The Art of Painting, in All Its Branches, Methodically Demonstrated by Discourses and Plates ... Translated by John Frederick Fritsch PDF Download
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Author: Gerard de LAIRESSE
Publisher:
ISBN:
Category :
Languages : en
Pages : 682
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Book Description
Author: Gerard de LAIRESSE
Publisher:
ISBN:
Category :
Languages : en
Pages : 682
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Book Description
Author: Gerard de LAIRESSE
Publisher:
ISBN:
Category :
Languages : en
Pages : 672
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Book Description
Author: Gérard de Lairesse
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 374
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Book Description
Author: Leonard and Co.
Publisher: BoD – Books on Demand
ISBN: 3382135264
Category : Fiction
Languages : en
Pages : 462
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Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Henry B. Humphrey
Publisher:
ISBN:
Category : Private libraries
Languages : en
Pages : 476
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Author: Jan Dirk Baetens
Publisher: BRILL
ISBN: 9004291997
Category : Social Science
Languages : en
Pages : 367
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Book Description
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
Author: Gijs Versteegen
Publisher: BRILL
ISBN: 9004436804
Category : History
Languages : en
Pages : 398
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Book Description
This volume explores the concept of magnificence as a social construction in seventeenth-century Europe. Although this period is often described as the ‘Age of Magnificence’, thus far no attempts have been made to investigate how the term and the concept of magnificence functioned. The authors focus on the way crucial ethical, religious, political, aesthetic, and cultural developments interacted with thought on magnificence in Catholic and Protestant contexts, analysing spectacular civic and courtly festivities and theatre, impressive displays of painting and sculpture in rich architectural settings, splendid gardens, exclusive etiquette, grand households, and learned treatises of moral philosophy. Contributors: Lindsay Alberts, Stijn Bussels, Jorge Fernández-Santos, Anne-Madeleine Goulet, Elizabeth den Hartog, Michèle-Caroline Heck, Miguel Hermoso Cuesta, José Eloy Hortal Muñoz, Félix Labrador Arroyo, Victoire Malenfer, Alessandro Metlica, Alessandra Mignatti, Anne-Françoise Morel, Matthias Roick, Kathrin Stocker, Klaas Tindemans, and Gijs Versteegen.
Author: Various
Publisher: Routledge
ISBN: 0429761805
Category : History
Languages : en
Pages : 4338
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Book Description
This set of 11 volumes, originally published between 1946 and 2001, amalgamates a wide breadth of research on Art and Culture in the Nineteenth Century, including studies on photography, theatre, opera, and music. This collection of books from some of the leading scholars in the field provides a comprehensive overview of the subject how it has evolved over time, and will be of particular interest to students of art and cultural history.
Author: Brandon Henderson
Publisher: Universal-Publishers
ISBN: 1599426889
Category :
Languages : en
Pages : 190
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Book Description
The Dutch-born English Baroque portrait painter Sir Peter Lely (1618-1680) is chiefly known for his drowsy, sensual beauties and bewigged courtiers associated with the Restoration court of Charles II. He is often seen as merely successor or "imitator" of Sir Anthony Van Dyck (1599-1641), with a common resemblance in all his sitters and an inability to capture a true likeness, as well as an absence of any personal characterization or psychological interest. Alternately, this dissertation aims to reveal Lely's genius of superb draughtsmanship, fine color and lively composition, as well as to examine and reinstate the artist's impact and deep impress on British painting. Lely's early style owes much to his Dutch origin and training with the pioneers of Dutch classicism, and the distinctive qualities of his early work and the change in his traditions and techniques are examined. The development of Lely's portrait style is examined - from his arrival in England in the early 1640s through his years as leading aristocratic and society portraitist and Principal Painter to the King in the 1660s, to his mature work in the 1670s when his work is characterized by a restricted palette and cool restraint. And finally, Lely as collector is examined. He assembled one of the largest and most impressive private collections of art in seventeenth-century Europe, and his acquisitions and their influences, benefits and effects are considered. Upon Lely's death, his highly important collection was dispersed by auction in a series of four well-publicized sales in 1681, 1682, 1688 and 1694, respectively. These sales brought many important works to the London art market, and were some of the most important sales to date in England, as well as the most spectacular of the modern auction world. Although Lely initially emulated the style and techniques of Van Dyck, he juxtaposed his profound Dutch qualities of rich color, dramatic illumination and romantic landscapes, and ultimately imbued a sensuality, languor and luxurious negligence into the traditions and continuity of Van Dyck's grand Baroque style of English portraiture. Subsequently, together later with Sir Godfrey Kneller (1646-1723), Sir Peter Lely completely dominated British portraiture from the death of Van Dyck in 1641 until William Hogarth (1697-1764) challenged his style in the first half of the eighteenth century. Due to large file size, some images within this ebook do not appear in high resolution.
Author: H. P. Robinson
Publisher:
ISBN:
Category : Composition (Photography)
Languages : en
Pages : 240
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Book Description
