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Author: Murray Krieger
Publisher: Stanford University Press
ISBN: 9780804720984
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
One of the more important and original collections of theoretical essays in the field. . . . The issues it addresses are no less pertinent now than they were in 1987; they seem, indeed, to be of perennial importance. -- Anton Kaes, University of California, Berkeley
Author: Murray Krieger
Publisher: Stanford University Press
ISBN: 9780804720984
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
One of the more important and original collections of theoretical essays in the field. . . . The issues it addresses are no less pertinent now than they were in 1987; they seem, indeed, to be of perennial importance. -- Anton Kaes, University of California, Berkeley
Author: Angela Potochnik
Publisher: University of Chicago Press
ISBN: 022675944X
Category : Philosophy
Languages : en
Pages : 263
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Book Description
Introduction : doing science in a complex world. Science by humans ; Science in a complex world ; The payoff : idealizations and many aims -- Complex causality and simplified representation. Causal patterns in the face of complexity ; Causal patterns ; Causal complexity ; Simplification by idealization ; Reasons to idealize ; Idealizations' representational role ; Rampant and unchecked idealization -- The diversity of scientific projects. Broad patterns : modeling cooperation ; A specific phenomenon : variation in human aggression ; Predictions and idealizations in the physical sciences ; Surveying the diversity -- Science isn't after the truth. The aims of science ; Understanding as science's epistemic aim ; Separate pursuit of science's aims ; Understanding, truth, and knowledge ; The nature of scientific understanding ; The role of truth and scientific knowledge -- Causal pattern explanations. Explanation, communication, and understanding ; An account of scientific explanation ; The scope of causal patterns ; The crucial role of the audience ; Adequate explanations -- Levels and fields of science. Levels in philosophy and science ; Going without levels ; Against hierarchy ; Prizing apart forms of stratification ; The fields of science and how they relate -- Scientific pluralism and its limits. The entrenchment of social values ; How science doesn't inform metaphysics ; Scientific progress.
Author: Ben Blumson
Publisher: Open Book Publishers
ISBN: 1783740728
Category : Philosophy
Languages : en
Pages : 225
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Book Description
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.
Author: F. R. Ankersmit
Publisher: Stanford University Press
ISBN: 9780804739801
Category : History
Languages : en
Pages : 340
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Book Description
Focusing on the notion of representation and on the necessity of distinguishing between representation and description, this book argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing.
Author: J. Robert G. Williams
Publisher: Oxford University Press
ISBN: 0192590596
Category : Philosophy
Languages : en
Pages : 240
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Book Description
Representation is puzzling. Physical events in our heads andsounds inour mouths come to be 'about' the worldaround us, equipping us to think and talk about anything fromthe mostfundamentalregularities in the universe to trivial matters of gossip.InThe Metaphysics of Representation, Robert Williams tells a story about how representational properties arise out of a fundamentally non-representational world. The representational properties of language are reduced, via convention, to the representational properties of thoughts. The representational properties of thoughts are reduced, via principles of rationalization, to the representational properties of perception and intention. This most fundamental layer of representation is grounded in the functions these structures have to cause and be caused by events in the world. Williams integrates work from rival traditions to present a combined perspective in the metaphysics of representation, gives new predictions and explanations of representational phenomena, and offers new solutions to long-standing problems.
Author: Murray Krieger
Publisher: New York : Columbia University Press
ISBN: 9780231065849
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Author: William M. Ramsey
Publisher: Cambridge University Press
ISBN: 9780521859875
Category : Philosophy
Languages : en
Pages : 284
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Book Description
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Author: F. R. Ankersmit
Publisher: Stanford University Press
ISBN: 9780804739825
Category : Political Science
Languages : en
Pages : 284
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Book Description
Contemporary political philosophy disregards history as irrelevant to the nature of politics and to what constitutes a political problem. The author argues that this view reduces politics and political philosophy to a vapid academic game that is insensitive to both the essence and practice of politics. He proposes that an indissoluble link between history and politics lies in the notion of representation.
Author: Roman Frigg
Publisher: Springer Science & Business Media
ISBN: 9048138515
Category : Science
Languages : en
Pages : 287
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Book Description
Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science. Likewise, after spending much of the twentieth century in proverbial exile as abstraction and Formalist aesthetics reigned supreme, representation has returned with a vengeance to contemporary visual art. Representational photography, video and ever-evolving forms of new media now figure prominently in the globalized art world, while this "return of the real" has re-energized problems of representation in the traditional media of painting and sculpture. If it ever really left, representation in the arts is certainly back. Central as they are to science and art, these representational concerns have been perceived as different in kind and as objects of separate intellectual traditions. Scientific modeling and theorizing have been topics of heated debate in twentieth century philosophy of science in the analytic tradition, while representation of the real and ideal has never moved far from the core humanist concerns of historians of Western art. Yet, both of these traditions have recently arrived at a similar impasse. Thinking about representation has polarized into oppositions between mimesis and convention. Advocates of mimesis understand some notion of mimicry (or similarity, resemblance or imitation) as the core of representation: something represents something else if, and only if, the former mimics the latter in some relevant way. Such mimetic views stand in stark contrast to conventionalist accounts of representation, which see voluntary and arbitrary stipulation as the core of representation. Occasional exceptions only serve to prove the rule that mimesis and convention govern current thinking about representation in both analytic philosophy of science and studies of visual art. This conjunction can hardly be dismissed as a matter of mere coincidence. In fact, researchers in philosophy of science and the history of art have increasingly found themselves trespassing into the domain of the other community, pilfering ideas and approaches to representation. Cognizant of the limitations of the accounts of representation available within the field, philosophers of science have begun to look outward toward the rich traditions of thinking about representation in the visual and literary arts. Simultaneously, scholars in art history and affiliated fields like visual studies have come to see images generated in scientific contexts as not merely interesting illustrations derived from "high art", but as sophisticated visualization techniques that dynamically challenge our received conceptions of representation and aesthetics. "Beyond Mimesis and Convention: Representation in Art and Science" is motivated by the conviction that we students of the sciences and arts are best served by confronting our mutual impasse and by recognizing the shared concerns that have necessitated our covert acts of kleptomania. Drawing leading contributors from the philosophy of science, the philosophy of literature, art history and visual studies, our volume takes its brief from our title. That is, these essays aim to put the evidence of science and of art to work in thinking about representation by offering third (or fourth, or fifth) ways beyond mimesis and convention. In so doing, our contributors explore a range of topics-fictionalism, exemplification, neuroaesthetics, approximate truth-that build upon and depart from ongoing conversations in philosophy of science and studies of visual art in ways that will be of interest to both interpretive communities. To put these contributions into context, the remainder of this introduction aims to survey how our communities have discretely arrived at a place wherein the perhaps-surprising collaboration between philosophy of science and art history has become not only salubrious, but a matter of necessity.
Author: Awais Khan
Publisher: Hera books Ltd
ISBN: 1804369039
Category : Fiction
Languages : en
Pages : 355
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Book Description
She had everything she ever wanted – apart from love. As the wife of a wealthy but cruel businessman, Mona has all her heart desires: money, friends, social status... everything aside from freedom. Reconnecting with old friend, Meera, introduces her to a world of glamour, parties and covert affairs. And when she meets Ali, a young man whose beautiful exterior hides the pain of his humble roots and family tragedy, Mona feels alive for the very first time. Heady with love, Mona and Ali begin a delicate game of deceit that spirals out of control. But in a world where danger lurks on every corner, their forbidden love may not only destroy Mona’s marriage, but have tragic and long-lasting consequences. A captivating tale of love and loss, set against a backdrop of contemporary Pakistan that fans of Christy Lefteri and Lucinda Riley will love.
