The African Company Presents Richard III

The African Company Presents Richard III PDF Author: Carlyle Brown
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822213789
Category : Drama
Languages : en
Pages : 68

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Book Description
THE STORY: Earning their bread with satires of white high society, the African Company came to be known for debunking the sacred status of the English classics (which many politically and racially motivated critics said were beyond the scope of bla

The African Company Presents Richard III

The African Company Presents Richard III PDF Author: Carlyle Brown
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822213789
Category : Drama
Languages : en
Pages : 68

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Book Description
THE STORY: Earning their bread with satires of white high society, the African Company came to be known for debunking the sacred status of the English classics (which many politically and racially motivated critics said were beyond the scope of bla

The African Company Presents Richard the Third

The African Company Presents Richard the Third PDF Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages :

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Book Description


Shakespeare’s Histories on Screen

Shakespeare’s Histories on Screen PDF Author: Jennie M. Votava
Publisher: Bloomsbury Publishing
ISBN: 1350326658
Category : Drama
Languages : en
Pages : 273

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Book Description
This volume reframes the critical conversation about Shakespeare's histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory. Theorizing a link between adaptation and intersectionality, it demonstrates how over the past thirty years race has become a central and constitutive part of British and American screen adaptations of the English histories. Available to expanding audiences via digital media platforms, these adaptations interrogate the dialectic between Shakespeare's cultural capital and racial reckonings on both sides of the Atlantic and across time. By engaging contemporary representations of race, ethnicity, gender, sexuality, disability and class, adaptation not only creates artefacts that differ from their source texts, but also facilitates the conditions in which race and its intersections in the plays become visible. At the centre of this analysis stand two landmark 21st-century history adaptations that use non-traditional casting: the British TV miniseries The Hollow Crown (2012, 2016) and the American independent film H4 (2012), an all-Black Henry IV conflation. In addition to demonstrating how the 21st-century screen history illuminates both past and present constructions of embodied difference, these works provide a lens for reassessing two history adaptations from Shakespeare's 1990s box office renaissance, when actors of colour were first cast in cinematic versions of the plays. As exemplified by these formal adaptations' reappropriations of race in history, non-traditional Shakespearean casting practices are also currently shaping digital culture's conversations about race in non-Shakespearean period dramas such as Bridgerton.

King Richard III

King Richard III PDF Author: William Shakespeare
Publisher: A&C Black
ISBN: 1903436893
Category : Drama
Languages : en
Pages : 522

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Book Description
Dramatizes Richard's rise to the British throne and his subsequent downfall, and includes criticism and notes on the play's text.

Theatre World 1993-1994

Theatre World 1993-1994 PDF Author: John Willis
Publisher: Hal Leonard Corporation
ISBN: 9781557832351
Category : Performing Arts
Languages : en
Pages : 300

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Book Description
(Theatre World). Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama awards.

White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour

White People Do Not Know how to Behave at Entertainments Designed for Ladies & Gentlemen of Colour PDF Author: Marvin Edward McAllister
Publisher: Univ of North Carolina Press
ISBN: 9780807854501
Category : Performing Arts
Languages : en
Pages : 260

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Book Description
McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.

King Richard II

King Richard II PDF Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 140

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Book Description


The Routledge Companion to African American Theatre and Performance

The Routledge Companion to African American Theatre and Performance PDF Author: Kathy A. Perkins
Publisher: Routledge
ISBN: 1351751433
Category : Drama
Languages : en
Pages : 566

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Book Description
The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Blood on the Stage, 480 B.C. to 1600 A.D.

Blood on the Stage, 480 B.C. to 1600 A.D. PDF Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
ISBN: 1442235489
Category : Performing Arts
Languages : en
Pages : 403

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Book Description
This volume examines the key representations of transgression drama produced between 480 B.C. and 1600. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features. The plays covered in this volume will include the great ancient Greek and Roman tragedies, fifteenth century Passion plays, and dramas by Christopher Marlowe and William Shakespeare.

Richard the III

Richard the III PDF Author: William Shakespeare
Publisher: Everbind
ISBN: 9780884830146
Category : Great Britain
Languages : en
Pages : 280

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Book Description
Folger Edition; Shakespeare's Richard III is a monumental and arrogant villain.