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Author: Charles Edward Russell
Publisher: Garden City, N.Y. : Doubleday, Page
ISBN:
Category : Music
Languages : en
Pages : 412
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Book Description
Biography of an interesting character and great musician who started the Chicago Symphony Orchestra.
Author: Charles Edward Russell
Publisher: Garden City, N.Y. : Doubleday, Page
ISBN:
Category : Music
Languages : en
Pages : 412
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Book Description
Biography of an interesting character and great musician who started the Chicago Symphony Orchestra.
Author: Charles Edward Russell
Publisher:
ISBN: 9781422718629
Category :
Languages : en
Pages : 344
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Book Description
High quality reprint of American Orchestra And Theodore Thomas, The by Charles Edward Russell.
Author: CHARLES EDWARD. RUSSELL
Publisher:
ISBN: 9781033555132
Category :
Languages : en
Pages : 0
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Book Description
Author: Charles Edward Russell
Publisher: Forgotten Books
ISBN: 9780331918878
Category : Biography & Autobiography
Languages : en
Pages : 402
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Book Description
Excerpt from The American Orchestra and Theodore Thomas Without sounding the ever-ready pipe of vainglory, we may justly affirm that in one division of representative art the Amer ican achievement has gone beyond debate. The grand orchestra is now' more than our foremost cultural asset; it has become our Sign Of honor among the nations. Even if sceptical or scorn-f ful about our other endeavors, the world assigns to this a verity of excellence. Starting so much later than the rest and starting handicapped, we seem, despite shortcomings and our own in credulities, to have developed the orchestra above the average attainment. If we lag about other arts, we lead in this. Forty years or so have set down most of the visible signs of this gracious growth. Only so far back as 1876 they were not known to mortal sight, certainly, and otherwise had been scouted as impossible. Two bands, one leader, and an interest so small it seemed to pessimist's' a'higher power of nothing may be counted as the sorry whole of our performance in that year. In many places were small groups of instrumentalists that played together unstably and were regarded by most of their fellow townsmen as partly insane; in many-places there was for vocal music a large, sincere, and always expanding devotion. But beyond two bands and one leader, the thing we know now as the grand or symphony orchestra functioned chiefly to the ear of hope. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Spitzer
Publisher: University of Chicago Press
ISBN: 0226769771
Category : History
Languages : en
Pages : 504
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Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Author: Ezra Schabas
Publisher: Urbana : University of Illinois Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
Author: F. Isabel Campoy
Publisher: HarperCollins
ISBN: 0544866630
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
In this exuberant picture book about transformation through art, Mira lives in a gray urban community until a muralist arrives and, along with his paints and brushes, brings color, joy, and hope to the neighborhood. What good can a splash of color do in a community of gray? As Mira and her neighbors discover, more than you might ever imagine! Based on the true story of the Urban Art Trail in San Diego, California, Maybe Something Beautiful reveals how art can inspire transformation—and how even the smallest artists can accomplish something big. Pick up a paintbrush and join the celebration! "Simply superb.” (Kirkus) Tomás Rivera Book Award * ALA Notable Children's Book * Chicago Public Library Best of the Best Books of the Year * Huffington Post Best Picture Books of the Year * Kirkus Best of the Year * School Library Journal Top 10 LatinX of the Year
Author: John Spitzer
Publisher: University of Chicago Press
ISBN: 0226769763
Category : History
Languages : en
Pages : 504
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Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Author: Donald Rosenberg
Publisher: Gray & Company, Publishers
ISBN: 1886228248
Category : Biography & Autobiography
Languages : en
Pages : 754
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Book Description
How did a late-blooming midwestern orchestra rise amid gritty Big Industry to become a titan in the world of Big Art? This groundbreaking book tells the complete story of the people and events that shaped the Cleveland Orchestra into a classical music legend. It taps the most authoritative sources to show how decisions were made along the often bumpy road to artistic and financial success. Told with plenty of anecdotes and intriguing behind-the-scenes details.
Author: Joseph Horowitz
Publisher: Univ of California Press
ISBN: 9780520085428
Category : Biography & Autobiography
Languages : en
Pages : 532
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Book Description
As America's symbol of Great Music, Arturo Toscanini and the "masterpieces" he served were regarded with religious awe. As a celebrity personality, he was heralded for everything from his unwavering stance against Hitler and Mussolini and his cataclysmic tantrums, to his "democratic" penchants for television wrestling and soup for dinner. During his years with the Metropolitan Opera (1908-15) and the New York Philharmonic (1926-36) he was regularly proclaimed the "world's greatest conductor ." And with the NBC Symphony (1937-54), created for him by RCA's David Sarnoff, he became the beneficiary of a voracious multimedia promotional apparatus that spread Toscanini madness nationwide. According to Life, he was as well-known as Joe Dimaggio; Time twice put him on its cover; and the New York Herald Tribune attributed Toscanini's fame to simple recognition of his unique "greatness." In this boldly conceived and superbly realized study, Joseph Horowitz reveals how and why Toscanini became the object of unparalleled veneration in the United States. Combining biography, cultural history, and music criticism, Horowitz explores the cultural and commercial mechanisms that created America's Toscanini cult and fostered, in turn, a Eurocentric, anachronistic new audience for old music.
