Author: Marilyn S. Kushner
Publisher: Giles
ISBN: 9781907804045
Category : Armory Show
Languages : en
Pages : 0
Book Description
A groundbreaking re-examination of the seminal 1913 New York art show.
The Armory Show at 100
Author: Marilyn S. Kushner
Publisher: Giles
ISBN: 9781907804045
Category : Armory Show
Languages : en
Pages : 0
Book Description
A groundbreaking re-examination of the seminal 1913 New York art show.
Publisher: Giles
ISBN: 9781907804045
Category : Armory Show
Languages : en
Pages : 0
Book Description
A groundbreaking re-examination of the seminal 1913 New York art show.
The Story of the Armory Show
Author: Milton Wolf Brown
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description
"Chronicles how this landmark exhibition was put together, how it looked, and how it was received ... With twenty-one new color images and a completely updated catalogue raisonné of all the paintings, sculptures, and prints in the original show"--Cover.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description
"Chronicles how this landmark exhibition was put together, how it looked, and how it was received ... With twenty-one new color images and a completely updated catalogue raisonné of all the paintings, sculptures, and prints in the original show"--Cover.
The New Spirit
Author: Gail Stavitsky
Publisher:
ISBN: 9780988311305
Category : Art
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition held Feb. 17-June 16, 2013, at the Montclair Art Musem, Montclair, N.J.
Publisher:
ISBN: 9780988311305
Category : Art
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition held Feb. 17-June 16, 2013, at the Montclair Art Musem, Montclair, N.J.
Documents of the 1913 Armory Show
Author: Kenyon Cox
Publisher: Hol Art Books
ISBN: 0982325738
Category : Art
Languages : en
Pages : 196
Book Description
On February 17, 1913, the American Association of Painters and Sculptors opened the Armory Show in New York. The ad-hoc association had started out with the modest goal of showing some of the ¿new¿ art coming out of Europe--Duchamp, Matisse, Picasso and many more of today¿s acknowledged masters. What they ultimately created was a sprawling showcase of some of the most ground-breaking (many said subversive) art America had ever seen. This volume includes original documents from this exhibition, and collects the complete text of "For and Against: Views on the Infamous 1913 Armory Show" (ISBN 978-0-9823257-1-1) and "The New Spirit: Pamphlets from the Infamous 1913 Armory Show" (ISBN 978-0-9823257-2-8)
Publisher: Hol Art Books
ISBN: 0982325738
Category : Art
Languages : en
Pages : 196
Book Description
On February 17, 1913, the American Association of Painters and Sculptors opened the Armory Show in New York. The ad-hoc association had started out with the modest goal of showing some of the ¿new¿ art coming out of Europe--Duchamp, Matisse, Picasso and many more of today¿s acknowledged masters. What they ultimately created was a sprawling showcase of some of the most ground-breaking (many said subversive) art America had ever seen. This volume includes original documents from this exhibition, and collects the complete text of "For and Against: Views on the Infamous 1913 Armory Show" (ISBN 978-0-9823257-1-1) and "The New Spirit: Pamphlets from the Infamous 1913 Armory Show" (ISBN 978-0-9823257-2-8)
Wallace Stevens and Modern Art
Author: Glen G. MacLeod
Publisher:
ISBN: 9780300053609
Category : Biography & Autobiography
Languages : en
Pages : 253
Book Description
It is well known that the poetry of Wallace Stevens reflected his interest in the visual arts, but until now no one has recognized the poet's close involvement with the art of his own era. In this book, Glen MacLeod shows how Stevens was engaged with contemporary art theory, artists, art dealers, and artworks, and argues that this interaction played a central role in his poetry, his poetic theory, and the unusual character of his poetic development. MacLeod demonstrates that Stevens' first book, Harmonium, reflects his involvement with New York Dada during the 1910s; that such major poems as "The Man with the Blue Guitar" and "Notes toward a Supreme Fiction" record his interest in the rival doctrines of surrealism and abstraction during the 1930s and early 1940s; and that the highly abstract late poetry of The Auroras of Autumn parallels in surprising ways the contemporary Abstract Expressionist movement. Aspects of Stevens' poetry that have long troubled his critics - for example, his insistence that poetry must be abstract, his lack of interest in formal experimentation, and his personal "imagination-reality complex" - are clarified when they are seen in the context of his relation to avant-garde art. Stevens' awareness of contemporary issues in the art world helped to determine his subjects, his critical vocabulary, and the ways of thinking that he explored in both his poetry and his essays. In this light, his point of view seems less peculiar, more a part of the living critical discourse at the heart of American art and literature.
Publisher:
ISBN: 9780300053609
Category : Biography & Autobiography
Languages : en
Pages : 253
Book Description
It is well known that the poetry of Wallace Stevens reflected his interest in the visual arts, but until now no one has recognized the poet's close involvement with the art of his own era. In this book, Glen MacLeod shows how Stevens was engaged with contemporary art theory, artists, art dealers, and artworks, and argues that this interaction played a central role in his poetry, his poetic theory, and the unusual character of his poetic development. MacLeod demonstrates that Stevens' first book, Harmonium, reflects his involvement with New York Dada during the 1910s; that such major poems as "The Man with the Blue Guitar" and "Notes toward a Supreme Fiction" record his interest in the rival doctrines of surrealism and abstraction during the 1930s and early 1940s; and that the highly abstract late poetry of The Auroras of Autumn parallels in surprising ways the contemporary Abstract Expressionist movement. Aspects of Stevens' poetry that have long troubled his critics - for example, his insistence that poetry must be abstract, his lack of interest in formal experimentation, and his personal "imagination-reality complex" - are clarified when they are seen in the context of his relation to avant-garde art. Stevens' awareness of contemporary issues in the art world helped to determine his subjects, his critical vocabulary, and the ways of thinking that he explored in both his poetry and his essays. In this light, his point of view seems less peculiar, more a part of the living critical discourse at the heart of American art and literature.
Edward and Nancy Kienholz
Author: Edward Kienholz
Publisher:
ISBN:
Category :
Languages : de
Pages : 176
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages : 176
Book Description
New York 1913
Author: Martin Green
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
In this work, Green shows how two notable, seemingly quite disparate events of the pre-WW I era converged, both in time and place, and (more importantly) in their enthusiasm for radical art and radical politics. Champions of the Armory Show and the Paterson Strike Pageant interpreted these events as liberating forces from bourgeois tastes and bourgeois economics. Their common cause notwithstanding, Green notes the lines of divergence between these two celebrations and among their supporters, both then and in the years that immediately followed.
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
In this work, Green shows how two notable, seemingly quite disparate events of the pre-WW I era converged, both in time and place, and (more importantly) in their enthusiasm for radical art and radical politics. Champions of the Armory Show and the Paterson Strike Pageant interpreted these events as liberating forces from bourgeois tastes and bourgeois economics. Their common cause notwithstanding, Green notes the lines of divergence between these two celebrations and among their supporters, both then and in the years that immediately followed.
Strange Bedfellows
Author: Steven Watson
Publisher: Penn State Series in German
ISBN:
Category : Art
Languages : en
Pages : 454
Book Description
Art, like politics, makes for strange bedfellows indeed, and the development of an avant-garde in the U.S. depended as much on socializing as on aesthetics. This lively social history recounts the adventures and amours of America's first practitioners of the modern arts. Diagrams of the convoluted relationships, a chronology, a cast of characters, and much more shed additional light on an immensely appealing period. 220 illustrations, 20 in color.
Publisher: Penn State Series in German
ISBN:
Category : Art
Languages : en
Pages : 454
Book Description
Art, like politics, makes for strange bedfellows indeed, and the development of an avant-garde in the U.S. depended as much on socializing as on aesthetics. This lively social history recounts the adventures and amours of America's first practitioners of the modern arts. Diagrams of the convoluted relationships, a chronology, a cast of characters, and much more shed additional light on an immensely appealing period. 220 illustrations, 20 in color.
Ai Weiwei
Author: Ai Weiwei
Publisher: Prestel Publishing
ISBN:
Category : Animal sculpture
Languages : en
Pages : 228
Book Description
This title looks at Chinese artist Ai Weiwei's 'Circle of Heads', his twelve large bronze animal heads depicting the ancient Chinese zodiac.
Publisher: Prestel Publishing
ISBN:
Category : Animal sculpture
Languages : en
Pages : 228
Book Description
This title looks at Chinese artist Ai Weiwei's 'Circle of Heads', his twelve large bronze animal heads depicting the ancient Chinese zodiac.
Painting in Pure Color
Author: Henry Adams
Publisher:
ISBN: 9780615879819
Category : Post-impressionism (Art)
Languages : en
Pages : 120
Book Description
Publisher:
ISBN: 9780615879819
Category : Post-impressionism (Art)
Languages : en
Pages : 120
Book Description