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Author: Louise A. Mayo
Publisher:
ISBN: 9780838633182
Category : History
Languages : en
Pages : 228
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Book Description
Analyzes religious books, fiction, comic magazines, songs, burlesque pieces, political statements, and representative newspapers and periodicals. In the religious sphere, Jews were seen as the murderers of Christ, but hostile religious images diminished considerably by the end of the century. Literary caricatures and the press depicted the Jews as pawnbrokers and peddlers, with an overwhelming concern for wealth. Discusses the Shylock image which was less venomous than the European version. On the other hand, Jews were also depicted as industrious, honorable, law-abiding, family-centered, and intelligent. Concludes that political and ideological antisemitism was not characteristic of 19th century American society - the ambivalent attitude reflected contradictions in the goal of building an open society while rejecting and excluding aliens.
Author: Louise A. Mayo
Publisher:
ISBN: 9780838633182
Category : History
Languages : en
Pages : 228
Get Book Here
Book Description
Analyzes religious books, fiction, comic magazines, songs, burlesque pieces, political statements, and representative newspapers and periodicals. In the religious sphere, Jews were seen as the murderers of Christ, but hostile religious images diminished considerably by the end of the century. Literary caricatures and the press depicted the Jews as pawnbrokers and peddlers, with an overwhelming concern for wealth. Discusses the Shylock image which was less venomous than the European version. On the other hand, Jews were also depicted as industrious, honorable, law-abiding, family-centered, and intelligent. Concludes that political and ideological antisemitism was not characteristic of 19th century American society - the ambivalent attitude reflected contradictions in the goal of building an open society while rejecting and excluding aliens.
Author: Louise A. Mayo
Publisher:
ISBN:
Category : History
Languages : en
Pages : 232
Get Book Here
Book Description
Analyzes religious books, fiction, comic magazines, songs, burlesque pieces, political statements, and representative newspapers and periodicals. In the religious sphere, Jews were seen as the murderers of Christ, but hostile religious images diminished considerably by the end of the century. Literary caricatures and the press depicted the Jews as pawnbrokers and peddlers, with an overwhelming concern for wealth. Discusses the Shylock image which was less venomous than the European version. On the other hand, Jews were also depicted as industrious, honorable, law-abiding, family-centered, and intelligent. Concludes that political and ideological antisemitism was not characteristic of 19th century American society - the ambivalent attitude reflected contradictions in the goal of building an open society while rejecting and excluding aliens.
Author: Whitney Phillips
Publisher: John Wiley & Sons
ISBN: 1509501282
Category : Computers
Languages : en
Pages : 240
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Book Description
This book explores the weird and mean and in-between that characterize everyday expression online, from absurdist photoshops to antagonistic Twitter hashtags to deceptive identity play. Whitney Phillips and Ryan M. Milner focus especially on the ambivalence of this expression: the fact that it is too unwieldy, too variable across cases, to be essentialized as old or new, vernacular or institutional, generative or destructive. Online expression is, instead, all of the above. This ambivalence, the authors argue, hinges on available digital tools. That said, there is nothing unexpected or surprising about even the strangest online behavior. Ours is a brave new world, and there is nothing new under the sun – a point necessary to understanding not just that online spaces are rife with oddity, mischief, and antagonism, but why these behaviors matter. The Ambivalent Internet is essential reading for students and scholars of digital media and related fields across the humanities, as well as anyone interested in mediated culture and expression.
Author: Stefanie Torres
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986981286
Category :
Languages : en
Pages : 216
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Book Description
I had a job to do. An assignment I had been hoping for. To anyone else it might have appeared easy. Interview the well-known plastic surgeon, Dr. Kean Bennett. Determined to succeed, I powered right into it. Except the man hated the media with an inexplainable passion. And he despised me for being another annoying journalist chasing a story. His story. That's when I screwed up. I gave the surgeon the power to destroy me. Complete obliteration. I've always believed there could be good hiding in the darkness, but maybe I was mistaken. My problem? I came to that conclusion much too late. I had already risked my life to get what I wanted.
Author: Patricia Hayes
Publisher: Ohio University Press
ISBN: 0821446886
Category : History
Languages : en
Pages : 367
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Book Description
Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography—and with visibility more generally—in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography an engaging and important subject of historical investigation. Ambivalent‘s contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories. Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 497
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Book Description
Author: Sheldon M. Garon
Publisher: Cornell University Press
ISBN: 9780801473029
Category : Business & Economics
Languages : en
Pages : 332
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Book Description
A comparative examination of the ambivalence provoked, especially in East and Southeast Asia, by the global spread of "American" consumer culture.
Author: Howard G. Lavine
Publisher: Oxford University Press
ISBN: 0199772754
Category : Political Science
Languages : en
Pages : 319
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Book Description
The authors of this book demonstrate that compared to other citizens, ambivalent partisans perceive the political world accurately, form their policy preferences in a principled manner, and communicate those preferences by making issues an important component of their electoral decisions.
Author: Kenneth Weisbrode
Publisher: MIT Press
ISBN: 0262301075
Category : Philosophy
Languages : en
Pages : 90
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Book Description
A concise guide to ambivalence, from Adam and Eve (to eat the apple or not?) to Hamlet (to be or not?) to globalization (e pluribus unum or not?). Why is it so hard to make up our minds? Adam and Eve set the template: Do we or don't we eat the apple? They chose, half-heartedly, and nothing was ever the same again. With this book, Kenneth Weisbrode offers a crisp, literate, and provocative introduction to the age-old struggle with ambivalence. Ambivalence results from a basic desire to have it both ways. This is only natural—although insisting upon it against all reason often results not in "both" but in the disappointing "neither." Ambivalence has insinuated itself into our culture as a kind of obligatory reflex, or default position, before practically every choice we make. It affects not only individuals; organizations, societies, and cultures can also be ambivalent. How often have we asked the scornful question, "Are we the Hamlet of nations"? How often have we demanded that our leaders appear decisive, judicious, and stalwart? And how eager have we been to censure them when they hesitate or waver? Weisbrode traces the concept of ambivalence, from the Garden of Eden to Freud and beyond. The Obama era, he says, may be America's own era of ambivalence: neither red nor blue but a multicolored kaleidoscope. Ambivalence, he argues, need not be destructive. We must learn to distinguish it from its symptoms—selfishness, ambiguity, and indecision—and accept that frustration, guilt, and paralysis felt by individuals need not lead automatically to a collective pathology. Drawing upon examples from philosophy, history, literature, and the social sciences, On Ambivalence is a pocket-sized portrait of a complex human condition. It should be read by anyone who has ever grappled with making the right choice.
Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 9781861891495
Category : Ambiguity
Languages : en
Pages : 312
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Book Description
In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
