Author: Betty Wood
Publisher: University of Georgia Press
ISBN: 0820337854
Category : Biography & Autobiography
Languages : en
Pages : 453
Book Description
The essays in the second volume of Georgia Women portray a wide array of Georgia women who played an important role in the state's history, from little-known Progressive Era activists to famous present-day figures such as Pulitzer Prize-winning author Alice Walker and former First Lady Rosalynn Carter.
The Art of Lucy May Stanton
Author: Betty Alice Fowler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Born in Atlanta, Lucy May Stanton enjoyed a successful career as a professional artist until her death in 1931 at the age of fifty-five. She created works in oil, pastel, and watercolor, but was best known as a painter of miniatures during the revival of the art form that took place in the United States after 1890. This catalogue is a product of the first major exhibition of the artist's work since 1932, held at the Georgia Museum of Art from May through July 2002. Over fifty works are illustrated in the catalogue, including miniature portraits on ivory, drawings, and oil paintings from public and private collections.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Born in Atlanta, Lucy May Stanton enjoyed a successful career as a professional artist until her death in 1931 at the age of fifty-five. She created works in oil, pastel, and watercolor, but was best known as a painter of miniatures during the revival of the art form that took place in the United States after 1890. This catalogue is a product of the first major exhibition of the artist's work since 1932, held at the Georgia Museum of Art from May through July 2002. Over fifty works are illustrated in the catalogue, including miniature portraits on ivory, drawings, and oil paintings from public and private collections.
Georgia Women
Author: Betty Wood
Publisher: University of Georgia Press
ISBN: 0820337854
Category : Biography & Autobiography
Languages : en
Pages : 453
Book Description
The essays in the second volume of Georgia Women portray a wide array of Georgia women who played an important role in the state's history, from little-known Progressive Era activists to famous present-day figures such as Pulitzer Prize-winning author Alice Walker and former First Lady Rosalynn Carter.
Publisher: University of Georgia Press
ISBN: 0820337854
Category : Biography & Autobiography
Languages : en
Pages : 453
Book Description
The essays in the second volume of Georgia Women portray a wide array of Georgia women who played an important role in the state's history, from little-known Progressive Era activists to famous present-day figures such as Pulitzer Prize-winning author Alice Walker and former First Lady Rosalynn Carter.
Catalogue of the ... Exhibition of Water Colors and Prints
Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
American Portrait Miniatures in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393577
Category : Art
Languages : en
Pages : 330
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588393577
Category : Art
Languages : en
Pages : 330
Book Description
Visual Art and the Urban Evolution of the New South
Author: Deborah C. Pollack
Publisher: Univ of South Carolina Press
ISBN: 1611174333
Category : Art
Languages : en
Pages : 371
Book Description
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
Publisher: Univ of South Carolina Press
ISBN: 1611174333
Category : Art
Languages : en
Pages : 371
Book Description
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
Legendary Locals of Intown Atlanta
Author: Janice McDonald
Publisher: Arcadia Publishing
ISBN: 146710132X
Category : History
Languages : en
Pages : 128
Book Description
When Hardy Ivy built his small cabin on a ridge in the North Georgia wilderness in 1833, no one could have imagined his property would grow to become the internationally recognized city Atlanta is today. Ivy is just one of those whose impact on Atlanta has earned him the right to be called a legendary local. This book includes those with international acclaim like Cable News Network founder and environmentalist Ted Turner, civil rights leader Dr. Martin Luther King, Jr., and former president Jimmy Carter. No less important, but lesser known, are former slave Carrie Steel Logan, who started the first orphanage for black children in Georgia, and May Belle Mitchell, the mother of Gone With the Wind author Margaret Mitchell. May Belle was a legend in her own right for leading the Atlanta women's Equal Suffrage League in the early 1900s. These stories span centuries, highlighting only some of the true legendary locals of Intown Atlanta.
Publisher: Arcadia Publishing
ISBN: 146710132X
Category : History
Languages : en
Pages : 128
Book Description
When Hardy Ivy built his small cabin on a ridge in the North Georgia wilderness in 1833, no one could have imagined his property would grow to become the internationally recognized city Atlanta is today. Ivy is just one of those whose impact on Atlanta has earned him the right to be called a legendary local. This book includes those with international acclaim like Cable News Network founder and environmentalist Ted Turner, civil rights leader Dr. Martin Luther King, Jr., and former president Jimmy Carter. No less important, but lesser known, are former slave Carrie Steel Logan, who started the first orphanage for black children in Georgia, and May Belle Mitchell, the mother of Gone With the Wind author Margaret Mitchell. May Belle was a legend in her own right for leading the Atlanta women's Equal Suffrage League in the early 1900s. These stories span centuries, highlighting only some of the true legendary locals of Intown Atlanta.
Catalogue of the ... Annual Philadelphia Water Color Exhibition
Author: Philadelphia Water Color Club
Publisher:
ISBN:
Category : Miniature painting
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Miniature painting
Languages : en
Pages : 148
Book Description
Catalogue of the ... Philadelphia Water Color Exhibition ...
Author: Philadelphia Water Color Club
Publisher:
ISBN:
Category : Watercolor painting
Languages : en
Pages : 226
Book Description
Publisher:
ISBN:
Category : Watercolor painting
Languages : en
Pages : 226
Book Description
The Historian's Eye
Author: Andrew Ladis
Publisher: University of Georgia, Georgia Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 268
Book Description
Publisher: University of Georgia, Georgia Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 268
Book Description
Writing Women's History
Author: Elizabeth Anne Payne
Publisher: Univ. Press of Mississippi
ISBN: 1617031747
Category : Social Science
Languages : en
Pages : 250
Book Description
Contributions by Laura F. Edwards, Crystal Feimster, Glenda E. Gilmore, Jacquelyn Dowd Hall, Darlene Clark Hine, Mary Kelley, Markeeva Morgan, Anne Firor Scott, Laurel Thatcher Ulrich, and Deborah Gray White Anne Firor Scott's The Southern Lady: From Pedestal to Politics, 1830-1930 stirred a keen interest among historians in both the approach and message of her book. Using women's diaries, letters, and other personal documents, Scott brought to life southern women as wives and mothers, as members of their communities and churches, and as sometimes sassy but rarely passive agents. She brilliantly demonstrated that the familiar dichotomies of the personal versus the public, the private versus the civic, which had dominated traditional scholarship about men, could not be made to fit women's lives. In doing so, she helped to open up vast terrains of women's experiences for historical scholarship. This volume, based on papers presented at the University of Mississippi's annual Chancellor Porter L. Fortune Symposium in Southern History, brings together essays by scholars at the forefront of contemporary scholarship on American women's history. Each regards The Southern Lady as having shaped her historical perspective and inspired her choice of topics in important ways. These essays together demonstrate that the power of imagination and scholarly courage manifested in Scott's and other early American women historians' work has blossomed into a gracious plentitude.
Publisher: Univ. Press of Mississippi
ISBN: 1617031747
Category : Social Science
Languages : en
Pages : 250
Book Description
Contributions by Laura F. Edwards, Crystal Feimster, Glenda E. Gilmore, Jacquelyn Dowd Hall, Darlene Clark Hine, Mary Kelley, Markeeva Morgan, Anne Firor Scott, Laurel Thatcher Ulrich, and Deborah Gray White Anne Firor Scott's The Southern Lady: From Pedestal to Politics, 1830-1930 stirred a keen interest among historians in both the approach and message of her book. Using women's diaries, letters, and other personal documents, Scott brought to life southern women as wives and mothers, as members of their communities and churches, and as sometimes sassy but rarely passive agents. She brilliantly demonstrated that the familiar dichotomies of the personal versus the public, the private versus the civic, which had dominated traditional scholarship about men, could not be made to fit women's lives. In doing so, she helped to open up vast terrains of women's experiences for historical scholarship. This volume, based on papers presented at the University of Mississippi's annual Chancellor Porter L. Fortune Symposium in Southern History, brings together essays by scholars at the forefront of contemporary scholarship on American women's history. Each regards The Southern Lady as having shaped her historical perspective and inspired her choice of topics in important ways. These essays together demonstrate that the power of imagination and scholarly courage manifested in Scott's and other early American women historians' work has blossomed into a gracious plentitude.