The Art of Bel Canto in the Italian Baroque

The Art of Bel Canto in the Italian Baroque PDF Author: Edward Foreman
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 506

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The Art of Bel Canto in the Italian Baroque

The Art of Bel Canto in the Italian Baroque PDF Author: Edward Foreman
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 506

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A Bel Canto Method, Or, How to Sing Italian Baroque Music Correctly Based on the Primary Sources

A Bel Canto Method, Or, How to Sing Italian Baroque Music Correctly Based on the Primary Sources PDF Author: Edward Foreman
Publisher:
ISBN:
Category : Bel canto
Languages : en
Pages : 120

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History of Bel Canto, A.

History of Bel Canto, A. PDF Author: Rodolfo Celletti
Publisher:
ISBN: 9781280765063
Category : 19th century
Languages : en
Pages : 224

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The Technics of Bel Canto

The Technics of Bel Canto PDF Author: Giovanni Battista Lamperti
Publisher:
ISBN:
Category : Voice culture
Languages : en
Pages : 54

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Giovanni Battista Rubini and the Bel Canto Tenors

Giovanni Battista Rubini and the Bel Canto Tenors PDF Author: Dan H. Marek
Publisher: Scarecrow Press
ISBN: 0810886685
Category : Music
Languages : en
Pages : 439

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Book Description
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo. Many composers, conductor, and performers would come to regard bel canto dramatic operas as decorative and vapid until Maria Callas and Tulio Serafin demonstrated the heights this genre of opera could reach. However, opera directors and opera performers of late who have expressed an interest in reviving selected masterpieces from the bel canto tradition have found themselves confronted with the problem of locating tenors versed in the vocal techniques necessary to carry the high tessituras. In Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique, Dan H. Marek explores the extraordinary life of Rubini in order to frame this special period in the history of opera and connect the technique of the castrati who were among Rubini’s instructors. Drawing on the work of Berton Coffin, Marek offers long-sought answers to the challenges presented by high tessitura of bel canto operas for tenors. To further assist working singers, Giovanni Battista Rubini and the Bel Canto Tenors includes over 60 pages of exercises written by Rubini himself before 1840, which Marek, for the first time ever has adapted to acoustical phonetics. Professional singers, teachers and their students, vocal coaches, and opera conductors will find this work indispensable as the only English-language work on high tessitura for tenor and soprano singing.

Tenor

Tenor PDF Author: John Potter
Publisher: Yale University Press
ISBN: 030016002X
Category : Music
Languages : en
Pages : 403

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Book Description
00 Prelims 1672 -- 01 Chapter 1672 -- 02 Chapter 1672 -- 03 Chapter 1672 -- 04 Chapter 1672 -- 05 Chapter 1672 -- 06 Chapter 1672 -- 07 Chapter 1672 -- 08 Chapter 1672 -- 09 Chapter 1672 -- 10 Chapter 1672 -- 11 Chapter 1672 -- 12 Notes 1672 -- 13 Tenog 1672 -- 14 Audio 1672 -- 15 Biblio 1672 -- 16 Index 1672

Observations on the Florid Song (1723)

Observations on the Florid Song (1723) PDF Author: Pier Francesco Tosi
Publisher: Gregory Blankenbehler
ISBN: 0557122937
Category : Art
Languages : en
Pages : 119

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Book Description
Opinioni de' cantori antichi, e moderni o sieno osservazioni sopra il canto figurato (1723) -- Extended Edition. As the first full-length treatise ever to be published on singing, Tosi revealed to the world the secret method that accounted for the unworldly vocal abilities of the famous castrati. Living in a Europe alight with the virtuosic Baroque operas of Handel, Scarlatti and Porpora, Tosi revealed that it was extensive training in the old Italian school of singing that cultivated the beautiful tone and expression of their voices, as well as the infamous mezza di voce, trills and runs. What's more, Tosi revealed that the method worked equally well for any voice type, male or female, provided that its principles and techniques were adhered to with exactness and consistency. Written by one of the most famous singers and voice teachers of the early 18th century, Tosi's Opinioni has remained an indispensable text on the bel canto singing method, as well as Baroque stylistic techniques.

Italian Literature Before 1900 in English Translation

Italian Literature Before 1900 in English Translation PDF Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 1442642696
Category : Literary Criticism
Languages : en
Pages : 1185

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Book Description
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.

A Performer's Guide to Seventeenth-Century Music

A Performer's Guide to Seventeenth-Century Music PDF Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558

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Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.

The Solfeggio Tradition

The Solfeggio Tradition PDF Author: Nicholas Baragwanath
Publisher:
ISBN: 0197514081
Category : Education
Languages : en
Pages : 433

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Book Description
In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.