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Author: Pantelis Michelakis
Publisher: Cambridge University Press
ISBN: 110701610X
Category : History
Languages : en
Pages : 403
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Book Description
The first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East. It is located at the intersection of film studies, classics, Bible studies and cultural studies.
Author: Pantelis Michelakis
Publisher: Cambridge University Press
ISBN: 110701610X
Category : History
Languages : en
Pages : 403
Get Book Here
Book Description
The first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East. It is located at the intersection of film studies, classics, Bible studies and cultural studies.
Author: Pantelis Michelakis
Publisher: Cambridge University Press
ISBN: 1107292344
Category : History
Languages : en
Pages : 403
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Book Description
In the first four decades of cinema, hundreds of films were made that drew their inspiration from ancient Greece, Rome, Egypt and the Bible. Few of these films have been studied, and even fewer have received the critical attention they deserve. The films in question, ranging from historical and mythological epics to adaptations of ancient drama, burlesques, cartoons and documentaries, suggest a fascination with the ancient world that competes in intensity and breadth with that of Hollywood's classical era. What contribution did antiquity make to the development of early cinema? How did early cinema's representations affect modern understanding of antiquity? Existing prints as well as ephemera scattered in film archives and libraries around the world constitute an enormous field of research. This extensively illustrated edited collection is a first systematic attempt to focus on the instrumental role of silent cinema in twentieth-century conceptions of the ancient Mediterranean and Middle East.
Author: Farran Smith Nehme
Publisher: Abrams
ISBN: 146831078X
Category : Fiction
Languages : en
Pages : 320
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Book Description
New York in the late 1980s. Ceinwen Reilly has just moved from Yazoo City, Mississippi, and she’s never going back, minimum wage job (vintage store salesgirl) and shabby apartment (Avenue C walkup) be damned. Who cares about earthly matters when Ceinwen can spend her days and her nights at fading movie houses—and most of the time that’s left trying to look like Jean Harlow? One day, Ceinwen discovers that her downstairs neighbor may have—just possibly—starred in a forgotten silent film that hasn’t been seen for ages. So naturally, it’s time for a quest. She will track down the film, she will impress her neighbor, and she will become a part of movie history: the archivist as ingénue. As she embarks on her grand mission, Ceinwen meets a somewhat bumbling, very charming, 100% English math professor named Matthew, who is as rational as she is dreamy. Together, they will or will not discover the missing reels, will or will not fall in love, and will or will not encounter the obsessives that make up the New York silent film nut underworld. A novel as winning and energetic as the grand Hollywood films that inspired it, Missing Reels is an irresistible, alchemical mix of Nora Ephron and David Nicholls that will charm and delight.
Author: Dr Pantelis Michelakis
Publisher:
ISBN: 9781107293977
Category :
Languages : en
Pages : 412
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Book Description
In the first four decades of cinema, hundreds of films were made that drew their inspiration from ancient Greece, Rome, Egypt and the Bible. Few of these films have been studied, and even fewer have received critical attention. The films in question, ranging from historical and mythological epics to adaptations of ancient drama, burlesques, animated cartoons and documentaries, suggest a preoccupation with the ancient world that competes in intensity and breadth with that of Hollywood's classical era. What contribution did the worlds of antiquity make to early cinema, and how did they themselves change as a result? Existing prints as well as ephemera scattered in film archives and libraries around the world constitute an enormous field of research, and this edited collection is a first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East.
Author: Dr Pantelis Michelakis
Publisher:
ISBN: 9781107291188
Category :
Languages : en
Pages : 412
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Book Description
In the first four decades of cinema, hundreds of films were made that drew their inspiration from ancient Greece, Rome, Egypt and the Bible. Few of these films have been studied, and even fewer have received critical attention. The films in question, ranging from historical and mythological epics to adaptations of ancient drama, burlesques, animated cartoons and documentaries, suggest a preoccupation with the ancient world that competes in intensity and breadth with that of Hollywood's classical era. What contribution did the worlds of antiquity make to early cinema, and how did they themselves change as a result? Existing prints as well as ephemera scattered in film archives and libraries around the world constitute an enormous field of research, and this edited collection is a first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East.
Author: Maria Wyke
Publisher: Routledge
ISBN: 1317796071
Category : History
Languages : en
Pages : 248
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Book Description
Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film.
Author: Kevin M. McGeough
Publisher: Discourses in Ancient Near Eastern and Biblical Studies
ISBN: 9781781799819
Category : Civilization, Ancient, in motion pictures
Languages : en
Pages : 394
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Book Description
An introduction to how the ancient world is represented in film, especially in Hollywood cinema, and considers the potential that movies have to help us think about antiquity and their relationship with traditional academic historical work.
Author: Lawrence Napper
Publisher: Columbia University Press
ISBN: 0231543506
Category : Performing Arts
Languages : en
Pages : 182
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Book Description
Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed—all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927).
Author: Giorgio Bertellini
Publisher: JOHN LIBBEY PUBLISHING
ISBN: 9780861966707
Category : Performing Arts
Languages : en
Pages : 401
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Book Description
Despite the wealth of studies of silent cinema in the English language, knowledge of the medium's first decades has remained attached to a canon in which Italian silent cinema appears deceptively familiar but largely absent. With 30 essays written by leading scholars in the field, 'Italian Silent Cinema' illuminates this understudied area of film history. Featuring over 100 illustrations, the reader brings into focus individual film companies, stars and genres and seeks to place the Italian production of dramas, comedies, serials, newsreels, and avant-garde works in dialogue with international film culture.
Author: Alberto J. Quiroga Puertas
Publisher: Bloomsbury Publishing
ISBN: 1350281646
Category : History
Languages : en
Pages : 205
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Book Description
Focusing in turn on history, powerful individuals, under-represented voices and the arts, the essays in this collection cover a wide variety of modern and contemporary narrative fiction from Jo Walton and L. Sprague De Camp to T. S. Chaudhry and Catherynne M. Valente. Chapters look into the question of chance versus determinism in the unfolding of historical events, the role individuals play in shaping a society or occasion, and the way art and literature symbolise important messages in counterfactual histories. They also show how uchronic narratives can take advantage of modern literary techniques to reveal new and relevant aspects of the past, giving voices to marginalised minorities and suppressed individuals of the ancient world. Counterfactual fiction and uchronic narratives have been largely up until now the domain of literary critics. However, these modes of literature are here analysed by scholars of Ancient History, Egyptology and Classics, shedding important new light on how cultures of the ancient world have been (and still are) perceived, and to what extent our conceptions of the past are used to explore alternate presents and futures. Alternate history entices the imagination of the public by suggesting hypothetical scenarios that never occurred, underlining a latent tension between reality and imagination, and between determinism and contingency. This interest has resulted in a growing number of publications that gauge the impact of what-if narratives, and this one is the first to give scholars of the ancient world centre-stage.
