Author:
Publisher: Forgotten Books
ISBN: 9780666363299
Category : Art
Languages : en
Pages : 460
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Book Description
Excerpt from The Art Journal, 1861, Vol. 7 Even with Father Tebay's help, it was no light work to select and note down those ob'ects that more especially illustrated my su jcet. I had to look for them in all con ceivable sorts of laces - ia the catacombs, in the museums of t e Vatican and the Lateran. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher: Forgotten Books
ISBN: 9780365389699
Category : Art
Languages : en
Pages : 532
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Book Description
Excerpt from The Art Journal, 1879, Vol. 18 Foreign statues are wonderfully successful, and, though often extravagant, always atone for excess by spirit. The French provincial towns are full of dashing performances. The one of Jean Bart at Dieppe is pleasant to look at, from its costume and fiery attitude. The visitor knows that he is in the presence of a personage of a romantic sort. \ve might wish that a French sculptor would favour us in London with a specimen or two by way of example; not, however, that we should have an English celebrity dressed and treated as a Frenchman, which would be out of place. In many statues it may be noted that one foot is made to project a little over the ledge representing the ground, with the effect of a certain lightness and freedom, though its meaning is rather dimcuAbout the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: James S. Virtue
Publisher: Forgotten Books
ISBN: 9780259505532
Category : Art
Languages : en
Pages : 464
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Book Description
Excerpt from The Art-Journal, 1860, Vol. 6 His place will not be easily supplied; he was courteous and gentlemanly in habits and demeanour, and generally intelligent in all Art matters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher: Forgotten Books
ISBN: 9780259856344
Category : Art
Languages : en
Pages : 314
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Book Description
Excerpt from The Art-Journal, 1862, Vol. 1 Examples of this kind could be multiplied to any extent, but to bring the extracts a little later down in date, I shall content myself by giving the weekly bill at Chelsea from June 19 to the 26, to show that the same hands, with the addition of a modeller named Gauron, were still employed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Cambrian Archaeological Association
Publisher: Forgotten Books
ISBN: 9781334400520
Category : Social Science
Languages : en
Pages : 460
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Book Description
Excerpt from Archaeologia Cambrensis, 1861, Vol. 7: The Journal of the Cambrian Archaeological Association The series of descriptions of inscribed stones is con tinued, and includes another instance of the presence of Oghamic letters upon the same block as the Latin inscription. Mr. Clark's valuable papers upon the Earls and Earldom of Pembroke have been continued, but will probably be brought to a close in the next volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher: Forgotten Books
ISBN: 9780259866213
Category : Art
Languages : en
Pages : 538
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Book Description
Excerpt from The Art Journal, 1876, Vol. 15 It seems probable that among the Romans bookbinding became an Art as soon as square books were substituted for rolls. The first kind of cover having a square shape was a protection in its simplest form, and contemporary with the rolls. It was a leathern cover wrapped round Greek and Roman waxed tablets. When, at a later period, leaves were stitched or stuck together, they were bound in a cover having a movable back, the sides being made of leather, wood, or ivory. When placed on shelves books lay on their sides, and had attached to the covers little cedar tablets inscribed with their titles. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher: Forgotten Books
ISBN: 9780259843726
Category : Art
Languages : en
Pages : 538
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Book Description
Excerpt from The Art-Journal, 1849, Vol. 11 Action at Law concerning, 261 Institute of the Fine Arts, 129, 231 Irish National Gallery, 168 Italian Fictile Wares, 80. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher: Forgotten Books
ISBN: 9780259862079
Category : Art
Languages : en
Pages : 534
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Book Description
Excerpt from The Art Journal, 1878, Vol. 17 Leaning his back against a tree, the deity is surrounded by a multitude of animals, wild and tame, arranged without any order, but all evidently entranced by the lyrist's music. Th picture had for its companion in the gallery 'genius Loci, ' a lioness sleeping at the mouth of a cave. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author:
Publisher: Forgotten Books
ISBN: 9780656610099
Category : Art
Languages : en
Pages : 396
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Book Description
Excerpt from The Art-Journal, 1867, Vol. 29 Sir Thomas shortly after requested Golding to call upon him, and bring with him the print of Mr. Hammersley. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
