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Author: Rosemary Mitchell
Publisher: OUP Oxford
ISBN: 0191543225
Category : History
Languages : en
Pages : 330
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Book Description
This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.
Author: Rosemary Mitchell
Publisher: OUP Oxford
ISBN: 0191543225
Category : History
Languages : en
Pages : 330
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Book Description
This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.
Author: Howard R Temperley
Publisher: Bloomsbury Publishing
ISBN: 1349879711
Category : History
Languages : en
Pages : 249
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Book Description
When the War of Independence ended in 1783, many doubted the ability of Americans to build a nation. Today the United States occupies a position comparable to that of Britain at the zenith of its power. Britain and America since Independence deals with Anglo-American relations in the widest sense. It shows how the transfer of hegemony from the British Empire to the United States affected the way Britons and Americans viewed one another, and its effect on the evolving social, economic and political connections between the two countries. Inspite of political separation, geographical distance, and intermittent periods of hostility, the British have never regarded Americans as 'foreigners'. Americans, in turn, have looked to Britain as the source of their language and culture. Nevertheless, as Howard Temperley shows in this far-ranging study of the two societies, these affinities have often given rise to misunderstanding and confusion - as in the current conflict between Britain's allegiance to the 'special relationship', and America's belief that the future of Britain lies in Europe.
Author:
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: A. S. Eisenstadt
Publisher: SUNY Press
ISBN: 9780791472248
Category : History
Languages : en
Pages : 224
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Book Description
Examines Carnegie’s book Triumphant Democracy and his efforts to promote closer ties between America and Britain.
Author: Terry Alford
Publisher:
ISBN:
Category : Deserts
Languages : en
Pages : 766
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Book Description
Author: Ruth Livesey
Publisher: Routledge
ISBN: 1317045254
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
In nineteenth-century Britain, the effects of democracy in America were seen to spread from Congress all the way down to the personal habits of its citizens. Bringing together political theorists, historians, and literary scholars, this volume explores the idea of American democracy in nineteenth-century Britain. The essays span the period from Independence to the First World War and trace an intellectual history of Anglo-American relations during that period. Leading scholars trace the hopes and fears inspired by the American model of democracy in the works of commentators, including Thomas Paine, Mary Wollstonecraft, Alexis de Tocqueville, Charles Dickens, John Stuart Mill, Richard Cobden, Charles Dilke, Matthew Arnold, Henry James and W. T. Stead. By examining the context of debates about American democracy and notions of ’culture’, citizenship, and race, the collection sheds fresh light on well-documented moments of British political history, such as the Reform Acts, the Abolition of Slavery Act, and the Anti-Corn Law agitation. The volume also explores the ways in which British Liberalism was shaped by the American example and draws attention to the importance of print culture in furthering radical political dialogue between the two nations. As the comprehensive introduction makes clear, this collection makes an important contribution to transatlantic studies and our growing sense of a nineteenth-century modernity shaped by an Atlantic exchange. It is an essential reference point for all interested in the history of the idea of democracy, its political evolution, and its perceived cultural consequences.
Author: Makeda Best
Publisher: Penn State Press
ISBN: 0271087528
Category : Photography
Languages : en
Pages : 193
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Book Description
Alexander Gardner is best known for his innovative photographic history of the Civil War. What is less known is the extent to which he was involved in the international workers’ rights movement. Tying Gardner’s photographic storytelling to his transatlantic reform activities, this book expands our understanding of Gardner’s career and the work of his studio in Washington, DC, by situating his photographic production within the era’s discourse on social and political reform. Drawing on previously unknown primary sources and original close readings, Makeda Best reveals how Gardner’s activism in Scotland and photography in the United States shared an ideological foundation. She reads his Photographic Sketch Book of the War as a politically motivated project, rooted in Gardner’s Chartist and Owenite beliefs, and illuminates how its treatment of slavery is primarily concerned with the harm that the institution posed to the United States’ reputation as a model democracy. Best shows how, in his portraiture, Gardner celebrated Northern labor communities and elevated white immigrant workers, despite the industrialization that degraded them. She concludes with a discussion of Gardner’s promotion of an American national infrastructure in which photographers and photography played an integral role. Original and compelling, this reconsideration of Gardner’s work expands the contribution of Civil War photography beyond the immediate narrative of the war to comprehend its relation to the vigorous international debates about democracy, industrialization, and the rights of citizens. Scholars working at the intersection of photography, cultural history, and social reform in the nineteenth century on both sides of the Atlantic will find Best’s work invaluable to their own research.
Author: Frank Freidel
Publisher: Harvard University Press
ISBN: 9780674375604
Category : History
Languages : en
Pages : 644
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Book Description
Editions for 1954 and 1967 by O. Handlin and others.
Author: Mike Horswell
Publisher: Routledge
ISBN: 1351584251
Category : History
Languages : en
Pages : 229
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Book Description
This book investigates the uses of crusader medievalism – the memory of the crusades and crusading rhetoric and imagery – in Britain, from Walter Scott’s The Talisman (1825) to the end of the Second World War. It seeks to understand why and when the crusades and crusading were popular, how they fitted with other cultural trends of the Victorian and Edwardian eras, how their use was affected by the turmoil of the First World War and whether they were differently employed in the interwar years and in the 1939-45 conflict. Building on existing studies and contributing the fruits of fresh research, it brings together examples of the uses of the crusades from disparate contexts and integrates them into the story of the rise and fall crusader medievalism in Britain.
Author: John Saville
Publisher: Cambridge University Press
ISBN: 9780521396561
Category : History
Languages : en
Pages : 324
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Book Description
A study of the British state's confrontation with Chartism and Irish nationalism in 1848.
