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Author: Peter Cooke
Publisher:
ISBN: 9780300204339
Category : Criticism, interpretation, etc
Languages : en
Pages : 0
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Book Description
The French painter Gustave Moreau (1826-1898) strove to renew figure painting by creating an unacademic form of 'epic' art. In this book, Peter Cooke explains how Moreau effectively created pictorial Symbolism through his novel approach to the genre of history painting. In the process, the author examines the artist through a number of his major paintings, his ideology and aesthetic, and in relation to other artists of his time and of the previous generations. The narrative follows Moreau's career from his Neoclassical and academic training through his conversion to Romanticism, his studies in Italy, his experiences as an exhibitor at the Paris Salon, between 1864 and 1880, and his subsequent years as a professor at the Ecole des Beaux-Arts and as the founder of his own museum. By examining Moreau's critical reception, as well as that of his students, the book shows his controversial effect on the art world of his time, during the Second Empire and Third Republic. Drawing on unpublished manuscripts from the Musée Gustave Moreau in Paris, Cooke presents insights into how Moreau's complex and original art reflects his spiritualist ideology, together with his persistent inner obsessions.
Author: Peter Cooke
Publisher:
ISBN: 9780300204339
Category : Criticism, interpretation, etc
Languages : en
Pages : 0
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Book Description
The French painter Gustave Moreau (1826-1898) strove to renew figure painting by creating an unacademic form of 'epic' art. In this book, Peter Cooke explains how Moreau effectively created pictorial Symbolism through his novel approach to the genre of history painting. In the process, the author examines the artist through a number of his major paintings, his ideology and aesthetic, and in relation to other artists of his time and of the previous generations. The narrative follows Moreau's career from his Neoclassical and academic training through his conversion to Romanticism, his studies in Italy, his experiences as an exhibitor at the Paris Salon, between 1864 and 1880, and his subsequent years as a professor at the Ecole des Beaux-Arts and as the founder of his own museum. By examining Moreau's critical reception, as well as that of his students, the book shows his controversial effect on the art world of his time, during the Second Empire and Third Republic. Drawing on unpublished manuscripts from the Musée Gustave Moreau in Paris, Cooke presents insights into how Moreau's complex and original art reflects his spiritualist ideology, together with his persistent inner obsessions.
Author: Cynthia Burlingham
Publisher: Hodder Christian Books
ISBN: 9783791352626
Category :
Languages : en
Pages : 0
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Book Description
Published on the occasion of the exhibition A Strange Magic: Gustave Moreau's Salome, organized by the Hammer Museum in collaboration with the Musee Gustave Moreau, Paris, and presented at the Hammer Museum, Los Angeles, from September 16 to December 9, 2012.
Author: Genevieve Lacambre
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
Trained in Renaissance art traditions, Moreau helped to open the way for modern art, and was especially fascinating to the later Surrealists, themselves drunk on dreams. Genevieve Lacambre takes us into the heart of this man's unique creativity, exploring his life and artistic sources. More than 120 paintings, drawings, and watercolors and a wealth of documents, letters, and photographs illustrate the life and work of this singular artist."--BOOK JACKET.
Author: Julius Kaplan
Publisher:
ISBN:
Category : Moreau, Gustave, 1826-1898
Languages : en
Pages : 232
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Book Description
Zugl.: Überarb. Ph. D. Columbia Univ., 1972.
Author: Russell T. Clement
Publisher: Greenwood
ISBN:
Category : Art
Languages : en
Pages : 608
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Book Description
The first comprehensive, scholarly sourcebook/research guide/bibliography on the major French Symbolists painters, this work includes nearly 3,000 entries covering a variety of materials. Each artist receives a primary and secondary bibliography with many annotated entries. Art works, personal names, and subject indexes facilitate easy access. The volume is designed for art historians, art students, museum and gallery curators, and others interested in this major art style of the last half of the 19th century and the first quarter of the 20th century. Art museums and art libraries in both the United States and abroad were gleaned for sources. This is a unique and substantial research tool. Symbolism is one of the most difficult art movements to define. Its primary meaning is the representation of things by symbols, by the imaginative suggestion of dreams and the subconscious through symbolic allusion and luxuriant decoration. The writings of Charles Baudelaire on the arts powerfully influenced the aesthetic theories of Symbolist artists and critics from 1860-1900, much as Baudelaire's poetics were the root of Symbolist literature. The Symbolist work, be it painting or poem, is above all personal and revelatory, precious not commonplace, reflecting and evoking a journey of the imagination. French Symbolist artists explored this style, attitude, and atmosphere from the 1880s to the early twentieth century. This sourcebook organizes biographical, historical, and critical information on four major French Symbolist artists: Pierre Puvis de Chavannes (1824-98), Gustave Moreau (1826-98), Odilon Redon (1840-1916), and Maurice Denis (1870-1943). The first three artists are recognized as originators of the movement. Denis is regarded as Symbolist's foremost theorist and profoundly religious practitioner. Although all four artists have been the focus of major retrospective exhibitions since 1990, no comprehensive sourcebook/bibliography exists.
Author: Henri Dorra
Publisher: Univ of California Press
ISBN: 9780520077683
Category : Art
Languages : en
Pages : 420
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Book Description
Presents the development and the aesthetic theories of the symbolist movement in art and literature
Author: J. Cheryl Exum
Publisher: Bloomsbury Publishing
ISBN: 0567685195
Category : Religion
Languages : en
Pages : 288
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Book Description
Art as Biblical Commentary is not just about biblical art but, more importantly, about biblical exegesis and the contributions visual criticism as an exegetical tool can make to biblical exegesis and commentary. Using a range of texts and numerous images, J. Cheryl Exum asks what works of art can teach us about the biblical text. 'Visual criticism' is her term for an approach that addresses this question by focusing on the narrativity of images-reading them as if, like texts, they have a story to tell-and asking what light an image's 'story' can shed on the biblical narrator's story. In Part I, Exum elaborates on her approach and offers a personal testimony to the value of visual criticism. Part 2 examines in detail the story of Hagar in Genesis 16 and 21. Part 3 contains chapters on erotic looking and voyeuristic gazing in the stories of Bathsheba, Susanna, Joseph and Potiphar's wife and the Song of Songs; on the distribution of renown among Jael, Deborah and Barak; on the Bible's notorious women, Eve and Delilah; and on the sacrificed female body in the stories of the Levite's wife (Judges 19) and Mary the mother of Jesus.
Author: Jean Selz
Publisher: Crown
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 96
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Book Description
Author: Dawn Ades
Publisher: David Zwirner Books
ISBN: 9781941701881
Category : Art
Languages : en
Pages : 240
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Book Description
Endless Enigma: Eight Centuries of Fantastic Art explores the ways in which artists have sought to explain their world in terms of an alternate reality, drawn from imagination, the subconscious, poetry, nature, myth, and religion. Endless Enigma takes as its point of departure Alfred H. Barr Jr.’s legendary 1936 exhibition at The Museum of Modern Art, New York, Fantastic Art, Dada, Surrealism, which not only introduced these movements to the American public, but also placed them in a historical and cultural context by situating them with artists from earlier centuries. Presenting works from the twelfth century to the present day, this catalogue is organized into six themes—Monsters & Demons, Dreams & Temptation, Fragmented Body, Unconscious Gesture, Super Nature, and Sense of Place. Works included range from medieval gargoyles to twentieth-century works by Louise Bourgeois, Sigmar Polke, and Pablo Picasso as well as contemporary works by Michaël Borremans, Marcel Dzama, and Raymond Pettibon. Masterworks from the likes of Piero di Cosimo, Francisco de Goya, and Titian are considered alongside those by William Blake and Odilon Redon. Time folds and temporal barriers collapse when Damiano Cappelli meets Edvard Munch, and Salvator Rosa encounters Luc Tuymans and Lisa Yuskavage. Salvador Dalí, Sherrie Levine, Giuseppe Arcimboldo, Kerry James Marshall—eight centuries intersect and, as such, this wide-ranging catalogue examines affinities in intention and imagery between works executed across a broad span of time. Organized in collaboration with Nicholas Hall, a specialist in the field of Old Masters and nineteenth-century art, this fully illustrated catalogue is published on the occasion of the eponymous exhibition at David Zwirner, New York, in 2018. It includes new scholarship by Dawn Ades, Olivier Berggruen, and J. Patrice Marandel.
Author: Rachel Esner
Publisher:
ISBN: 9789089645074
Category : Art
Languages : en
Pages : 262
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Book Description
The aim of Hiding Making - Showing Creation is twofold. In the first instance, we seek to trace the Nachleben of these studio topoi from the nineteenth century to today, in particular focusing on how artists have employed them as strategies for showing certain aspects of their practice (above all those which perpetuate the notions of artistic genius and autonomy), while carefully hiding others from view (routine, failure, craft). Secondly, in order to achieve these goals, we have adopted a method that we feel not only does justice to the richness and diversity of the topic but which, we believe, will add a new dimension to the already abundant and ever growing literature on the artist's studio.
