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Author: David Peters Corbett
Publisher: Penn State Press
ISBN: 9780271023618
Category : History
Languages : en
Pages : 344
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Book Description
Familiar narratives about the nature of English modernism, &"tradition,&" and &"periodization,&" together with the &"literary&" character of English art from the mid-nineteenth to the early twentieth centuries, are abandoned in this innovative and important book. In their stead, David Peters Corbett proposes a new way of looking at this painting from the Pre-Raphaelites to the Vorticists. Arguing that art history has been too reluctant to confront the fundamental question of how and what the consistency and application of paint signifies, Corbett investigates the work of English artists&—among them Rossetti, Burne-Jones, Leighton, Watts, Whistler, Sickert, and the modernists of 1914 &—through a historical examination of the meanings of the visual in English culture. By revealing that for many artists and thinkers the visual promised to deliver a more profound understanding of the world than language, the book offers a new reading of the art of the period between 1848 and the First World War.
Author: Richard Shone
Publisher:
ISBN: 9780691049939
Category : Art
Languages : en
Pages : 293
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Book Description
The word Bloomsbury most often summons the novels of Virginia Woolf and E. M. Forster or images of artists and intellectuals debating the hot parlor topics of 1910s and 1920s London: literary aesthetics, agnosticism, defining truth and goodness, and the ideas of Bertrand Russell, A. N. Whitehead, and G. E. Moore. But the Bloomsbury Group also played a prominent role in the development of modernist painting in Britain. The work of artists Vanessa Bell, Duncan Grant, Roger Fry, and their colleagues was often audacious and experimental, and proved to be one of the key influences on twentieth-century British art and design. This catalogue, published to accompany a major international exhibition of the Bloomsbury painters originating at the Tate Gallery in London and traveling to the Yale Center for British Art and the Huntington Art Gallery, provides a new look at the visual side of a movement that is more generally known for its literary production. It traces the artists' development over several decades and assesses their contribution to modernism. Catalogue entries on two hundred works, all illustrated in color, bring out the chief characteristics of Bloomsbury painting--domestic, contemplative, sensuous, and essentially pacific. These are seen in landscapes, portraits, and still lifes set in London, Sussex, and the South of France, as well as in the abstract painting and applied art that placed these artists at the forefront of the avant-garde before the First World War. Portraits of family and friends--from Virginia Woolf and Maynard Keynes to Aldous Huxley and Edith Sitwell--highlight the cultural and social setting of the group. Essays by leading scholars provide further insights into the works and the changing critical reaction to them, exploring friendships and relationships both within and outside of Bloomsbury, as well as the movement's wider social, economic, and political background. With beautiful illustrations and a highly accessible text, this catalogue represents a unique look at this fascinating artistic enclave. In addition to the editor, the contributors are James Beechey and Richard Morphet. Exhibition Schedule: ? The Tate Gallery, London November 4, 1999-January 30, 2000 The Huntington Library, Art Collections, and Botanical Gardens San Marino, California The Yale Center for British Art New Haven, Connecticut May 20-September 2, 2000
Author: Mary Ann Caws
Publisher: Oxford University Press
ISBN: 0199923639
Category : Biography & Autobiography
Languages : en
Pages : 703
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Book Description
"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
Author: Richard Shone
Publisher: Phaidon
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
A profile of the work of Vanessa Bell and Duncan Grant.
Author:
Publisher: National Portrait Gallery
ISBN: 9781855147232
Category : Art
Languages : en
Pages : 120
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Book Description
At the beginning of the twentieth century, the Bloomsbury Group transformed British culture with their innovative approach to art, design and society. In this book Frances Spalding presents over twenty fascinating biographies, all of which are illustrated with paintings and intimate photographs created by members of the group.
Author: David Peters Corbett
Publisher: Penn State Press
ISBN: 9780271023618
Category : History
Languages : en
Pages : 344
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Book Description
Familiar narratives about the nature of English modernism, &"tradition,&" and &"periodization,&" together with the &"literary&" character of English art from the mid-nineteenth to the early twentieth centuries, are abandoned in this innovative and important book. In their stead, David Peters Corbett proposes a new way of looking at this painting from the Pre-Raphaelites to the Vorticists. Arguing that art history has been too reluctant to confront the fundamental question of how and what the consistency and application of paint signifies, Corbett investigates the work of English artists&—among them Rossetti, Burne-Jones, Leighton, Watts, Whistler, Sickert, and the modernists of 1914 &—through a historical examination of the meanings of the visual in English culture. By revealing that for many artists and thinkers the visual promised to deliver a more profound understanding of the world than language, the book offers a new reading of the art of the period between 1848 and the First World War.
Author: Richard Shone
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 306
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Book Description
Published to accompany the exhibition held at the Tate Gallery, 4 November 1999 to 30 January 2000 and touring (United States).
Author: Richard Shone
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Tom Regan
Publisher: Wipf and Stock Publishers
ISBN: 1620324601
Category : Philosophy
Languages : en
Pages : 329
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Book Description
Canonized as the "plain man's philosopher" and the "defender of common sense," G. E. Moore is one of the most influential philosophers of the twentieth century. But Moore's role as Bloombury's prophet has remained a mystery. How could the "plain man's philosopher" influence those legendary members of the Bloomsbury group--Lytton Strachey and John Maynard Keynes, for example--who could never be characterized as plain men?With this book, well-known contemporary philosopher Tom Regan solves the mystery. Relying on Moore's published and unpublished work, Regan traces the development of Moore's moral philsophy up to and through his seminal work, Principa Ethica (1903). Regan offers a radical reinterpretation of Principa. Contrary to the standard interpretation, that work's central theme is the liberation of the individual, not dreary conformity to the rules of conventional morality. The Bloomsberries lived Moore's philosophy--the same philosophy subsequent generations have misunderstood.At once literary and scholarly, Bloomsbury's Prophet challenges received opinions not only about Principa and Moore but about Bloomsbury itself.
Author:
Publisher:
ISBN:
Category : Education, Humanistic
Languages : en
Pages : 352
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
