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Author: Andrew Topsfield
Publisher:
ISBN: 9781910807507
Category : Art
Languages : en
Pages : 304
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Book Description
The Ashmolean is fortunate in having the finest collection of Indian art in Britain outside London, one which includes many works of great beauty and expressive power. For this we are indebted above all to the generosity, knowledge and taste of our benefactors and donors from the 17th century to the present. This book offers a short account of how the collection developed and a selection of some of its more outstanding or interesting works of art. While it is written mainly for the general reader and museum visitor, it includes many fine objects or pictures, some of them unpublished, that should interest specialist scholars and students. Since 1987, the Ashmolean has made many significant new acquisitions of Indian art and these are highlighted in this collection. As the book's title implies, it also ventures beyond the bounds of the Indian subcontinent by including works from Afghanistan and Central Asian Silk Road sites as well as many from Nepal, Tibet and Southeast Asia. From the early centuries AD, Indian trading links with these diverse regions of Asia led to a widespread cultural diffusion and regional adoptions of Buddhism and Hinduism along with their related arts. Local reinterpretations of such Indic subjects, themes and styles then grew into flourishing and enduring artistic traditions which are also part of the story of this book. The selection of works ends around 1900. By the 16th century and the early modern period in India, growing European interventions and Western artistic influences under Mughal rule saw a significant shift in sensibility and the practice of more secular and naturalistic forms of court art such as portraiture. By the late 19th century, fundamental cultural changes under British rule and the advent of new technologies brought about a gradual decline in many of India's traditional arts.
Author: Andrew Topsfield
Publisher:
ISBN: 9781910807507
Category : Art
Languages : en
Pages : 304
Get Book
Book Description
The Ashmolean is fortunate in having the finest collection of Indian art in Britain outside London, one which includes many works of great beauty and expressive power. For this we are indebted above all to the generosity, knowledge and taste of our benefactors and donors from the 17th century to the present. This book offers a short account of how the collection developed and a selection of some of its more outstanding or interesting works of art. While it is written mainly for the general reader and museum visitor, it includes many fine objects or pictures, some of them unpublished, that should interest specialist scholars and students. Since 1987, the Ashmolean has made many significant new acquisitions of Indian art and these are highlighted in this collection. As the book's title implies, it also ventures beyond the bounds of the Indian subcontinent by including works from Afghanistan and Central Asian Silk Road sites as well as many from Nepal, Tibet and Southeast Asia. From the early centuries AD, Indian trading links with these diverse regions of Asia led to a widespread cultural diffusion and regional adoptions of Buddhism and Hinduism along with their related arts. Local reinterpretations of such Indic subjects, themes and styles then grew into flourishing and enduring artistic traditions which are also part of the story of this book. The selection of works ends around 1900. By the 16th century and the early modern period in India, growing European interventions and Western artistic influences under Mughal rule saw a significant shift in sensibility and the practice of more secular and naturalistic forms of court art such as portraiture. By the late 19th century, fundamental cultural changes under British rule and the advent of new technologies brought about a gradual decline in many of India's traditional arts.
Author: Ajit Mookerjee
Publisher: Inner Traditions / Bear & Co
ISBN: 9780892817214
Category : Art
Languages : en
Pages : 198
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Book Description
RITUAL ART OF INDIA shows the splendor and diversity of an art form that has enriched every stage of human life in India--and reveals the inward-seeking quality of relationship with the divine that exemplifies Indian ritual art. A stunning guide with over 100 color photos and 34 b&w photos.
Author: Stella Kramrisch
Publisher:
ISBN: 9788120801820
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Judith Magee
Publisher: Images of Nature
ISBN: 9780565093105
Category : Art
Languages : en
Pages : 0
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Book Description
"There is a vast collection of Indian natural history drawings in the Library of the Natural History Museum, London. Spanning a period of more than two hundred years, from the eighteenth to the twentieth centuries, they depict the rich variety of animals, birds and insects to be found in India and the magnificent flora of the different regions. The Art of India presents many of these beautiful images, from fine botanical and zoological illustrations through to depictions of colourful artefacts and trinkets purchased in local markets. The artworks originate from a variety of sources that include individual artists and collectors, as well as organised studies of Indian natural history in the pursuit of science, commerce and politics. They were produced by European and Indian artists who worked to advance the understanding of Indian natural history by recording, describing, classifying and naming the flora and fauna of the country. The book is published to tie-in with a new art exhibition opening at the Museum in spring 2013."--
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 786
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Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Author: Hugo Munsterberg
Publisher: New York : H. N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
The arts of the Indian subcontinent and of those surrounding lands ("Greater India") that fell under its artistic influence are here given an unrivaled pictorial treatment. The splendid illustrations and informative text of this book carry the story from the earliest evidence of civilization at such sites as Mohenjo-Daro and Harappa in the third millennium B.C. to the exquisite products of the Rajput and Pahari schools of miniature painting. Professor Munsterberg explains how, after the collapse of the Indus Valley civilization, the visual arts languished for over a thousand years until there occurred an astonishing revival of art in the service of Buddhism. We then witness the emergence of Hinduy art in the seventh century A.D. The great temples of this so-called Hindu Medieval period, which lasted until the Moslem conquest of northern India in the thirteenth century, surpass anything that was being produced in the West at the time. This volume embraces a vast area that includes approximately one-third of the world's population and covers a period of some five thousand years. -- From publisher's description.
Author: Vincent Arthur Smith
Publisher: Parkstone International
ISBN: 1783109106
Category : Art
Languages : en
Pages : 231
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Book Description
If the ‘Palace of Love’, otherwise known as the Taj Mahal, is considered to be the emblem of Mughal Art, it is by no means the sole representative. Characterised by its elegance, splendor, and Persian and European influences, Mughal Art manifests itself equally well in architecture and painting as in decorative art.
Author: Benjamin Rowland
Publisher: Harmondsworth, Middlesex : Penguin Books
ISBN:
Category : Architecture
Languages : en
Pages : 512
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Book Description
Author: Dallas Museum of Art
Publisher:
ISBN: 9780300149883
Category : Art
Languages : en
Pages : 0
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Book Description
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art
Author: Erwin Neumayer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
This book introduces the reader to modern Indian Hindu iconography. Well annotated and with a large number of rare oleographs, it will appeal to art historians and those interested in popular Indian culture.
