrality of this figural carving tradition to the Zaramo, but also, the ways the Zaramo have used select sculptural objects to interpret change and continuity in the midst of modernization and social change.
Author: Diane Pelrine
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 347
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Book Description
Author: Diane M. Pelrine
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN: 9781931948630
Category :
Languages : en
Pages : 237
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Book Description
Author: Fadhili Safieli Mshana
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 498
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Book Description
Author: Diane Marie Pelrine
Publisher:
ISBN:
Category :
Languages : en
Pages : 347
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Book Description
Author: Fadhili Safieli Mshana
Publisher: Rowman & Littlefield
ISBN: 1666901520
Category : Art
Languages : en
Pages : 155
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Book Description
African Artists under Mission Patronage explores relationships between African artists and Western Christian missions in twentieth-century Africa, and how that patronage has shaped and defined twentieth-century African art.
Author: Dillon Mahoney
Publisher: Univ of California Press
ISBN: 0520292898
Category : Art
Languages : en
Pages : 264
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Book Description
The Art of Connection narrates the individual stories of artisans and traders of Kenyan arts and crafts as they overcome the loss of physical access to roadside market space by turning to new digital technologies to make their businesses more mobile and integrated into the global economy. Bringing together the studies of globalization, development, art, and communication, the book illuminates the lived experiences of informal economies and shows how traders and small enterprises balance new risks with the mobility afforded by digital technologies. An array of ethnic and generational politics have led to market burnings and witchcraft accusations as Kenya’s crafts industry struggles to adapt to its new connection to the global economy. To mediate the resulting crisis of trust, the Fair Trade sticker and other NGO aesthetics continue to successfully represent a transparent, ethical, and trusting relationship between buyer and producer. Dillon Mahoney shows that by balancing revelation and obfuscation—what is revealed and what is not—Kenyan art traders make their own roles as intermediaries and the exploitative realities of the global economy invisible.
Author: Bennetta Jules-Rosette
Publisher: Springer Science & Business Media
ISBN: 1475718276
Category : Art
Languages : en
Pages : 278
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Book Description
Tourist art may be a billion dollar business. Nevertheless, such art is despised. What is worse, the "bad" culture is seen as driving out the "good. " Commer cialization is assumed to destroy traditional arts and crafts, replacing them with junk. The process is seen as demeaning to artists in the traditional societies, who are seduced into a type of whoredom: unfeeling production of false beauty for money. The arts remain problematic for the social sciences. Sociology textbooks treat the arts as subordinate reflections of social forces, norms, or groups. An thropology textbooks conventionally isolate the arts in a separate chapter, failing to integrate them with analyses of kinship, economics, politics, language, or biology. Textbooks reflect the guiding theories, which emphasize such factors as modes of production, patterns of thought, or biological and normative con straints, but their authors have not adequately formulated the aesthetic dimen sion. One may compare the theoretical status of the arts to that of religion. After the contributions by Emile Durkheim and Max Weber, the sociology of religion is well established, but where is a Durkheim or Weber for the sociology of art? What is true of the social sciences in general holds for understanding of modernization in the Third World. These processes and those places are analyzed economically, politically, and socially, but the aesthetic dimension is treated in isolation, if at all, and is poorly grasped in relation to the other forces.
Author: Constantine Petridis
Publisher: Yale University Press
ISBN: 0300254326
Category : Art
Languages : en
Pages : 224
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Book Description
A lavishly illustrated selection of highlights from the Art Institute of Chicago’s extraordinary collection of the arts of Africa Featuring a selection of more than 75 works of traditional African art in the Art Institute of Chicago’s collection, this stunning volume includes objects in a wide variety of media from regions across the continent. Essays and catalogue entries by leading art historians and anthropologists attend closely to the meanings and materials of the works themselves in addition to fleshing out original contexts. These experts also underscore the ways in which provenance and collection history are important to understanding how we view such objects today. Celebrating the Art Institute’s collection of traditional African art as one of the oldest and most diverse in the United States, this is a fresh and engaging look at current research into the arts of Africa as well as the potential of future scholarship.
