Author: Adi Erlich
Publisher: British Archaeological Reports Limited
ISBN: 9781407305868
Category : Social Science
Languages : en
Pages : 139
Book Description
The art of the Hellenistic age (here taken as 332 BC to 37 BCE) in Palestine demonstrates the extent to which a province could be integrated into the rich, established culture of the Hellenistic world. Its study here examines the art itself, and specifically the themes, types, iconography, and style of local productions. The study can be instructive on the ethnic texture of Palestine, its regional differences, its widely practiced religion and cults, and its culture in general. Likewise, it may supplement both historical research on the period, which appears to have reached a dead end of sorts, and archaeological inquiry, the results of which have been partial or insufficient. It can help address whether the art was incorporated into the Hellenistic koine, the manner in which it utilized local and foreign elements, and the question of how the culture of the period left a mark so profound that it can be traced until the end of the Byzantine period.
The Art of Hellenistic Palestine
Author: Adi Erlich
Publisher: British Archaeological Reports Limited
ISBN: 9781407305868
Category : Social Science
Languages : en
Pages : 139
Book Description
The art of the Hellenistic age (here taken as 332 BC to 37 BCE) in Palestine demonstrates the extent to which a province could be integrated into the rich, established culture of the Hellenistic world. Its study here examines the art itself, and specifically the themes, types, iconography, and style of local productions. The study can be instructive on the ethnic texture of Palestine, its regional differences, its widely practiced religion and cults, and its culture in general. Likewise, it may supplement both historical research on the period, which appears to have reached a dead end of sorts, and archaeological inquiry, the results of which have been partial or insufficient. It can help address whether the art was incorporated into the Hellenistic koine, the manner in which it utilized local and foreign elements, and the question of how the culture of the period left a mark so profound that it can be traced until the end of the Byzantine period.
Publisher: British Archaeological Reports Limited
ISBN: 9781407305868
Category : Social Science
Languages : en
Pages : 139
Book Description
The art of the Hellenistic age (here taken as 332 BC to 37 BCE) in Palestine demonstrates the extent to which a province could be integrated into the rich, established culture of the Hellenistic world. Its study here examines the art itself, and specifically the themes, types, iconography, and style of local productions. The study can be instructive on the ethnic texture of Palestine, its regional differences, its widely practiced religion and cults, and its culture in general. Likewise, it may supplement both historical research on the period, which appears to have reached a dead end of sorts, and archaeological inquiry, the results of which have been partial or insufficient. It can help address whether the art was incorporated into the Hellenistic koine, the manner in which it utilized local and foreign elements, and the question of how the culture of the period left a mark so profound that it can be traced until the end of the Byzantine period.
Judaism and Hellenism
Author: Martin Hengel
Publisher: Wipf and Stock Publishers
ISBN: 1592441866
Category : Religion
Languages : en
Pages : 667
Book Description
Martin Hengel gathers an encyclopedic amount of material, ancient and modern, to present an exhaustive survey of the early course of Hellenistic civilization as it related to developing Judaism. The result is a highly readable account of a largely unfamiliar world which is indispensable for those interested in Judaism and the birth of Christianity alike. An extensive section of notes and bibliography is included.
Publisher: Wipf and Stock Publishers
ISBN: 1592441866
Category : Religion
Languages : en
Pages : 667
Book Description
Martin Hengel gathers an encyclopedic amount of material, ancient and modern, to present an exhaustive survey of the early course of Hellenistic civilization as it related to developing Judaism. The result is a highly readable account of a largely unfamiliar world which is indispensable for those interested in Judaism and the birth of Christianity alike. An extensive section of notes and bibliography is included.
The Hellenistic Paintings of Marisa
Author: David M. Jacobson
Publisher: Taylor & Francis
ISBN: 104028437X
Category : Social Science
Languages : en
Pages : 261
Book Description
In early June 1902, John Peters, an American theologian, and Hermann Thiersch, a German classical scholar, were alerted to the discovery of two painted burial caves at Marisa/Beit Jibrin, less than 40 miles (62 km) by road southwest from Jerusalem. Tomb robbers had, a short time previously, forced their way into the burial chambers and caused damage to their fabric. Realising that these splendid tombs dated to about 200 BCE and the importance of their painted interiors, the two scholars immediately commissioned a leading Jerusalem photographer, Chalil Raad, to record them. This was fortunate, because the paintings on the soft limestone walls rapidly deteriorated and now can no longer be seen. Peters and Thiersch published a monograph on the painted tombs, illustrated with hand-drawn copies of the photographs, but the original plates have lain all these years in the archives of the Palestine Exploration Fund in London, unpublished. The paintings are unique in the Greek pictorial repertoire and are among the most important surviving examples of Ptolemaic art. The remarkable painted frieze extending along the two long sides of the main chamber of Tomb I depicts 22 different animal species, drawn from the wild fauna of the Levant, the Nile basin and the Horn of Africa - as well as a few mythical beasts. This animal frieze attests to the interest in exotic animals shown in the Hellenistic period. Other remarkable subjects represented in the Marisa paintings include Cerberus, the three-headed guard-dog of Hades, and a pair of elegant musicians in Greek dress. Timed to coincide with the centenary of the discovery of the painted tombs, a new study on the paintings has been produced by David Jacobson. This study appears as Annual VII of the Palestine Exploration Fund. It contains, for the first time, high quality reproductions of the photographic plates taken in 1902, which are held in the PEF collections. Reproduced with the photographs are the proofs of the coloured lithographs, which are superior in quality to the versions that were published. The inaccuracies and loss of delicate detail of the originals in the coloured lithographs used by Peters and Thiersch for their 1905 publication are clearly apparent. The accompanying text includes an analysis of all the paintings in the light of a century of scholarship and an assessment is made of their religious and cultural significance. Each of the animals in the frieze is compared with descriptions given by ancient writers, and a new interpretation is presented of the cycle as a whole. An appraisal is made of the overall contribution of the Marisa paintings to our knowledge of the art and culture of the Levant in the Ptolemaic period. Included with this new study is facsimile reprint of the original 1905 publication, now long out of print, and it includes superior copies of the coloured lithographs from that edition. This new publication also reproduces a very rare addenda section prepared by R.A.S. Macalister after inspecting the Marisa tombs in October of that year.
Publisher: Taylor & Francis
ISBN: 104028437X
Category : Social Science
Languages : en
Pages : 261
Book Description
In early June 1902, John Peters, an American theologian, and Hermann Thiersch, a German classical scholar, were alerted to the discovery of two painted burial caves at Marisa/Beit Jibrin, less than 40 miles (62 km) by road southwest from Jerusalem. Tomb robbers had, a short time previously, forced their way into the burial chambers and caused damage to their fabric. Realising that these splendid tombs dated to about 200 BCE and the importance of their painted interiors, the two scholars immediately commissioned a leading Jerusalem photographer, Chalil Raad, to record them. This was fortunate, because the paintings on the soft limestone walls rapidly deteriorated and now can no longer be seen. Peters and Thiersch published a monograph on the painted tombs, illustrated with hand-drawn copies of the photographs, but the original plates have lain all these years in the archives of the Palestine Exploration Fund in London, unpublished. The paintings are unique in the Greek pictorial repertoire and are among the most important surviving examples of Ptolemaic art. The remarkable painted frieze extending along the two long sides of the main chamber of Tomb I depicts 22 different animal species, drawn from the wild fauna of the Levant, the Nile basin and the Horn of Africa - as well as a few mythical beasts. This animal frieze attests to the interest in exotic animals shown in the Hellenistic period. Other remarkable subjects represented in the Marisa paintings include Cerberus, the three-headed guard-dog of Hades, and a pair of elegant musicians in Greek dress. Timed to coincide with the centenary of the discovery of the painted tombs, a new study on the paintings has been produced by David Jacobson. This study appears as Annual VII of the Palestine Exploration Fund. It contains, for the first time, high quality reproductions of the photographic plates taken in 1902, which are held in the PEF collections. Reproduced with the photographs are the proofs of the coloured lithographs, which are superior in quality to the versions that were published. The inaccuracies and loss of delicate detail of the originals in the coloured lithographs used by Peters and Thiersch for their 1905 publication are clearly apparent. The accompanying text includes an analysis of all the paintings in the light of a century of scholarship and an assessment is made of their religious and cultural significance. Each of the animals in the frieze is compared with descriptions given by ancient writers, and a new interpretation is presented of the cycle as a whole. An appraisal is made of the overall contribution of the Marisa paintings to our knowledge of the art and culture of the Levant in the Ptolemaic period. Included with this new study is facsimile reprint of the original 1905 publication, now long out of print, and it includes superior copies of the coloured lithographs from that edition. This new publication also reproduces a very rare addenda section prepared by R.A.S. Macalister after inspecting the Marisa tombs in October of that year.
Jewish Studies on Premodern Periods
Author: Carl S. Ehrlich
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110418878
Category : Religion
Languages : en
Pages : 336
Book Description
This volume examines new developments in the fields of premodern Jewish studies over the last thirty years. The essays in this volume, written by leading experts, are grouped into four overarching temporal areas: the First Temple, Second Temple, Rabbinic, and Medieval periods. These time periods are analyzed through four thematic methodological lenses: the social scientific (history and society), the textual (texts and literature), the material (art, architecture, and archaeology), and the philosophical (religion and thought). Some essays offer a comprehensive look at the state of the field, while others look at specific examples illustrative of their temporal and thematic areas of inquiry. The volume presents a snapshot of the state of the field, encompassing new perspectives, directions, and methodologies, as well as the questions that will animate the field as it develops further. It will be of interest to scholars and students in the field, as well as to educated readers looking to understand the changing face of Jewish studies as a discipline advancing human knowledge
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110418878
Category : Religion
Languages : en
Pages : 336
Book Description
This volume examines new developments in the fields of premodern Jewish studies over the last thirty years. The essays in this volume, written by leading experts, are grouped into four overarching temporal areas: the First Temple, Second Temple, Rabbinic, and Medieval periods. These time periods are analyzed through four thematic methodological lenses: the social scientific (history and society), the textual (texts and literature), the material (art, architecture, and archaeology), and the philosophical (religion and thought). Some essays offer a comprehensive look at the state of the field, while others look at specific examples illustrative of their temporal and thematic areas of inquiry. The volume presents a snapshot of the state of the field, encompassing new perspectives, directions, and methodologies, as well as the questions that will animate the field as it develops further. It will be of interest to scholars and students in the field, as well as to educated readers looking to understand the changing face of Jewish studies as a discipline advancing human knowledge
Art and Judaism in the Greco-Roman World
Author: Steven Fine
Publisher: Cambridge University Press
ISBN: 9780521844918
Category : Art
Languages : en
Pages : 300
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521844918
Category : Art
Languages : en
Pages : 300
Book Description
Publisher Description
The Art of Contact
Author: S. Rebecca Martin
Publisher: University of Pennsylvania Press
ISBN: 0812293940
Category : Art
Languages : en
Pages : 320
Book Description
The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. It is this perspective that informs the argument of The Art of Contact: Comparative Approaches to Greek and Phoenician Art. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper," Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity. Explicating the relationship between theory, method, and interpretation, The Art of Contact destabilizes categories such as orientalism and Hellenism and offers fresh perspectives on Greek and Phoenician art history.
Publisher: University of Pennsylvania Press
ISBN: 0812293940
Category : Art
Languages : en
Pages : 320
Book Description
The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. It is this perspective that informs the argument of The Art of Contact: Comparative Approaches to Greek and Phoenician Art. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper," Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity. Explicating the relationship between theory, method, and interpretation, The Art of Contact destabilizes categories such as orientalism and Hellenism and offers fresh perspectives on Greek and Phoenician art history.
Alexander to Constantine
Author: Eric M. Meyers
Publisher: Yale University Press
ISBN: 0300174837
Category : Social Science
Languages : en
Pages : 401
Book Description
Drawing on the most recent, groundbreaking archaeological research, Eric M. Meyers and Mark A. Chancey re-narrate the history of ancient Palestine in this richly illustrated and expertly integrated book. Spanning from the conquest of Alexander the Great in the fourth century BCE until the reign of the Roman emperor Constantine in the fourth century CE, they synthesize archaeological evidence with ancient literary sources (including the Bible) to offer a sustained overview of the tumultuous intellectual and religious changes that impacted world history during the Greco-Roman period. The authors demonstrate how the transformation of the ancient Near East under the influence of the Greeks and then the Romans led to foundational changes in both the material and intellectual worlds of the Levant. Palestine's subjection to Hellenistic kingdoms, its rule by the Hasmonean and Herodian dynasties, the two disastrous Jewish revolts against Rome, and its full incorporation into the Roman Empire provide a background for the emergence of Christianity. The authors observe in the archaeological record how Judaism and Christianity were virtually undistinguishable for centuries, until the rise of imperial Christianity with Emperor Constantine. The only book-length overview available that focuses on the archaeology of Palestine in this period, this comprehensive and powerfully illuminating work sheds new light on the lands of the Bible.
Publisher: Yale University Press
ISBN: 0300174837
Category : Social Science
Languages : en
Pages : 401
Book Description
Drawing on the most recent, groundbreaking archaeological research, Eric M. Meyers and Mark A. Chancey re-narrate the history of ancient Palestine in this richly illustrated and expertly integrated book. Spanning from the conquest of Alexander the Great in the fourth century BCE until the reign of the Roman emperor Constantine in the fourth century CE, they synthesize archaeological evidence with ancient literary sources (including the Bible) to offer a sustained overview of the tumultuous intellectual and religious changes that impacted world history during the Greco-Roman period. The authors demonstrate how the transformation of the ancient Near East under the influence of the Greeks and then the Romans led to foundational changes in both the material and intellectual worlds of the Levant. Palestine's subjection to Hellenistic kingdoms, its rule by the Hasmonean and Herodian dynasties, the two disastrous Jewish revolts against Rome, and its full incorporation into the Roman Empire provide a background for the emergence of Christianity. The authors observe in the archaeological record how Judaism and Christianity were virtually undistinguishable for centuries, until the rise of imperial Christianity with Emperor Constantine. The only book-length overview available that focuses on the archaeology of Palestine in this period, this comprehensive and powerfully illuminating work sheds new light on the lands of the Bible.
Monotheism and Institutions in the Book of Chronicles
Author: Matthew Lynch
Publisher: Mohr Siebeck
ISBN: 9783161521119
Category : Religion
Languages : en
Pages : 332
Book Description
Matthew Lynch examines ways that the one God became known and experienced through institutions according to the book of Chronicles. Chronicles recasts Israel's earlier histories from the vantage point of vigorous commitments to the temple and its supporting institutions (the priesthood and royal house), and draws out the numerous ways that those institutions mediate divine power and inspire national unity. By understanding and participating in the reestablishment of these institutions, Chronicles suggests that post-exilic Judeans could reconnect to the powerful God of the past despite the appallingly impoverished state of post-exilic life. However, Chronicles contends that God was not beholden by those participating in the temple system. As such, it constitutes a via media between two regnant perspectives on the relationship between biblical monotheism and particularism.
Publisher: Mohr Siebeck
ISBN: 9783161521119
Category : Religion
Languages : en
Pages : 332
Book Description
Matthew Lynch examines ways that the one God became known and experienced through institutions according to the book of Chronicles. Chronicles recasts Israel's earlier histories from the vantage point of vigorous commitments to the temple and its supporting institutions (the priesthood and royal house), and draws out the numerous ways that those institutions mediate divine power and inspire national unity. By understanding and participating in the reestablishment of these institutions, Chronicles suggests that post-exilic Judeans could reconnect to the powerful God of the past despite the appallingly impoverished state of post-exilic life. However, Chronicles contends that God was not beholden by those participating in the temple system. As such, it constitutes a via media between two regnant perspectives on the relationship between biblical monotheism and particularism.
Artists and Artistic Production in Ancient Greece
Author: Kristen Seaman
Publisher: Cambridge University Press
ISBN: 1107074460
Category : Art
Languages : en
Pages : 259
Book Description
Artists and Artistic Production in Ancient Greece questions many long-held ideas and provides a deeper understanding of particular artists and architects.
Publisher: Cambridge University Press
ISBN: 1107074460
Category : Art
Languages : en
Pages : 259
Book Description
Artists and Artistic Production in Ancient Greece questions many long-held ideas and provides a deeper understanding of particular artists and architects.
Alexander to Constantine
Author: Amihay Mazar
Publisher: Yale University Press
ISBN: 0300141793
Category : Social Science
Languages : en
Pages : 397
Book Description
Provides an overview of the intellectual and religious changes during the Greco-Roman period and their impact on world history.
Publisher: Yale University Press
ISBN: 0300141793
Category : Social Science
Languages : en
Pages : 397
Book Description
Provides an overview of the intellectual and religious changes during the Greco-Roman period and their impact on world history.