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Author: Ruta Baublyté Kaufmann
Publisher: Springer
ISBN: 3319900110
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
This book argues that there are recurrent spatiotemporal patterns and structures in six Jane Austen novels which constitute a source of enduring, if unconscious, pleasure. More precisely, the book contends that there are overlapping natural and cultural cycles which co-exist in a constantly transmuting space-time and which are counterpointed with the linearity of pivotal events that drive the plot forwards. This work examines the psychological relations to these space-time patterns of the characters, principally the heroines, focusing on the transformations of their emotional states which prompt linear leaps.
Author: Ruta Baublyté Kaufmann
Publisher: Springer
ISBN: 3319900110
Category : Literary Criticism
Languages : en
Pages : 184
Get Book Here
Book Description
This book argues that there are recurrent spatiotemporal patterns and structures in six Jane Austen novels which constitute a source of enduring, if unconscious, pleasure. More precisely, the book contends that there are overlapping natural and cultural cycles which co-exist in a constantly transmuting space-time and which are counterpointed with the linearity of pivotal events that drive the plot forwards. This work examines the psychological relations to these space-time patterns of the characters, principally the heroines, focusing on the transformations of their emotional states which prompt linear leaps.
Author: Anna Battigelli
Publisher: University of Virginia Press
ISBN: 1644531763
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Jane Austen distinguished herself with genius in literature, but she was immersed in all of the arts. Austen loved dancing, played the piano proficiently, meticulously transcribed piano scores, attended concerts and art exhibits, read broadly, wrote poems, sat for portraits by her sister Cassandra, and performed in theatricals. For her, art functioned as a social bond, solidifying her engagement with community and offering order. And yet Austen’s hold on readers’ imaginations owes a debt to the omnipresent threat of disorder that often stems—ironically—from her characters’ socially disruptive artistic sensibilities and skill. Drawing from a wealth of recent historicist and materialist Austen scholarship, this timely work explores Austen’s ironic use of art and artifact to probe selfhood, alienation, isolation, and community in ways that defy simple labels and acknowledge the complexity of Austen’s thought.
Author: Margaret Tudeau-Clayton
Publisher: Narr Francke Attempto Verlag
ISBN: 3823392417
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Change is a powerful idea which inspires hope and fear, excitement and dread. From the panta rhei of Heraclitus to Darwinian evolutionary theory, nobel laureate Bob Dylans The times they are a-changin, the Obama campaign slogan Change we can believe in, and the current advertising mantra change is good, it recurs as a challenge to the status quo. The present volume contains essays on the topic of change in English language, literature and culture. Some are based on papers presented at the 2017 SAUTE conference, which took place at the Université de Neuchâtel, while others have been specially written for this volume.
Author: Philippa Tristram
Publisher: Taylor & Francis
ISBN: 1040013724
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
First published in 1989, Living Space in Fact and Fiction explores the house both in the ‘real’ world of the architect and the built environment, and in the fictional world of the novelist. The role of the house, in fact and fiction, tells us much about the space we live in, while the work of contemporary architects and designers illuminates aspects of the novelist’s art. Profusely illustrated, Living Space takes the history of the house from the Georgian world of Samuel Richardson’s Pamela through the works of novelists such as Jane Austen, Dickens, George Eliot, and Henry James, up to 1914, when the notion of the house changes its nature. Philippa Tristram is concerned not only with the structure and organization of the house, but with the inner life lived within it. She shows how the subconscious life of the family was transformed over a century and a half, revealed in the shape and structure of the home. This book will be of interest to students of literature, history and architecture.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 160413397X
Category : Love stories, English
Languages : en
Pages : 324
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Book Description
Almost 200 years after her death, Jane Austen has become an industry unto herself. Noted for her wit and cunning satirical edge, Austen used her subtle gifts to produce works that delicately balanced the pursuit of romance and self-realization with piercing social insight. This updated edition provides a well-rounded critical portrait of this increasingly popular author and includes a chronology.
Author: Ann Gaylin
Publisher: Cambridge University Press
ISBN: 1139434780
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know and offers a paradigm of narrative transmission and reception of information among characters, narrators and readers. Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about - and delight in - displays of private life and its secrets. Analysing eavesdropping in Austen, Balzac, Collins, Dickens and Proust, Gaylin demonstrates the flexibility of the scene to produce narrative complication or resolution; to foreground questions of gender and narrative agency; to place the debates of privacy and publicity within the literal and metaphoric spaces of the nineteenth-century novel. This 2003 study will be of interest to scholars of nineteenth-century English and European literature.
Author: Francesca Saggini
Publisher: Cambridge Scholars Publishing
ISBN: 1527551873
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
In recent years, the interest in the house has grown irresistibly, to the point that in many ways houses seem to be situated at the very core of the creative, artistic and cultural domains of contemporaneity. Their presence sprawls across the media, from magazines to TV programmes, and across the globe, possibly because as repositories of the human, houses have a long-standing and profound connection not only with men and women but, at a deeper level, with the ways of representing man’s world, across its declinations of gender, class, and race. Houses – the perennial, ubiquitous and silent background to our daily lives – could many “a tale unfold”: the tales of their inhabitants and/in their relationships with others, of the times they lived in, of their configurations of the world, as well as the visions (and nightmares) of the artists who created them. This collection offers a comprehensive and transdisciplinary look at the paper houses of English Literature in the eighteenth and nineteenth century. Among the configurations addressed, the authors investigate the domestic spatialization of authority, gendered houses, narratives of household construction and deconstruction, exotic mansions, fin-de-siècle habitats, haunted edifices, and houses in detective and Gothic fiction.
Author: Dale Townshend
Publisher: Oxford University Press
ISBN: 0192584421
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Gothic Antiquity: History, Romance, and the Architectural Imagination, 1760-1840 provides the first sustained scholarly account of the relationship between Gothic architecture and Gothic literature (fiction; poetry; drama) in the late eighteenth and early nineteenth centuries. Although the relationship between literature and architecture is a topic that has long preoccupied scholars of the literary Gothic, there remains, to date, no monograph-length study of the intriguing and complex interactions between these two aesthetic forms. Equally, Gothic literature has received only the most cursory of treatments in art-historical accounts of the early Gothic Revival in architecture, interiors, and design. In addressing this gap in contemporary scholarship, Gothic Antiquity seeks to situate Gothic writing in relation to the Gothic-architectural theories, aesthetics, and practices with which it was contemporary, providing closely historicized readings of a wide selection of canonical and lesser-known texts and writers. Correspondingly, it shows how these architectural debates responded to, and were to a certain extent shaped by, what we have since come to identify as the literary Gothic mode. In both its 'survivalist' and 'revivalist' forms, the architecture of the Middle Ages in the long eighteenth century was always much more than a matter of style. Incarnating, for better or for worse, the memory of a vanished 'Gothic' age in the modern, enlightened present, Gothic architecture, be it ruined or complete, prompted imaginative reconstructions of the nation's past—a notable 'visionary' turn, as the antiquary John Pinkerton put it in 1788, in which Gothic writers, architects, and antiquaries enthusiastically participated. The volume establishes a series of dialogues between Gothic literature, architectural history, and the antiquarian interest in the material remains of the Gothic past, and argues that these discrete yet intimately related approaches to vernacular antiquity are most fruitfully read in relation to one another.
Author: Kathleen Anderson
Publisher: SUNY Press
ISBN: 1438472250
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
An original critical introduction to women characters in the novels of Jane Austen. Why does Jane Austen mania continue unabated in a postmodern world? How does the brilliant Regency novelist speak so personally to todays women that they view her as their best friend? Jane Austens Womenanswers these questions by exploring Austens affirming yet challenging vision of both who her dynamic female characters are, and who they become. This important new work analyzes the heroines relationships to body, mind, spirit, environment, and society. It reveals how, despite a restrictive patriarchal culture, these women achieve greatness. In clear, lively prose, Kathleen Anderson shares original theoretical insights from twenty years of studying Austen, and illuminates the novels as guidebooks on how to become an Austenian heroine in ones everyday life. This engaging book will appeal to a broad readership: the serious student, the general lit-lover, and the Austen neophyte alike. Jane Austens Women examines aspects of Austens female characters in new ways. Anderson thoroughly and competently sifts through the many meanings of womanhood in Austens time and, directly or by implication, in our own. It was a pleasure to read this delightful analysis accompanied by illuminating references to our own contemporary culture. Susan Ostrov Weisser, author of The Glass Slipper: Women and Love Stories Jane Austens Women hits the sweet spot between delightful critical introduction and inspiring guidebook for how to live out Austens vision of what Kathleen Anderson calls the heroinism of everyday life. Her discerning close readings of female bodies, emotions, intelligence, work, and love combine lucid interpretation with strong insight. This book will prompt readers of Austen, whether seasoned or beginning, to return to Austens novels with vital questions and renewed energy. Devoney Looser, author of The Making of Jane Austen
Author: Inger Sigrun Brodey
Publisher: Routledge
ISBN: 1136095306
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
By examining the motif of ruination in a variety of late-eighteenth-century domains, this book portrays the moral aesthetic of the culture of sensibility in Europe, particularly its negotiation of the demands of tradition and pragmatism alongside utopian longings for authenticity, natural goodness, self-governance, mutual transparency, and instantaneous kinship. This book argues that the rhetoric of ruins lends a distinctive shape to the architecture and literature of the time and requires the novel to adjust notions of authorship and narrative to accommodate the prevailing aesthetic. Just as architects of eighteenth-century follies pretend to have discovered "authentic" ruins, novelists within the culture of sensibility also build purposely fragmented texts and disguise their authorship, invoking highly artificial means of simulating nature. The cultural pursuit of human ruin, however, leads to hypocritical and sadistic extremes that put an end to the characteristic ambivalence of sensibility and its unusual structures.
