Author: William Bainter O'Neal
Publisher: University of Virginia Press
ISBN: 9780813906478
Category : Architecture
Languages : en
Pages : 436
Book Description
Jefferson's Fine Arts Library
Author: William Bainter O'Neal
Publisher: University of Virginia Press
ISBN: 9780813906478
Category : Architecture
Languages : en
Pages : 436
Book Description
Publisher: University of Virginia Press
ISBN: 9780813906478
Category : Architecture
Languages : en
Pages : 436
Book Description
The First Fleet Piano: Volume One
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Catalogue of the Library of Congress
Author: Library of Congress
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1250
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1250
Book Description
Catalogue of Early Books on Music (before 1800)
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
Book Description
A catalogue of a miscellaneous collection of music ... on sale
Author: Calkin and Budd
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Alphabetical Catalogue of the Library of Congress
Author: Library of Congress
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1246
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1246
Book Description
Heinrich Schenker
Author:
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Il principio, or, A regular introduction to playing on the harpsichord
Author: James Nares
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 56
Book Description
British Harpsichord Music: History
Author: John Harley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
Book Description
British Harpsichord Music, Volume 2 examines the origin and development of music for plucked key board instruments in Britain. It traces the harpsichord's role both in solo performance and in accompaniment and ensemble playing. The book is a companion to John Harley's bibliography British Harpsichord Music, Volume 1, Sources, published in 1992.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
Book Description
British Harpsichord Music, Volume 2 examines the origin and development of music for plucked key board instruments in Britain. It traces the harpsichord's role both in solo performance and in accompaniment and ensemble playing. The book is a companion to John Harley's bibliography British Harpsichord Music, Volume 1, Sources, published in 1992.
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 754
Book Description