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Author: Philip Joshua Jacks
Publisher: Cambridge University Press
ISBN: 9780521441520
Category : Art
Languages : en
Pages : 398
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Book Description
Since antiquity the city of Rome has been revered both for its prestige as a center of secular and spiritual power, as well as for its sheer longevity. Philip Jacks examines how the creation of the Eternal City was viewed from antiquity through the sixteenth century. Emphasising the myths and discoveries offered by Renaissance humanists from the fourteenth to sixteenth centuries, he shows how their interpretations evolved over time. With Petrarch, Boccacio, and Vergerio came the earliest efforts to confirm the historical basis of legends through studying the archaeological remains of the city. Such activity accelerated through the fifteenth century and reached a peak in the sixteenth with the discovery, in 1546, of the Fasti, and even more sensationally, the Severan plan of Rome in 1562. These fragments were to have a powerful impact on the development of modern archaeology. The antiquarians of the Renaissance not only discovered the vestiges of ancient Rome, but also actively reinterpreted the meaning of classical antiquity in the light of their own culture.
Author: Philip Joshua Jacks
Publisher: Cambridge University Press
ISBN: 9780521441520
Category : Art
Languages : en
Pages : 398
Get Book Here
Book Description
Since antiquity the city of Rome has been revered both for its prestige as a center of secular and spiritual power, as well as for its sheer longevity. Philip Jacks examines how the creation of the Eternal City was viewed from antiquity through the sixteenth century. Emphasising the myths and discoveries offered by Renaissance humanists from the fourteenth to sixteenth centuries, he shows how their interpretations evolved over time. With Petrarch, Boccacio, and Vergerio came the earliest efforts to confirm the historical basis of legends through studying the archaeological remains of the city. Such activity accelerated through the fifteenth century and reached a peak in the sixteenth with the discovery, in 1546, of the Fasti, and even more sensationally, the Severan plan of Rome in 1562. These fragments were to have a powerful impact on the development of modern archaeology. The antiquarians of the Renaissance not only discovered the vestiges of ancient Rome, but also actively reinterpreted the meaning of classical antiquity in the light of their own culture.
Author: William F. McCants
Publisher: Princeton University Press
ISBN: 0691151482
Category : History
Languages : en
Pages : 193
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Book Description
From the dawn of writing in Sumer to the sunset of the Islamic empire, Founding Gods, Inventing Nations traces four thousand years of speculation on the origins of civilization. Investigating a vast range of primary sources, some of which are translated here for the first time, and focusing on the dynamic influence of the Greek, Roman, and Arab conquests of the Near East, William McCants looks at the ways the conquerors and those they conquered reshaped their myths of civilization's origins in response to the social and political consequences of empire. The Greek and Roman conquests brought with them a learned culture that competed with that of native elites. The conquering Arabs, in contrast, had no learned culture, which led to three hundred years of Muslim competition over the cultural orientation of Islam, a contest reflected in the culture myths of that time. What we know today as Islamic culture is the product of this contest, whose protagonists drew heavily on the lore of non-Arab and pagan antiquity. McCants argues that authors in all three periods did not write about civilization's origins solely out of pure antiquarian interest--they also sought to address the social and political tensions of the day. The strategies they employed and the postcolonial dilemmas they confronted provide invaluable context for understanding how authors today use myth and history to locate themselves in the confusing aftermath of empire.
Author: Gábor Klaniczay
Publisher: Campus Verlag
ISBN: 3593391015
Category : History
Languages : en
Pages : 613
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Book Description
Antiquity, as the term has been understood and used over the centuries by scholars, political and religious figures, and ordinary citizens, is far from a single, monolithic concept. Rather than reflecting a stable, shared understanding about the past and its meaning, the idea of antiquity is instead varying and multiple, taking on different meanings and deployed to different effects depending on the context in which it is being considered. In this volume, historians from a wide range of specialties offer a comparative assessment of the multiple perceptions of antiquity that have shaped modern European cultures and national identities, deploying a new methodological approach, histoire croisée, which considers these questions in light of the development of cultural diversity across Europe.
Author: Patricia Fortini Brown
Publisher: Yale University Press
ISBN: 0300067003
Category : History
Languages : en
Pages : 388
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Book Description
Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.
Author: Dorigen Caldwell
Publisher: Routledge
ISBN: 1351902415
Category : Architecture
Languages : en
Pages : 324
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Book Description
Few other cities can compare with Rome's history of continuous habitation, nor with the survival of so many different epochs in its present. This volume explores how the city's past has shaped the way in which Rome has been built, rebuilt, represented and imagined throughout its history. Bringing together scholars from the disciplines of architectural history, urban studies, art history, archaeology and film studies, this book comprises a series of studies on the evolution of the city of Rome and the ways in which it has represented and reconfigured itself from the medieval period to the present day. Moving from material appropriations such as spolia in the medieval period, through the cartographic representations of the city in the early modern period, to filmic representation in the twentieth century, we encounter very different ways of making sense of the past across Rome's historical spectrum. The broad chronological arrangement of the chapters, and the choice of themes and urban locations examined in each, allows the reader to draw comparisons between historical periods. An imaginative approach to the study of the urban and architectural make-up of Rome, this volume will be valuable not only for historians of art and architecture, but also for students of cultural history and film studies.
Author: Sabine MacCormack
Publisher: Princeton University Press
ISBN: 1400832675
Category : History
Languages : en
Pages : 342
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Book Description
Historians have long recognized that the classical heritage of ancient Rome contributed to the development of a vibrant society in Spanish South America, but was the impact a one-way street? Although the Spanish destruction of the Incan empire changed the Andes forever, the civil society that did emerge was not the result of Andeans and Creoles passively absorbing the wisdom of ancient Rome. Rather, Sabine MacCormack proposes that civil society was born of the intellectual endeavors that commenced with the invasion itself, as the invaders sought to understand an array of cultures. Looking at the sixteenth- and seventeenth-century people who wrote about the Andean region that became Peru, MacCormack reveals how the lens of Rome had a profound influence on Spanish understanding of the Incan empire. Tracing the varied events that shaped Peru as a country, MacCormack shows how Roman and classical literature provided a framework for the construal of historical experience. She turns to issues vital to Latin American history, such as the role of language in conquest, the interpretation of civil war, and the founding of cities, to paint a dynamic picture of the genesis of renewed political life in the Andean region. Examining how missionaries, soldiers, native lords, and other writers employed classical concepts to forge new understandings of Peruvian society and history, the book offers a complete reassessment of the ways in which colonial Peru made the classical heritage uniquely its own.
Author: Jessica Maier
Publisher: University of Chicago Press
ISBN: 022612763X
Category : Art
Languages : en
Pages : 297
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Book Description
At the turn of the fifteenth century, Rome was a city in transitionparts ancient, medieval, and modern; pagan and Christianand as it emerged from its medieval decline through the return of papal power and the onset of the Renaissance, its portrayals in print transformed as well. Jessica Maier s book explores the history of the Roman city portrait genre during the rise of Renaissance print culture. She illustrates how the maps of this era helped to promote the city, to educate, and to facilitate armchair exploration and what they reveal about how the people of Rome viewed or otherwise imagined their city. She also advances our understanding of early modern cartography, which embodies a delicate, intentional balance between science and art. The text is beautifully illustrated with nearly 100 images of the genre, a dozen of them in color."
Author: David Rosand
Publisher: Univ of North Carolina Press
ISBN: 0807872792
Category : Art
Languages : en
Pages : 232
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Book Description
Over the course of several centuries, Venice fashioned and refined a portrait of itself that responded to and exploited historical circumstance. Never conquered and taking its enduring independence as a sign of divine favor, free of civil strife and proud of its internal stability, Venice broadcast the image of itself as the Most Serene Republic, an ideal state whose ruling patriciate were selflessly devoted to the commonweal. All this has come to be known as the "myth of Venice." Exploring the imagery developed in Venice to represent the legends of its origins and legitimacy, David Rosand reveals how artists such as Gentile and Giovanni Bellini, Carpaccio, Titian, Jacopo Sansovino, Tintoretto, and Veronese gave enduring visual form to the myths of Venice. He argues that Venice, more than any other political entity of the early modern period, shaped the visual imagination of political thought. This visualization of political ideals, and its reciprocal effect on the civic imagination, is the larger theme of the book.
Author: Finney
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802890164
Category : Architecture
Languages : en
Pages : 822
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Book Description
One of the most widely respected theological dictionaries put into one-volume, abridged form. Focusing on the theological meaning of each word, the abridgment contains English keywords for each entry, tables of English and Greek keywords, and a listing of the relevant volume and page numbers from the unabridged work at the end of each article or section.
Author: Nicholas Temple
Publisher: Taylor & Francis
ISBN: 1136736484
Category : Architecture
Languages : en
Pages : 369
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Book Description
Examining the urban and architectural developments in Rome during the Pontificate of Julius II (1503–13) this book focuses on the political, religious and artistic motives behind the principal architect, Donato Bramante, and his ambition to create a unified urban/architectural scheme.
