Author: Charles Edward Russell
Publisher: Forgotten Books
ISBN: 9780331918878
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
Excerpt from The American Orchestra and Theodore Thomas Without sounding the ever-ready pipe of vainglory, we may justly affirm that in one division of representative art the Amer ican achievement has gone beyond debate. The grand orchestra is now' more than our foremost cultural asset; it has become our Sign Of honor among the nations. Even if sceptical or scorn-f ful about our other endeavors, the world assigns to this a verity of excellence. Starting so much later than the rest and starting handicapped, we seem, despite shortcomings and our own in credulities, to have developed the orchestra above the average attainment. If we lag about other arts, we lead in this. Forty years or so have set down most of the visible signs of this gracious growth. Only so far back as 1876 they were not known to mortal sight, certainly, and otherwise had been scouted as impossible. Two bands, one leader, and an interest so small it seemed to pessimist's' a'higher power of nothing may be counted as the sorry whole of our performance in that year. In many places were small groups of instrumentalists that played together unstably and were regarded by most of their fellow townsmen as partly insane; in many-places there was for vocal music a large, sincere, and always expanding devotion. But beyond two bands and one leader, the thing we know now as the grand or symphony orchestra functioned chiefly to the ear of hope. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The American Orchestra and Theodore Thomas (Classic Reprint)
Author: Charles Edward Russell
Publisher: Forgotten Books
ISBN: 9780331918878
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
Excerpt from The American Orchestra and Theodore Thomas Without sounding the ever-ready pipe of vainglory, we may justly affirm that in one division of representative art the Amer ican achievement has gone beyond debate. The grand orchestra is now' more than our foremost cultural asset; it has become our Sign Of honor among the nations. Even if sceptical or scorn-f ful about our other endeavors, the world assigns to this a verity of excellence. Starting so much later than the rest and starting handicapped, we seem, despite shortcomings and our own in credulities, to have developed the orchestra above the average attainment. If we lag about other arts, we lead in this. Forty years or so have set down most of the visible signs of this gracious growth. Only so far back as 1876 they were not known to mortal sight, certainly, and otherwise had been scouted as impossible. Two bands, one leader, and an interest so small it seemed to pessimist's' a'higher power of nothing may be counted as the sorry whole of our performance in that year. In many places were small groups of instrumentalists that played together unstably and were regarded by most of their fellow townsmen as partly insane; in many-places there was for vocal music a large, sincere, and always expanding devotion. But beyond two bands and one leader, the thing we know now as the grand or symphony orchestra functioned chiefly to the ear of hope. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780331918878
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
Excerpt from The American Orchestra and Theodore Thomas Without sounding the ever-ready pipe of vainglory, we may justly affirm that in one division of representative art the Amer ican achievement has gone beyond debate. The grand orchestra is now' more than our foremost cultural asset; it has become our Sign Of honor among the nations. Even if sceptical or scorn-f ful about our other endeavors, the world assigns to this a verity of excellence. Starting so much later than the rest and starting handicapped, we seem, despite shortcomings and our own in credulities, to have developed the orchestra above the average attainment. If we lag about other arts, we lead in this. Forty years or so have set down most of the visible signs of this gracious growth. Only so far back as 1876 they were not known to mortal sight, certainly, and otherwise had been scouted as impossible. Two bands, one leader, and an interest so small it seemed to pessimist's' a'higher power of nothing may be counted as the sorry whole of our performance in that year. In many places were small groups of instrumentalists that played together unstably and were regarded by most of their fellow townsmen as partly insane; in many-places there was for vocal music a large, sincere, and always expanding devotion. But beyond two bands and one leader, the thing we know now as the grand or symphony orchestra functioned chiefly to the ear of hope. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The American Orchestra and Theodore Thomas
Author: Charles Edward Russell
Publisher: Garden City, N.Y. : Doubleday, Page
ISBN:
Category : Music
Languages : en
Pages : 412
Book Description
Biography of an interesting character and great musician who started the Chicago Symphony Orchestra.
Publisher: Garden City, N.Y. : Doubleday, Page
ISBN:
Category : Music
Languages : en
Pages : 412
Book Description
Biography of an interesting character and great musician who started the Chicago Symphony Orchestra.
The American Orchestra and Theodore Thomas
Author: Charles Edward Russell
Publisher:
ISBN: 9781422718629
Category :
Languages : en
Pages : 344
Book Description
High quality reprint of American Orchestra And Theodore Thomas, The by Charles Edward Russell.
Publisher:
ISBN: 9781422718629
Category :
Languages : en
Pages : 344
Book Description
High quality reprint of American Orchestra And Theodore Thomas, The by Charles Edward Russell.
American Orchestras in the Nineteenth Century
Author: John Spitzer
Publisher: University of Chicago Press
ISBN: 0226769771
Category : History
Languages : en
Pages : 504
Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Publisher: University of Chicago Press
ISBN: 0226769771
Category : History
Languages : en
Pages : 504
Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
City of the Century
Author: Donald L. Miller
Publisher: Rosetta Books
ISBN: 0795339852
Category : History
Languages : en
Pages : 1084
Book Description
“A wonderfully readable account of Chicago’s early history” and the inspiration behind PBS’s American Experience (Michiko Kakutani, The New York Times). Depicting its turbulent beginnings to its current status as one of the world’s most dynamic cities, City of the Century tells the story of Chicago—and the story of America, writ small. From its many natural disasters, including the Great Fire of 1871 and several cholera epidemics, to its winner-take-all politics, dynamic business empires, breathtaking architecture, its diverse cultures, and its multitude of writers, journalists, and artists, Chicago’s story is violent, inspiring, passionate, and fascinating from the first page to the last. The winner of the prestigious Great Lakes Book Award, given to the year’s most outstanding books highlighting the American heartland, City of the Century has received consistent rave reviews since its publication in 1996, and was made into a six-hour film airing on PBS’s American Experience series. Written with energetic prose and exacting detail, it brings Chicago’s history to vivid life. “With City of the Century, Miller has written what will be judged as the great Chicago history.” —John Barron, Chicago Sun-Times “Brims with life, with people, surprise, and with stories.” —David McCullough, Pulitzer Prize–winning author of John Adams and Truman “An invaluable companion in my journey through Old Chicago.” —Erik Larson, New York Times–bestselling author of The Devil in the White City
Publisher: Rosetta Books
ISBN: 0795339852
Category : History
Languages : en
Pages : 1084
Book Description
“A wonderfully readable account of Chicago’s early history” and the inspiration behind PBS’s American Experience (Michiko Kakutani, The New York Times). Depicting its turbulent beginnings to its current status as one of the world’s most dynamic cities, City of the Century tells the story of Chicago—and the story of America, writ small. From its many natural disasters, including the Great Fire of 1871 and several cholera epidemics, to its winner-take-all politics, dynamic business empires, breathtaking architecture, its diverse cultures, and its multitude of writers, journalists, and artists, Chicago’s story is violent, inspiring, passionate, and fascinating from the first page to the last. The winner of the prestigious Great Lakes Book Award, given to the year’s most outstanding books highlighting the American heartland, City of the Century has received consistent rave reviews since its publication in 1996, and was made into a six-hour film airing on PBS’s American Experience series. Written with energetic prose and exacting detail, it brings Chicago’s history to vivid life. “With City of the Century, Miller has written what will be judged as the great Chicago history.” —John Barron, Chicago Sun-Times “Brims with life, with people, surprise, and with stories.” —David McCullough, Pulitzer Prize–winning author of John Adams and Truman “An invaluable companion in my journey through Old Chicago.” —Erik Larson, New York Times–bestselling author of The Devil in the White City
From Paris to Peoria
Author: R. Allen Lott
Publisher: Oxford University Press
ISBN: 9780195348897
Category : Music
Languages : en
Pages : 400
Book Description
It's difficult to imagine Franz Liszt performing in Peoria, but his contemporary and foremost rival, Sigismund Thalberg, did just that. During the mid-nineteenth century, Americans in more than a hundred cities--from Portland, Maine to Dubuque, Iowa to Mobile, Alabama--were treated to performances by some of Europe's most celebrated pianists. From Paris to Peoria deftly chronicles the visits of five of these pianists to the America of Mark Twain. Whether performing in small railroad towns throughout the Midwest or in gold-rush era California, these five charismatic pianists--Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubinstein, and Hans von Bülow--introduced many Americans to the delights of the concert hall. With humor and insight, R. Allen Lott describes the glamour and the drudgery of the touring life, the transformation of American audiences from boisterous to reverent, and the establishment of the piano recital as a viable artistic and financial enterprise. Lott also explores the creative and sometimes outlandish publicity techniques of managers seeking to capitalize on prosperous but uncharted American markets. The result of extensive archival research, From Paris to Peoria is richly illustrated with concert programs, handbills, caricatures, and maps. A companion website, www.rallenlott.info, includes a comprehensive list of repertoires and itineraries, audio music examples, and transcriptions of selected primary sources. Certain to delight pianists, musicologists, and historians, From Paris to Peoria is an engaging, thoroughly researched, and often funny account of music and culture in nineteenth-century America.
Publisher: Oxford University Press
ISBN: 9780195348897
Category : Music
Languages : en
Pages : 400
Book Description
It's difficult to imagine Franz Liszt performing in Peoria, but his contemporary and foremost rival, Sigismund Thalberg, did just that. During the mid-nineteenth century, Americans in more than a hundred cities--from Portland, Maine to Dubuque, Iowa to Mobile, Alabama--were treated to performances by some of Europe's most celebrated pianists. From Paris to Peoria deftly chronicles the visits of five of these pianists to the America of Mark Twain. Whether performing in small railroad towns throughout the Midwest or in gold-rush era California, these five charismatic pianists--Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubinstein, and Hans von Bülow--introduced many Americans to the delights of the concert hall. With humor and insight, R. Allen Lott describes the glamour and the drudgery of the touring life, the transformation of American audiences from boisterous to reverent, and the establishment of the piano recital as a viable artistic and financial enterprise. Lott also explores the creative and sometimes outlandish publicity techniques of managers seeking to capitalize on prosperous but uncharted American markets. The result of extensive archival research, From Paris to Peoria is richly illustrated with concert programs, handbills, caricatures, and maps. A companion website, www.rallenlott.info, includes a comprehensive list of repertoires and itineraries, audio music examples, and transcriptions of selected primary sources. Certain to delight pianists, musicologists, and historians, From Paris to Peoria is an engaging, thoroughly researched, and often funny account of music and culture in nineteenth-century America.
William Mason (1829-1908)
Author: Kenneth Graber
Publisher: Pendragon Press
ISBN: 9780899900469
Category : Music
Languages : en
Pages : 388
Book Description
Publisher: Pendragon Press
ISBN: 9780899900469
Category : Music
Languages : en
Pages : 388
Book Description
Musical Magazine and Musical Courier
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 838
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 838
Book Description
Classical Music In America
Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 9780393057171
Category : History
Languages : en
Pages : 664
Book Description
An award-winning scholar and leading authority on American symphonic culture argues that classical music in the United States is peculiarly performance-driven, and he traces a musical trajectory rising to its peak at the close of the 19th century and receding after World War I.
Publisher: W. W. Norton & Company
ISBN: 9780393057171
Category : History
Languages : en
Pages : 664
Book Description
An award-winning scholar and leading authority on American symphonic culture argues that classical music in the United States is peculiarly performance-driven, and he traces a musical trajectory rising to its peak at the close of the 19th century and receding after World War I.
The American Musical Landscape
Author: Richard Crawford
Publisher: Univ of California Press
ISBN: 0520224825
Category : Biography & Autobiography
Languages : en
Pages : 403
Book Description
"This book reflects a breakthrough in American music studies, an unrecognized field among traditional musicologists until the past few decades, during which enormous progress has been made in documenting three centuries of American musical activities and figures. Time and effort had to be expended exclusively on the development of basic historical studies. The time has come for a new phase, one that can take a creative, interpretive approach. Professor Crawford's study will introduce this higher level of scholarship into the field of American music studies."—Vivian Perlis, author of Charles Ives Remembered "A major statement by a senior scholar on what American musicology is all about. . . These themes are also topical; they come at a time when much more research is being done in American music, but little thought is being given to the big picture, the vision, the philosophy, and the implications of historical research. Now is the time for a synthesis, and there are few scholars better equipped to do that in American music than Richard Crawford."—Michael Broyles, author of Music of the Highest Class
Publisher: Univ of California Press
ISBN: 0520224825
Category : Biography & Autobiography
Languages : en
Pages : 403
Book Description
"This book reflects a breakthrough in American music studies, an unrecognized field among traditional musicologists until the past few decades, during which enormous progress has been made in documenting three centuries of American musical activities and figures. Time and effort had to be expended exclusively on the development of basic historical studies. The time has come for a new phase, one that can take a creative, interpretive approach. Professor Crawford's study will introduce this higher level of scholarship into the field of American music studies."—Vivian Perlis, author of Charles Ives Remembered "A major statement by a senior scholar on what American musicology is all about. . . These themes are also topical; they come at a time when much more research is being done in American music, but little thought is being given to the big picture, the vision, the philosophy, and the implications of historical research. Now is the time for a synthesis, and there are few scholars better equipped to do that in American music than Richard Crawford."—Michael Broyles, author of Music of the Highest Class