Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 588

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Author: British Library
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 536

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Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 556

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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 634

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Author: George Moir Bussey
Publisher:
ISBN:
Category : Folk literature
Languages : en
Pages : 492

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Book Description
Translated by E. Forster [from Galland's French version]. with an explanatory and historical introduction, by G. M. Bussey. Illustrated by ... engravings ... by R. Smirke.

Author: Peter Caracciolo
Publisher: Springer
ISBN: 1349196207
Category : Literary Criticism
Languages : en
Pages : 372

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Author: Rasoul Aliakbari
Publisher: Springer Nature
ISBN: 3030368912
Category : Social Science
Languages : en
Pages : 263

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Book Description
Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective ofcomparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality.

Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242

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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

Author: Ulrich Marzolph
Publisher: Wayne State University Press
ISBN: 9780814332597
Category : Fiction
Languages : en
Pages : 398

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Book Description
The Arabian Nights commands a place in world literature unrivaled by any other fictional work of "Oriental" provenance. Bringing together Indian, Iranian, and Arabic tradition, this collection of tales became popular in the Western world during the eighteenth century and has since exerted a profound influence on theater, opera, music, painting, architecture, and literature. The Arabian Nights Reader offers an authoritative guide to the research inspired by this rich and intricate work. Through a selection of sixteen influential and currently relevant essays, culled from decades of scholarship, this volume encompasses the most salient research topics to date, from the Nights' early history to interpretations of such famous characters as Sheherazade. While serious research on the Nights began early in the nineteenth century, some of the most puzzling aspects of the collection's complex history and character were solved only quite recently. This volume's topics reflect the makings of a transnational narrative: evidence of a ninth-century version of the Nights, the work's circulation among booksellers in twelfth-century Cairo, the establishment of a "canonical" text, the sources used by the French translator who introduced the Nights to the West and the dating of this French translation, the influence of Greek literature on the Nights, the genre of romance, the relationship between narration and survival within the plots, reception of the Nights from the nineteenth century onward, interpretations of single stories from the collection, the universal nature of the sexual politics surrounding Sheherazade, and the repercussion of the Nights in modern Arabic literature. As this collection demonstrates, the Arabian Nights helped shape Western perceptions of the "Orient" as the quintessential "Other" while serving to inspire Western creativity. The research presented here not only deepens our insight into this great work but also heightens our awareness of the powerful communal forces of transnational narrative.

Author: Paul McMichael Nurse
Publisher: Penguin Canada
ISBN: 0143178717
Category : Literary Criticism
Languages : en
Pages : 319

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Book Description
The 1001 Arabian Nights is perhaps the most famous story collection in the world. It has transcended cultures, languages, and historical eras to become familiar and beloved not only in the Eastern world, but also in the West, where it is the only acknowledged classic of Western literature to have originated from outside the West itself. Despite its prominent place in both Eastern and Western culture, the history of the Nights remains tantalizingly elusive and difficult to define. In Eastern Dreams, author Paul Nurse discusses not only the history of this book, but also the many fascinating people, who become characters themselves, responsible for bringing the Nights to the West and the wider world, and how the Nights has influenced, and continues to influence, global culture.