The American Dance Band Discography 1917-1942: Irving Aaronson to Arthur Lange PDF Download
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Author: Brian Rust
Publisher: New Rochelle, N.Y. : Arlington House
ISBN:
Category : Music
Languages : en
Pages : 1030
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Book Description
Author: Brian Rust
Publisher: New Rochelle, N.Y. : Arlington House
ISBN:
Category : Music
Languages : en
Pages : 1030
Get Book Here
Book Description
Author: Brian Rust
Publisher:
ISBN:
Category : Dance orchestra music
Languages : en
Pages : 1072
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Book Description
Author: Brian Rust
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Brian A. L. Rust
Publisher:
ISBN:
Category : Dance orchestra music
Languages : en
Pages : 2066
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Book Description
Author: Brian A. L. Rust
Publisher: New Rochelle, N.Y. : Arlington House
ISBN: 9780870002489
Category : Dance orchestra music
Languages : en
Pages : 2066
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Book Description
Lists all known recordings made between 1917 and 1942 by the more than twenty-three hundred American dance bands, famous and obscure, excluding the Miller, Goodman, and all Negro bands
Author: Brian Rust
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Fred W. Edmiston
Publisher: McFarland
ISBN: 1476612293
Category : Music
Languages : en
Pages : 385
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Book Description
Carleton A. Coon, Sr., and Hoe L. Sanders formed the Coon-Sanders Orchestra in 1919 in Kansas City, Missouri. Three years later, under the name "Nighthawks," the band began broadcasting experimental, highly-popular midnight radio programs over Kansas City's WDAF. Their music was played all over the world, and the band remained one of America's top bands until Coon's death in 1932. Here is the complete history of the Coon-Sanders Orchestra, the band whose saucy, and bustling music and carefree and extravagant musicians symbolized the era between World War I and the Great Depression.
Author: Gary Haggerty
Publisher: Bloomsbury Publishing USA
ISBN: 0313387710
Category : Music
Languages : en
Pages : 230
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Book Description
A guide to locating information on popular music and the people who create it, this volume is designed as a desk reference—to locate answers to specific questions and to direct library users to key resources. More than 400 comprehensive titles are carefully annotated, describing content, scope, and special features. The focus is on the musical styles that have developed measurable commercial success through recordings and live performance. Along with academic titles, many important titles from the popular press are included, as well as selected electronic resources. A necessary reference tool for any library, scholar, student, and popular music buff. The work covers bibliographies, indexes, discographies, dictionaries and encyclopedias, biographical resources, directories, almanacs, yearbooks, and guidebooks on styles that include jazz, swing, Tin Pan Alley, country, gospel, blues, rhythm and blues, soul, rockabilly, rock, heavy metal, musical theater, and film music. Its extensive appendices feature discographies and bibliographies of individual artists and ensembles. A detailed index combining authors, titles, and subjects makes cross-referencing easy. The entries are modeled after the immensely useful The Guide to Reference Books.
Author:
Publisher: University of Illinois Press
ISBN: 0252053583
Category : Music
Languages : en
Pages : 450
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Book Description
This first volume of Music in Black American Life collects research and analysis that originally appeared in the journals American Music and the Black Music Research Journal, and in the University of Illinois Press's acclaimed book series Music in American Life. In these selections, experts from a cross-section of disciplines engage with fundamental issues in ways that changed our perceptions of Black music. The topics includes the culturally and musically complex Black music-making of colonial America; string bands and other lesser-known genres practiced by Black artists; the jubilee industry and its audiences; and innovators in jazz, blues, and Black gospel. Eclectic and essential, Music in Black American Life, 1600–1945 offers specialists and students alike a gateway to the history and impact of Black music in the United States. Contributors: R. Reid Badger, Rae Linda Brown, Samuel A. Floyd Jr., Sandra Jean Graham, Jeffrey Magee, Robert M. Marovich, Harriet Ottenheimer, Eileen Southern, Katrina Dyonne Thompson, Stephen Wade, and Charles Wolfe
Author: Peter Doggett
Publisher: Random House
ISBN: 144813031X
Category : Music
Languages : en
Pages : 738
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Book Description
Ambitious and groundbreaking, Electric Shock tells the story of popular music, from the birth of recording in the 1890s to the digital age, from the first pop superstars of the twentieth century to the omnipresence of music in our lives, in hit singles, ringtones and on Spotify. Over that time, popular music has transformed the world in which we live. Its rhythms have influenced how we walk down the street, how we face ourselves in the mirror, and how we handle the outside world in our daily conversations and encounters. It has influenced our morals and social mores; it has transformed our attitudes towards race and gender, religion and politics. From the beginning of recording, when a musical performance could be preserved for the first time, to the digital age, when all of recorded music is only a mouse-click away; from the straitlaced ballads of the Victorian era and the ‘coon songs’ that shocked America in the early twentieth century to gangsta rap, death metal and the multiple strands of modern dance music: Peter Doggett takes us on a rollercoaster ride through the history of music. Within a narrative full of anecdotes and characters, Electric Shock mixes musical critique with wider social and cultural history and shows how revolutionary changes in technology have turned popular music into the lifeblood of the modern world.
