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Author: Gerhard Wolf
Publisher: Hirmer Verlag GmbH
ISBN: 9783777434483
Category : Marble
Languages : en
Pages : 0
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Book Description
"Marble is a metamorphic stone that has been a material of choice and a subject of reflection for millennia. Its geology, history, and economics are well known, but its aesthetics remain understudied. This book sheds new light on the celebration and uses of marble in art and literature and on the iconic potential of the stone. Through empirical research centered on the Mediterranean from Late Antiquity to the present, it closely examines the artistic versatility of marble in its uses and re-uses, including the marble cladding of architecture, the carving of marble and painting on stone, their political and philosophical connotations, and the de- and re-materializing of marble made possible by digital technology"--
Author: Gerhard Wolf
Publisher: Hirmer Verlag GmbH
ISBN: 9783777434483
Category : Marble
Languages : en
Pages : 0
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Book Description
"Marble is a metamorphic stone that has been a material of choice and a subject of reflection for millennia. Its geology, history, and economics are well known, but its aesthetics remain understudied. This book sheds new light on the celebration and uses of marble in art and literature and on the iconic potential of the stone. Through empirical research centered on the Mediterranean from Late Antiquity to the present, it closely examines the artistic versatility of marble in its uses and re-uses, including the marble cladding of architecture, the carving of marble and painting on stone, their political and philosophical connotations, and the de- and re-materializing of marble made possible by digital technology"--
Author: Amalie Smith
Publisher:
ISBN: 9781999992873
Category : Women sculptors
Languages : en
Pages : 0
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Book Description
Amalie Smith ignites everyday encounters into sites of revelation and metamorphosis Recently unearthed from the ground, Marble leaves her new lover in Copenhagen and travels to Athens. The city is overflowing with colour, steam and fragrance, cats cry like babies at night, the economic crisis is raging. In this volatile landscape, Marble grasps the world by exploring its immediate surfaces. Capturing specks of colour on ancient sculptures in the Acropolis Museum with an infrared camera, she simultaneously traces the pioneering sculptor Anne Marie Carl-Nielsen, who spent several months in the same place 110 years earlier. Far away from her husband and children, Carl-Nielsen showed that Archaic sculptures were originally painted in bright colours - a feat which meant defying Victorian gender roles and jeopardising her marriage. Sensuous and electric, yet admirably forensic in its approach to mineral life, Marble is a galvanizing novel about the materials life is made of, about korai and sponge diving, about looking and looking again, written in a spare and pellucid style. Praise for Marble Everything connects. In that Ali Smith/Isabel Waidner way, Amalie Smith manages to stuff a lot of topics in an economic way... Enriching and rewarding - The Bobsphere A resolute novel that, by virtue of its mix of literary suggestion, aesthetic experience and art historical insight, makes something that is simultaneously straightforwardly concrete and almost incomprehensibly abstract come alive - Jyllands-Posten Marble is not reminiscent of much else, but that does not make it odd. Just beautifully its own. It is made of the stuff art and literature is made of. In excess - Berlingske Amalie Smith brings marble to life - Politiken ♥♥♥♥ Admirably vivid - Information Marble is an artistically ambitious and original attempt at creating an open, hybrid and 'impure' strand of novel which integrates and supplements fiction with factual and documentary elements... Amalie Smith digs into the material with knowledge, sensuality, and aesthetic sensibility - Litteratursiden Marble is a novel about insisting on the significance of surfaces, about longing and absorption, about diving and becoming porous. The book thinks across disciplines and aesthetic genre conventions, and hence it is no coincidence that Amalie Smith is a practising artist as well as a writer - Vagant AMALIE SMITH (b. 1985) is a Danish writer and visual artist. A graduate from the Danish Academy of Creative Writing and the Royal Danish Academy of Fine Arts, Smith has published eight hybrid books. She has received numerous awards for her work as an artist and writer, including the Danish Arts Foundation's prestigious three-year working grant, the Danish Crown Prince Couple's Rising Star Award, and the Bodil and Jørgen Munch-Christensen Prize for emerging writers. JENNIFER RUSSELL has published translations of Amalie Smith, Christel Wiinblad, and Peter-Clement Woetmann. She was the recipient of the 2019 Gulf Coast Prize for her translation of Ursula Scavenius's 'Birdland', and in 2020 she received an American-Scandinavian Foundation Award for her co-translation of Rakel Haslund-Gjerrild's All the Birds in the Sky.
Author: William A. P. Childs
Publisher: Princeton University Press
ISBN: 0691176469
Category : Art
Languages : en
Pages : 400
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Book Description
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author: David Bindman
Publisher:
ISBN: 9780300197891
Category : ART
Languages : en
Pages : 0
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Book Description
This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors' own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race.
Author: Fabio Barry
Publisher: Yale University Press
ISBN: 0300248164
Category : Architecture
Languages : en
Pages : 449
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Book Description
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Author: Michael Greenhalgh
Publisher: BRILL
ISBN: 9004170839
Category : History
Languages : en
Pages : 653
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Book Description
This survey and synthesis of the structural and decorative uses of Roman remains, particularly marble, throughout the mediaeval Mediterranean, deals with the Christian West - but also Byzantium and Islam, each the inheritor of much Roman territory. It includes a 5000-image DVD.
Author: Annette Haug
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110764768
Category : History
Languages : en
Pages : 551
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Book Description
The focus of this volume is on the aesthetics, semantics and function of materials in Roman antiquity between the 2nd century B.C. and the 2nd century A.D. It includes contributions on both architectural spaces (and their material design) and objects – types of 'artefacts' that differ greatly in the way they were used, perceived and loaded with cultural significance. With respect to architecture, the analysis of material aesthetics leads to a new understanding of the performance, imitation and transformation of surfaces, including the social meaning of such strategies. In the case of objects, surface treatments are equally important. However, object form (a specific design category), which can enter into tension with materiality, comes into particular focus. Only when materials are shaped do their various qualities emerge, and these qualities are, to a greater or lesser extent, transferred to objects. With a focus primarily on Roman Italy, the papers in this volume underscore the importance of material design and highlight the awareness of this matter in the ancient world.
Author: Elizabeth Jeffreys
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657408
Category : History
Languages : en
Pages : 340
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Book Description
The theme of the 2006 International Congress of Byzantine Studies was display, assessing what strategies the people of Byzantium used to express their thoughts, ideals, fears and beliefs, and how these have been interpreted through various modern discourses. The first volume presents the texts of the 28 plenary papers delivered at the Congress; the second and third contain the abstracts of the many hundreds of papers written for the 64 separate panels and the sessions of communications.
Author: Jakub Stejskal
Publisher: Taylor & Francis
ISBN: 1000637557
Category : Philosophy
Languages : en
Pages : 158
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Book Description
Is the celebrated elegance of Cycladic marble figurines an effect their Early Bronze Age producers intended? Can one adequately appreciate an Assyrian regal statue described by a cuneiform inscription as beautiful? What to make of the apparent aesthetic richness of the traditional cultures of Melanesia, which, however, engage in virtually no recognizable aesthetic discourse? Questions such as these have been formulated and discussed by scholars of remote cultures against the backdrop of a general scepticism about the prospects of escaping the conditioning of one’s own aesthetic culture and attuning to the norms of a remote one. This book makes a radical move: it treats the remote observers’ lack of aesthetic insight not as a hindrance to aesthetic analysis, but as a condition requiring an aesthetic theory that would make room for an aesthetic analysis independent of the model of competent aesthetic judgement or appreciation. Objects of Authority represents a rare effort at bringing together methods and concepts that are often addressed by separate disciplines. It will appeal to scholars and advanced students working on philosophical, art-historical, and anthropological theories of visual art and material culture.
Author: Emily B. Stanback
Publisher: Springer
ISBN: 1137511400
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
This book argues for the importance of disability to authors of the Wordsworth-Coleridge circle. By examining texts in a variety of genres — ranging from self-experimental medical texts to lyric poetry to metaphysical essays — Stanback demonstrates the extent to which non-normative embodiment was central to Romantic-era thought and Romantic-era aesthetics. The book reassesses well-known literary and medical works by such authors as William Wordsworth, Samuel Taylor Coleridge, and Humphry Davy, argues for the importance of lesser-studied work by authors including Charles Lamb and Thomas Beddoes, and introduces significant unpublished work by Tom Wedgwood.
