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Author: Laurence C. S. Sickman
Publisher: Puffin Books
ISBN: 9780140561104
Category : Architecture
Languages : en
Pages : 532
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Book Description
Pt. 1. Painting and sculpture by Lawrence Dickman. pt. 2. Architecture by Alexand ra Soper.
Author: Laurence C. S. Sickman
Publisher: Puffin Books
ISBN: 9780140561104
Category : Architecture
Languages : en
Pages : 532
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Book Description
Pt. 1. Painting and sculpture by Lawrence Dickman. pt. 2. Architecture by Alexand ra Soper.
Author: Jeffrey W. Cody
Publisher: University of Hawaii Press
ISBN: 0824861019
Category : Architecture
Languages : en
Pages : 410
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Book Description
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
Author: Wu Hung
Publisher:
ISBN: 9780804724289
Category : Art
Languages : en
Pages : 376
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Book Description
"Chinese decorative, pictorial, and architectural forms, often approached as separate traditions, are here explained as a broad artistic movement and contextualized as part of a well-defined cultural and political tradition. The book begins with the first comprehensive explanation of "ritual art." This native genre encompasses ceremonial pottery, jades, and bronzes, which, though often small and hidden, manifest a unique sense of the monumental. The author traces the decline of this archaic tradition and the corresponding rise of palatial and funerary monuments against the background of China's transition from a network of principalities to a unified political state." "He portrays the continual reinvention of the city in China as he analyzes the history of the Western Han capital, Chang'an, and brings to life the individual motives of builder, mourner, and deceased in discussing the unprecedented construction and decoration of mortuary monuments during the Eastern Han. The book concludes by reexamining what is arguably the most important event in Chinese art history: the appearance of individual artists during the post-Han period and their transformation of public monumental art into a private idiom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
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Book Description
Author: Nancy Shatzman Steinhardt
Publisher: Harvard University Press
ISBN: 0674241010
Category : Architecture
Languages : en
Pages : 449
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Book Description
An internationally acclaimed expert explains why Chinese-style architecture has remained so consistent for two thousand years, no matter where it is built. For the last two millennia, an overwhelming number of Chinese buildings have been elevated on platforms, supported by pillars, and covered by ceramic-tile roofs. Less obvious features, like the brackets connecting the pillars to roof frames, also have been remarkably constant. What makes the shared features more significant, however, is that they are present in Buddhist, Daoist, Confucian, and Islamic milieus; residential, funerary, and garden structures; in Japan, Korea, Mongolia, and elsewhere. How did Chinese-style architecture maintain such standardization for so long, even beyond ChinaÕs borders? Nancy Shatzman Steinhardt examines the essential features of Chinese architecture and its global transmission and translation from the predynastic age to the eighteenth century. Across myriad political, social, and cultural contexts within China and throughout East Asia, certain design and construction principles endured. Builders never abandoned perishable wood in favor of more permanent building materials, even though Chinese engineers knew how to make brick and stone structures in the last millennium BCE. Chinese architecture the world over is also distinctive in that it was invariably accomplished by anonymous craftsmen. And Chinese buildings held consistently to the plan of the four-sided enclosure, which both afforded privacy and differentiated sacred interior space from an exterior understood as the sphere of profane activity. Finally, Chinese-style buildings have always and everywhere been organized along straight lines. Taking note of these and other fascinating uniformities, The Borders of Chinese Architecture offers an accessible and authoritative overview of a tradition studiously preserved across time and space.
Author: Yanxin Cai
Publisher: Cambridge University Press
ISBN: 0521186447
Category : Architecture
Languages : en
Pages : 187
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Book Description
This book provides an illustrated introduction to Chinese architecture, a reference for modern design and a window into China's history.
Author: Wang Qijun
Publisher: Shanghai Press
ISBN: 9781602201187
Category : Architecture
Languages : en
Pages : 160
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Book Description
With hundreds of illustrations and insightful text, Chinese Architecture: Discovering China explores the unique architecture of this vast country. The architecture of ancient China embodies the country's expansive cultural heritage, and represents one of the world's great architectural traditions. It also reflects the different topographies and peoples spread across the country's vast territory. Architectural historian Wang Qijun takes readers on a visual journey, investigating the most striking and significant aspects of Chinese architectural history. Accompanied by over 100 photographs and exquisite illustrations, more than 40 of the most important structures from different dynasties are highlighted in this book, such as the Great Wall, the Forbidden City, Yungang Cave, Daming Palace and Dule Temple. A fascinating overview of ancient Chinese architecture and how it influenced history and culture, this book is a must for those interested in learning more about China.
Author: Jiren Feng
Publisher: University of Hawaii Press
ISBN: 0824833635
Category : History
Languages : en
Pages : 322
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Book Description
Investigating the historical tradition of Chinese architectural writing from antiquity to the twelfth century, Chinese Architecture and Metaphor reveals significant and fascinating social and cultural phenomena in the most important primary text for the study of the Chinese building tradition. Unlike previous scholarship, which has reviewed this imperially commissioned architectural manual largely as a technical work, this volume considers the Yingzao fashi’s unique literary value and explores the rich cultural implications in and behind its technical content. Utilizing a philological approach, the author pays particular attention to the traditional and contemporary architectural terminology presented in the Yingzao fashi. In examining the semantic meaning of the architectural terms used in the manual, he uncovers a systematic architectural metaphor wherein bracketing elements are likened to flowers, flowering branches, and foliage: Thus pillars with bracketing above are compared to blossoming trees. More importantly, this intriguing imagery was shared by different social groups, in particular craftsmen and literati, and craftsmen themselves employed literary knowledge in naming architectural elements. Relating these phenomena to the unprecedented flourishing of literature, the literati’s greater admiration of technical knowledge, and the higher intellectual capacity of craftsmen during the Song, Architecture and Metaphor demonstrates how the learned and “unlearned” cultures entangled in the construction of architectural knowledge in premodern China. It convincingly shows that technical language served as a faithful carrier of contemporary popular culture and aesthetic concepts. Chinese Architecture and Metaphor demonstrates a high level of engagement with a broad spectrum of sophisticated Chinese sources. It will become a classic work for all students and scholars of East Asian architecture.
Author: Shuishan Yu
Publisher: University of Washington Press
ISBN: 0295992131
Category : Architecture
Languages : en
Pages : 366
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Book Description
Outgrowth of the author's thesis (Ph.D.--University of Washington).
Author: Cole Roskam
Publisher: Yale University Press
ISBN: 030023595X
Category : Architecture
Languages : en
Pages : 297
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Book Description
Investigating the rich architecture of post-Mao China and its broad cultural impact In the years following China's Cultural Revolution, architecture played an active role in the country's reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture's unique ability to shape space as well as behavior. Roskam traces how foreign influences like postmodernism began to permeate Chinese architectural discourse in the 1970s and 1980s and how figures such as Kevin Lynch, I. M. Pei, and John Portman became key forces in the introduction of Western educational ideologies and new modes of production. Offering important insights into architecture's relationship to the politics, economics, and diplomacy of post-Mao China, this unprecedented interdisciplinary study examines architecture's multivalent status as an art, science, and physical manifestation of cultural identity.
