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Author: Dave Kinzer
Publisher:
ISBN: 9781690045007
Category :
Languages : en
Pages : 376
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Book Description
The 70s Music Compendium is THE resource for every 70s music fan, DJ, cover band, and music educator. To compile the info for this book, the author listened to all 5,344 hits of the 70s. Hundreds of pages are filled with tons of info and trivia. You'll find over 100 lists, charts, quotes, and illustrations inside.Cover bands will love the lists of songs that feature certain instruments, like the banjo, sitar, and slide guitar. DJs will love the ability to organize playlists by instruments and genres like country-pop crossover songs, Christmas songs, and covers of hits from the 70s. Music educators and students will appreciate the music theory section that lists songs that share a common musical element, such as an unusual time signature, a countermelody, or an ostinato. Anyone who enjoys 70s music will like the quirky lists, such as: songs with mistakes, songs with a talkbox, and songs with false endings. Elton John, Carpenters, Led Zeppelin, Chicago, Stevie Wonder, Paul McCartney and more!
Author: Dave Kinzer
Publisher:
ISBN: 9781690045007
Category :
Languages : en
Pages : 376
Get Book Here
Book Description
The 70s Music Compendium is THE resource for every 70s music fan, DJ, cover band, and music educator. To compile the info for this book, the author listened to all 5,344 hits of the 70s. Hundreds of pages are filled with tons of info and trivia. You'll find over 100 lists, charts, quotes, and illustrations inside.Cover bands will love the lists of songs that feature certain instruments, like the banjo, sitar, and slide guitar. DJs will love the ability to organize playlists by instruments and genres like country-pop crossover songs, Christmas songs, and covers of hits from the 70s. Music educators and students will appreciate the music theory section that lists songs that share a common musical element, such as an unusual time signature, a countermelody, or an ostinato. Anyone who enjoys 70s music will like the quirky lists, such as: songs with mistakes, songs with a talkbox, and songs with false endings. Elton John, Carpenters, Led Zeppelin, Chicago, Stevie Wonder, Paul McCartney and more!
Author: Adrian Whittaker
Publisher: Helter Skelter Publishing
ISBN: 9781900924641
Category : Folk music
Languages : en
Pages : 0
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Book Description
First ever book on The Incredible String Band a key inspiration for Led Zeppelin.
Author: Ian Helliwell
Publisher:
ISBN: 9781913231125
Category : Music
Languages : en
Pages : 224
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Book Description
In the form of a richly illustrated compendium, Tape Leaders is an indispensable reference guide for anyone interested in electronic sound and its origins in the UK. For the first time, a book sets out information on practically everyone active with experimental electronics and tape recording across the country to reveal the untold stories and hidden history of early British electronic music. With an individual entry for each composer, it covers everyone from famous names like William Burroughs, Brian Eno and Joe Meek to the ultra-obscure such as Roy Cooper, Donald Henshilwood and Edgar Vetter. There are sections for EMS and the BBC Radiophonic Workshop and amateurs, groups and ensembles that experimented with electronics, including The Beatles, Hawkwind and White Noise. Author Ian Helliwell draws on his experience and extensive research into electronic music. After six years and dozens of interviews, he has amassed information never before brought to light in this fascinating subject. An essential book for anyone interested in electronic music history during the 1950s and 60s.
Author: David Farber
Publisher: Columbia University Press
ISBN: 0231518072
Category : History
Languages : en
Pages : 523
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Book Description
The 1960s continue to be the subject of passionate debate and political controversy, a touchstone in struggles over the meaning of the American past and the direction of the American future. Amid the polemics and the myths, making sense of the Sixties and its legacies presents a challenge. This book is for all those who want to take it on. Because there are so many facets to this unique and transformative era, this volume offers multiple approaches and perspectives. The first section gives a lively narrative overview of the decade's major policies, events, and cultural changes. The second presents ten original interpretative essays from prominent historians about significant and controversial issues from the Vietnam War to the sexual revolution, followed by a concise encyclopedia articles organized alphabetically. This section could stand as a reference work in itself and serves to supplement the narrative. Subsequent sections include short topical essays, special subjects, a brief chronology, and finally an extensive annotated bibliography with ample information on books, films, and electronic resources for further exploration. With interesting facts, statistics, and comparisons presented in almanac style as well as the expertise of prominent scholars, The Columbia Guide to America in the 1960s is the most complete guide to an enduringly fascinating era.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Author: Marc Myers
Publisher: Grove Press
ISBN: 0802157939
Category : Biography & Autobiography
Languages : en
Pages : 339
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Book Description
A “fascinating, intimate” oral history of the golden age of the rock concert based on nearly 100 interviews with musicians, fans, and others (Publishers Weekly). Decades after the rise of rock music in the 1950s, the rock concert retains its power as a unifying experience—and as a multi-billion-dollar industry. In Rock Concert, acclaimed music writer Marc Myers delves into the history of this cultural phenomenon, weaving together ground-breaking accounts from the people who were there. Myers combines the tales of icons like Joan Baez, Ian Anderson, Alice Cooper, Steve Miller, Roger Waters, and Angus Young with the disc jockeys, audio engineers, and music journalists, and promoters who organized it all, like Michael Lang, co-founder of Woodstock, to create a rounded and vivid account of live rock’s stratospheric rise. Rock Concert offers a backstage view of rock ‘n’ roll as it evolved through live performance—from the rise of R&B in the 1950s, to the hippie gatherings of the ‘60s, and the growing arena tours of the ‘70s and ‘80s. Elvis Presley’s gyrating hips, the “British Invasion” of the Beatles, the Grateful Dead’s free flowing jams, and Pink Floyd’s The Wall are just a few of the defining musical acts that drive this rich narrative.
Author: Jean-Emmanuel Deluxe
Publisher: Feral House
ISBN: 1936239728
Category : Music
Languages : en
Pages : 557
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Book Description
Yé-Yé means Yeah Yeah! and is best known as a style of '60s pop music heard in France and Québec.
Author: Sean Manning
Publisher: Crown Archetype
ISBN: 0307449653
Category : Music
Languages : en
Pages : 290
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Book Description
Music defines us. To return the favor, we’ll stick up with zealous passion for the performers and bands that we love . . . and heap aspersions and ridicule upon people who dare to place their allegiances above our own. In Rock and Roll Cage Match, today’ s leading cultural critics, humorists, music journalists, and musicians themselves take sides in thirty of the all-time juiciest “who’s better” musical disputes. Marc Spitz on the Smiths vs. the Cure: “If the Smiths are its James Dean, the Cure are the Marlon Brando of modern rock.” Mick Stingley on Van Halen vs. Van Hagar: “Eddie Van Halen single-handedly (sometimes quite literally) conjured rapturous sounds, and reinvented the idea of what could be done with a guitar with his sleight of hand. . . . As for the lyrics . . . Where Roth had been nuanced and clever, relying on double entendres and sexual innuendo, Sammy was ham-fisted and cloying and just downright embarrassing. Gideon Yago on Nirvana vs. Metallica: “Here is why Nirvana will always be a better band than Metallica. It’s not because they hit harder (they do). It’s not because they are tighter (they’re definitely not). . . . It’s because Metallica is fundamentally about respecting rules—of metal, of production, of technicality—and Nirvana is about breaking those rules down in the pursuit of innovation. Metallica was metal. Nirvana was something else.” Touré on Michael Jackson vs. Prince: “[Prince] was the wild son of Jimi, the younger brother of Rick James and Richard Pryor, the ultrasexual black Casanova who told you up front that he had a dirty mind . . . Michael held the opposite appeal. His music was often about escaping through dance or being hopeful about the world.” Russ Meneve on Bruce Springsteen vs. Bon Jovi: “I really, truly mean it when I say, Mr. Springsteen, no disrespect . . . you are a legend. But in the Battle a da Jerz, when that thick chemical-waste smoke clears and the overly sprayed mall hair parts, the Jov man is the last man rockin’.” Whitney Pastorek on Whitney Houston vs. Mariah Carey: “Frankly, dry recitations of figures are just too easily negated by simple things like, say, bringing up someone’s horrible taste in choosing movie roles. Watch, I’ll do it right now: Yes, Mariah has seventeen number one singles, and Whitney only eleven. But Whitney made The Bodyguard, which is basically a classic, and Mariah starred in Glitter, a colossal suckfest of crapitude that should disqualify her on the spot.”
Author: Ross Hair
Publisher: Taylor & Francis
ISBN: 1317123581
Category : Music
Languages : en
Pages : 279
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Book Description
Released in 1952, The Anthology of American Folk Music was the singular vision of the enigmatic artist, musicologist, and collector Harry Smith (1923–1991). A collection of eighty-four commercial recordings of American vernacular and folk music originally issued between 1927 and 1932, the Anthology featured an eclectic and idiosyncratic mixture of blues and hillbilly songs, ballads old and new, dance music, gospel, and numerous other performances less easy to classify. Where previous collections of folk music, both printed and recorded, had privileged field recordings and oral transmission, Smith purposefully shaped his collection from previously released commercial records, pointedly blurring established racial boundaries in his selection and organisation of performances. Indeed, more than just a ground-breaking collection of old recordings, the Anthology was itself a kind of performance on the part of its creator. Over the six decades of its existence, however, it has continued to exert considerable influence on generations of musicians, artists, and writers. It has been credited with inspiring the North American folk revival—"The Anthology was our bible", asserted Dave Van Ronk in 1991, "We all knew every word of every song on it"—and with profoundly influencing Bob Dylan. After its 1997 release on CD by Smithsonian Folkways, it came to be closely associated with the so-called Americana and Alt-Country movements of the late 1990s and early 2000s. Following its sixtieth birthday, and now available as a digital download and rereleased on vinyl, it is once again a prominent icon in numerous musical currents and popular culture more generally. This is the first book devoted to such a vital piece of the large and complex story of American music and its enduring value in American life. Reflecting the intrinsic interdisciplinarity of Smith’s original project, this collection contains a variety of new perspectives on all aspects of the Anthology.
Author: Return Ira Holcombe
Publisher:
ISBN:
Category : History
Languages : en
Pages : 908
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Book Description
