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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392244
Category : Art
Languages : en
Pages : 130
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392244
Category : Art
Languages : en
Pages : 130
Get Book Here
Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393992
Category : Buddhist sculpture
Languages : en
Pages : 258
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Book Description
Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art --
Author: Kurt Behrendt
Publisher: Metropolitan Museum of Art
ISBN: 1588396738
Category : Religion
Languages : en
Pages : 139
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Book Description
Intended to inspire the devout and provide a focus for religious practice, Buddhist artworks stand at the center of a great religious tradition that swept across Asia during the first millennia. How to Read Buddhist Art assembles fifty-four masterpieces from The Met collection to explore how images of the Buddha crossed linguistic and cultural barriers, and how they took on different (yet remarkably consistent) characteristics in India, Pakistan, Afghanistan, the Himalayas, China, Korea, Japan, Sri Lanka, Thailand, Cambodia, and Indonesia. Works highlighted in this rich, concise overview include reliquaries, images of the Buddha that attempt to capture his transcendence, diverse bodhisattvas who protect and help the devout on their personal path, and representations of important teachers. The book offers the essential iconographic frameworks needed to understand Buddhist art and practice, helping the reader to appreciate how artists gave form to subtle aspects of the teachings, especially in the sublime expression of the Buddha himself.
Author: Adriana G. Proser
Publisher:
ISBN: 9780878481125
Category : Art
Languages : en
Pages : 176
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Book Description
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870999923
Category : Art, South Asian
Languages : en
Pages : 169
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Book Description
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Author: Kurt Behrendt
Publisher: UBC Press
ISBN: 0774841281
Category : Religion
Languages : en
Pages : 329
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Book Description
The ancient region of Gandhara, with its prominent Buddhist heritage, has long fascinated scholars of art history, archaeology, and textual studies. Discoveries of inscriptions, text fragments, sites, and artworks in the last decade have added new pieces to the Gandharan puzzle, redefining how we understand the region and its cultural complexity. The essays in this volume reassess Gandharan Buddhism in light of these findings, utilizing a multidisciplinary approach that illuminates the complex historical and cultural dynamics of the region. By integrating archaeology, art history, numismatics, epigraphy, and textual sources, the contributors articulate the nature of Gandharan Buddhism and its practices, along with the significance of the relic tradition. Contributions by several giants in the field, including Shoshin Kuwayama, John Rosenfield, and the late Maurizio Taddei, set the geographical, historical, and archaeological parameters for the collection. The result is a productive interdisciplinary conversation on the enigmatic nature of Gandharan Buddhism that joins together a number of significant pieces in a complex cultural mosaic. It will appeal to a large and diverse readership, including those interested in the early Buddhist religious tradition of Asia and its art, as well as specialists in the study of South and Central Asian Buddhist art, archaeology, and texts. A Buddha Dharma Kyokai Foundation Book on Buddhism and Comparative Religion.
Author: Joan Aruz
Publisher: Metropolitan Museum of Art
ISBN: 1588394522
Category : Afghanistan
Languages : en
Pages : 146
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Book Description
Afghanistan, standing at the crossroads of major trade routes, has a long and complex history. Its rich cultural heritage bears the imprint of many traditions, from Greece and Iran to the nomadic world of the Eurasian steppes and China. The essays in this volume concentrate on periods of great artistic development: the Bactrian Bronze Age and the eras following the conquests of Alexander the Great, with a special focus on the sites of Ai Khanum, Begram, and Tillya Tepe. These contributions -- in response to the reappearance of the magnificent hidden treasures from Afghanistan and their exhibition -- have shed new light on the significance of these works and have reinvigorated the discussion of the arts and culture of Central Asia. -- Publisher description.
Author: Guy, John
Publisher: Metropolitan Museum of Art
ISBN: 1588395243
Category : Art
Languages : en
Pages : 338
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Book Description
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
Author: Maxwell K. Hearn
Publisher: Metropolitan Museum of Art
ISBN: 1588392813
Category : Art
Languages : en
Pages : 185
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Book Description
"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Author: Wannaporn Rienjang
Publisher: Archaeopress
ISBN: 1789691877
Category : Art
Languages : en
Pages : 202
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Book Description
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.
