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Author: Stefan Andriopoulos
Publisher: Princeton University Press
ISBN: 1935408615
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology and its transformation of intellectual and literary history. Stefan Andriopoulos examines new media technologies and distinct cultural realms, tracing connections between Kant’s philosophy and the magic lantern’s phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to startle audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging modes in which these authors appropriated figures of optical media and spiritualist notions. The spectral apparitions from this period also intersect with the rise of popular print culture. Andriopoulos explores the circulation of ostensibly authentic ghost narratives and the Gothic novel, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. The final chapter of Ghostly Apparitions extends this archaeology of new media into the early twentieth century. Tracing a reciprocal inter_action between occultism and engineering, Andriopoulos uncovers how theories and devices of psychical research enabled the emergence of television.
Author: Stefan Andriopoulos
Publisher: Princeton University Press
ISBN: 1935408615
Category : Literary Criticism
Languages : en
Pages : 241
Get Book Here
Book Description
Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology and its transformation of intellectual and literary history. Stefan Andriopoulos examines new media technologies and distinct cultural realms, tracing connections between Kant’s philosophy and the magic lantern’s phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to startle audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging modes in which these authors appropriated figures of optical media and spiritualist notions. The spectral apparitions from this period also intersect with the rise of popular print culture. Andriopoulos explores the circulation of ostensibly authentic ghost narratives and the Gothic novel, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. The final chapter of Ghostly Apparitions extends this archaeology of new media into the early twentieth century. Tracing a reciprocal inter_action between occultism and engineering, Andriopoulos uncovers how theories and devices of psychical research enabled the emergence of television.
Author: Briar Lee Mitchell
Publisher: Simon and Schuster
ISBN: 1682611248
Category : Fiction
Languages : en
Pages : 288
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Book Description
"The allegedly haunted 100-year-old Mallard Hotel sits on a dramatic ocean-side cliff just north of San Francisco. The modern ghost hunters of the Peter Wren Agency have been called in to determine once and for all if the paranormal events are real. Skeptical reporter Martin Stewart, along with his fiancé Seville, join the team to report on the investigation. After a series of horrific events, Seville disappears. Martin is finally convinced there might be something paranormal in the old hotel after all. To find his fiancé he soon learns he'll have to put aside mistrust and help the ghost hunters do battle with whatever is haunting the Mallard--no matter what the cost."--Page 4 of cover.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
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Book Description
Author: Thomas Deane Tucker
Publisher: Lexington Books
ISBN: 9780739116227
Category : Art
Languages : en
Pages : 114
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Book Description
Derridada explores the affinities between the work of Marcel Duchamp and the discipline of deconstruction. It is the first text to explore Duchamp's work in the context of the theories of Derrida and deconstruction.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 852
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Book Description
Author: Ayir Ahsi
Publisher: Mahesh Dutt Sharma
ISBN:
Category : Fiction
Languages : en
Pages : 168
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Book Description
"The Mirror's Revenge" takes place in Shimla, where a couple on their honeymoon uncovers a mysterious mirror in their hotel room. Ignoring the warnings, the curious bride is transported to a strange, ancient world, and her husband must perform a tantric ritual to bring her back, revealing unsettling truths about their future. In Varanasi, "Shattered Lives" tells the story of young artist Ananya, who discovers a mirror showing different versions of her future. Guided and sometimes misled by these visions, Ananya must confront her deepest fears and desires, learning valuable lessons about choices and consequences. Finally, "Haunted Reflections" brings us to Rishikesh, where an old mirror in a deserted mansion reveals the dark history of its former occupants. A group of friends exploring the mansion are drawn into the mirror's sinister past, uncovering the truth and breaking the mirror's curse to escape its haunting grip.
Author: James Hogg
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 390
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Book Description
Author: Kiff Bamford
Publisher: Bloomsbury Publishing
ISBN: 135019204X
Category : Philosophy
Languages : en
Pages : 249
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Book Description
Jean-François Lyotard (1924-1998) was one of the previous century's most provocative thinkers. Can his work help us address the crisis currently facing the humanities? The dominant economic discourse sees the humanities as “low-value,” an irritation at best. Lyotard helps us to think against this pervasive dismissal of creative activity, not by defending the honor of the humanities, but by inviting critical practices which aggravate this irritation. Critical practices trouble what counts as critique, embrace incertitude, and listen for silenced voices. Twelve essays by artists and researchers take up Lyotard's invitation and begin to develop the idea of critical practice in the contemporary context. Three sections titled “What resists thinking;” “Long views and distances” and “Why art practice?” address contemporary concerns like affectivity, aesthetics, economic imperatives, militarism, pedagogy, posthumanism, and the closure of what in Lyotard's time was called "the West." Four short pieces by Lyotard intervene in and buttress the discussion: “Apathy in Theory” and “Interview with Art Présent,” here published in English for the first time, and “Affect-phrase” and “The Other's Rights” republished here to highlight his prescient concern for that which cannot be articulated.
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ISBN:
Category : Education
Languages : en
Pages : 610
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Book Description
Author: Gillian Bennett
Publisher: Routledge
ISBN: 1135812128
Category : Literary Criticism
Languages : en
Pages : 419
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Book Description
First published in 1996. For most of the time since the Grimm brothers first contrasted the fairy tale (Märchen) and the legend (Sage), the former has enjoyed the greater reputation among folklorists. Only in recent years, and with the work of such scholars as Gillian Bennett and Paul Smith, has it been recognized that—both as art and as news—the legend is now central to contemporary culture in a way that the Märchen no longer is. The present book is the first collection of essays on legend to appear in English since 1971. Nevertheless, its publication consolidates a gradual shift which has taken place over the last two decades, in which English-language scholarship has taken the lead in the study of certain kinds of legends—variously dubbed modern horror legends, urban legends, urban myths or, here, contemporary legends.
